The invention relates to an attachment arrangement for the strings of a stringed instrument, especially a guitar, comprising a bridge body fixed to the body of the stringed instrument, first restraining means for restraining the strings from the first end area, second restraining means, which are arranged in conjunction with the bridge body for restraining the strings from the second end area, lever means arranged in conjunction with the bridge body in order to move the second restraining means for temporarily loosening and/or tightening the strings by means of a lever part included in the lever means.
From patent publication U.S. Pat. No. 4,171,661 and from its improved version. U.S. Pat. No. 4,497,236 is previously known this type of an attachment arrangement which restrains both ends of a string. From these publications is known a so-called Floyd Rose bridge construction of a guitar, which is a bridge construction widely used as such or in modified forms in current guitars. The bridge construction comprises second restraining means which are arranged to move simultaneously through a joint base plate connected to a lever in order to temporarily loosen and/or tighten the strings. In the construction, the bridge is in balance when the tractive forces exerted on the bridge by the strings tightened to the desired tune and by the, usually several, counter-springs comprised in the lever means are in balance. The strings are temporarily loosened by pressing the lever downwards (towards the body of the stringed instrument). All springs then loosen over the same distance as the base plate turns and, therefore, as the restraining means move with the lever, and the counter-springs tighten. Similarly, when the lever is lifted upwards (away from the body), all springs tighten over the same distance and the counter-springs loosen.
As a result of this structure, which changes the length of the strings simultaneously by the same amount (stretch and compression), and the different properties, especially the stretching and compressing properties (when loosening and tightening the springs), of strings of various thicknesses with respect to one another, the frequencies of the strings change in a different or undesired manner compared to one another. A particular disadvantage of this type of construction is that, in practice, the change in the pitch of thinner and more stretching strings remains small. This is often an undesirable property when loosening and/or tightening the strings temporarily.
A significant disadvantage of such floating bridge construction is that when the player raises the pitch of the string by moving it with a finger transversely to the fingerboard, so-called bending, this tightening string deviates the bridge in a direction loosening the strings, whereby the pitch of all other strings falls. With many pieces of music and playing styles this is a big problem and, therefore, many players have separate fixed-bridge guitars, which do not have this disadvantage, but with them can then obviously not be played pieces and musical styles in which it is essential to be able to change the pitch of the strings in the manner made possible by a moving bridge.
In addition to this, a problem with the bridge constructions described above is that the tuning of even just one string to a flat or sharp tune, or the breaking of the string, causes the remainder of the strings in the instrument to go completely out of tune. This is due to the loss of balance of the strings and the counter-springs, whereby all restraining means move from their original positions with the bridge. In this case, the tension, and thus the tuning of the rest of the strings, changes completely compared to the original situation. Balancing a flat or sharp tuned (even just one string) guitar in such a way that the tune remains correct takes a rather long time and if a string is broken, it is practically impossible to achieve the tune.
A further disadvantage of this type of structure is that operation both upwards and downwards requires turning the lever with considerable force. When the lever is pressed downwards, the strings loosen and their force acting on the bridge decreases steeply, whereas at the same time the counter-springs tighten and their force acting on the bridge increases. At the end, the player, therefore, has to overcome the force of the tightening counter-springs. Similarly, when the lever is pulled upwards, the strings tighten and their force acting on the bridge increases steeply, while the counter-springs at the same time loosen. In this case, the player has to overcome the force of the strongly tightening strings. This makes using the bridge by means of the lever hard, which hinders precise use of the lever.
Yet another disadvantageous feature of such bridge construction relates to a wide cavity or the like made in the framework for the counter-spring. Conventionally, such a cavity is made in the body (on its underside), directly underneath the strings. At the same time, microphones are located in their own cavities on the upper surface of the body. Therefore, the cavities lighten the body precisely at the strings, even to the extent that the thickness of the body may in places be 25-50% of the total thickness of the body. This is known to have a disadvantageous effect, for example, on the sustain of the sound of the guitar, that is, the sound dies out quicker due to the lesser mass of the body at the strings.
For example, from patent publication U.S. Pat. No. 4,686,883 is previously known a solution for altering the string-specific tension of guitar strings. In it are on the transverse axis of the lever fitted formed pieces which move a rocker arm connected to each string. However, here the length of the free section of the strings remains unchanged and only the tension of the strings changes. Second restraining means cannot be used in conjunction with the bridge in the construction according to the publication U.S. Pat. No. 4,686,883, but the strings pass through v-notches at the ends of the rocker arms to an attachment point further on the rocker arm, whereupon on each string along this distance is formed a long non-sounding section, which is the reason why the instrument does not return into tune after the lever has been used. In this and many other bridge constructions, the strings pass through v-grooved wheels, in which case the pitch cannot be lowered, because a loose string would then easily slip out of the v-groove of the wheel and would not return to the v-groove once the strings re-tighten. The construction disclosed herein limits the rotational angles of the rocker arms to such small size that the pitch of at least the thinner and more stretching strings cannot be significantly altered. The construction only comprises a centering spring which returns the mechanism to its central position after the deviation, in which case, when the lever is pulled upwards, the player has to overcome the force generated by the strings with his hand, and the lever shaft is in addition far from the position of the player's hand which makes the lever long, thus further limiting the operating area, especially downwards. Both the use and the outward appearance are peculiar to players who are accustomed to a Floyd Rose bridge.
From the published patent application FR 2 780 542 is known one solution for altering the spring-specific tension of guitar strings. In it, each string is attached to a string-specific straight lever fitted on a transverse shaft located close to the upper surface of the body of the guitar. Each lever is a floating one and has its own lever-specific counter-spring. When the guitar is tuned, the string and counter-spring attached to each lever must, therefore, be balanced in such a way that the string is in tune and the lever exactly in its central position, which means that tuning and adjusting the whole instrument is a difficult and time-consuming procedure. The string-specific levers are deviated by formed pieces on both of their sides, the pieces being moved by a complex mechanism by the effect of the lever being turned. In its central position, the lever, therefore, floats between two formed pieces, and when the lever is deviated, the formed piece in question moves into contact with the side of the lever and begins to deviate it in the desired direction. An arrangement consisting of a lever floating by means of its own counter-spring and of two formed pieces is a complex one and in practice requires clearance around the central position in which the lever floats, and the clearance is in turn not good for the operation and the feel experienced by the player. A solution with two formed pieces and a lever between them does not make it possible in practice, for the formed piece to come into contact with a wheel or roller on the lever, but due to the lack of space, the operation must be based on sliding, which increases the friction of the mechanism and the wear enlarging the clearance and weakening the feel. When there are two formed pieces per string, changing the string-specific operating profiles is much more difficult and expensive. The return to the central position is based on a separate centering spring returning the lever mechanism to its central position, after which each lever tends to seek its own central position by the force of its counter-spring, within the clearance allowed by the formed pieces. However, outside the clearance, the lever mechanism connects the levers with one another and thus, for example, the breaking of a string affects the pitch of the remaining strings. The string is not attached from the end of the sounding part, but passes on the bridge over a separate piece or roll attached either to the end of lever or in front of the lever, and the adjustment of intonation is carried out by moving this piece or roll and not the attachment point of the string. This type of structure does not allow the string to be let completely loose, because a loose string easily moves away from its correct position on the piece or roll and does not return to its correct position when it tightens. The non-sounding part of the string between the attachment point and the piece or roll has the effect of the instrument not returning precisely into tune following the use of the lever. On the basis of the Figures, the solution does not include a lock saddle and without a lock saddle the strings are not restrained at their top end, which further impairs the stability of the tuning. The construction disclosed also limits the rotational angles of the rocker arms to such small size that the pitch of at least the thinner and more stretching strings cannot be significantly altered, and yet the geometry of the solution alters the height of the strings from the body of the instrument and the frets at the lower end of the neck markedly when the lever is used.
The publication U.S. Pat. No. 5,986,190 makes known a solution for altering the string-specific tension of guitar strings. In it, the strings are not restrained at either end of the sounding section, but the core of the operation is to use string-specific inserts at both ends of the sounding section, the inserts each having a hole for a string and being made of special material against which the friction of the string is low. However, since friction cannot be completely eliminated, the long unrestrained non-sounding sections of the strings result in the instrument not returning precisely into tune after the lever has been used. The length of the sounding section of the strings does not, therefore, change, and the alteration in string tension is based on attaching the strings either on the surface of cams mounted on a transverse shaft or to pistons moving in bores, which are moved by corresponding short rocker arms mounted on the surfaces of the cams mounted on the transverse shaft. The strings running on the surface of the cams increase the instability of tuning, because there is considerable friction between the string and the surface of the cam, and also the rocker arms corresponding to the pistons moving in the bores and the surfaces of the cams without a roller or wheel are a complex solution increasing instability due to frictions.
The aim of the present invention is to eliminate, or at least substantially reduce, the above-mentioned disadvantages.
To achieve the above aim, the present invention is characterised in that the lever means are provided with moving means comprising at least one moving mechanism, which is a mechanism separate from the lever means and in which one or more second restraining means are arranged to move with respect to the bridge body, and that the moving means are arranged to transmit the movement of the lever means into the desired movement of one or more restraining means.
By means of the string attachment arrangement according to the invention is achieved especially the aim of the invention according to which it is desirable to eliminate the changing of the frequency the of strings restrained from both ends in a different manner or undesirable manner when loosening and/or tightening the strings temporarily by means of a lever. By means of the invention is especially provided the possibility—in connection with the temporary loosening and/or tightening of the strings—of changing (while playing) the frequencies of individual strings in the desired manner with the moving means, for example, in such a way that the pitch of the strings changes in equal proportion when the lever is turned. This is not possible, for example, with the structure previously known from the patent publication U.S. Pat. No. 4,497,236.
Preferred embodiments of the invention are disclosed in the dependent claims.
The dependent claims also disclose embodiments by means of which the above-mentioned other disadvantages relating to problems caused by the strings breaking and to the use of force by the lever can be eliminated, or at least substantially reduced. Solving these problems substantially facilitates the formation of the desired sounds in the string attachment arrangement according to the independent claims.
The invention is described in greater detail in the following, with reference to the accompanying drawings, of which:
The Figures thus show the body 100 of a guitar in which is made an opening 100a passing through the body 100. In the opening 100a is fitted a bridge body 2 comprising side flanges parallel to the surface of the guitar body 100, the lower surfaces of the flanges resting against the surface of the guitar body 100 from the edge of the opening 100a. In the bridge body 2 are preferably arranged holes 2a, openings or the like for attachment means, such as screws (not shown). By means of these attachment means, the bridge body 2 can be attached so as to be immobile on the body of the instrument 100 and so that it can be detached from its attachment if necessary. In the centre of the bridge body 2 is an opening which corresponds in shape to the opening 100a of the body 100. The bridge body 2 comprises walls extending from the edges of the opening, which can be fitted into the opening 100a of the body 100. The walls are in this case preferably located adjacent to the surfaces (transverse with respect to the surface of the body 100) of the opening 100a. The above-mentioned attachment means of the bridge body may also be of the type by means of which the position of the bridge body in the direction of the depth of the opening 100a of the body 100 is adjustable. The walls of the bridge body 2 may comprise protective projections, such as 2b and 2c, which prevent the falling or penetration of dirt and larger inappropriate objects into the opening 100a.
In conjunction with the bridge body 2 are located lever means 5 which form an element turning with respect to the bridge body 2. The lever means 5 comprise a lever 5′ which can be fitted in a manner known as such to a seat 5a or similar attachment means. The seat 5a with its lever 5′ is attached to a support element 5b arranged to turn with respect to the bridge body 2. On the opposite side of the bridge body 2 is a second support element 5b. The support elements 5b are arranged to turn through bearing means 4. The bearing means 4 include pivoted axles R1 attached to the bridge body 2, which are arranged to extend in conjunction with the bearing means 4 fitted in a housing formed by the upper part of the support elements 5b and to thus cooperate with them. The attachment means 4 are arranged on opposite edges of the opening of the bridge body 2. Here, the upper part of the support elements 5b is made to be openable, which makes it possible to mount the bearing means 4 and to fit the pivoted axles R1 in conjunction with the bearing means 4. The longitudinal direction of the pivoted axle R1 is preferably perpendicularly transverse to the longitudinal direction of the strings S of the instrument and it is preferably located in the vicinity of the plane passing through the strings S. Due to the location of the pivoted axle R1 and the seat 5a, the attachment point of the lever with respect to the strings S is preferably very close to the attachment point on a Floyd Rose bridge, which means that the lever 5′ can be similar to that on a Floyd Rose bridge. The use, and also the appearance, of the bridge are thus familiar to those accustomed to the Floyd Rose bridge. The attachment point (seat 5a) of the lever 5′ may, if so desired, be changed to a location differing from the customary one.
The seat 5a is attached to a support element 5b or the like located in the vicinity of the edge of the opening 100.
Therefore, in the space between these two support elements 5b are fitted especially the moving means 6, 7 according to the invention, shown in
Each formed piece 6b is connected to an individual moving mechanism 7 in a corresponding position, as described below. The moving mechanism is comprised of the pivot links 7 shown in
The upper part of each pivot link 7 included in the moving mechanism is designed to receive the restraining means 3. The design may be, for example, a flat upper surface 7b of the pivot link, as shown in
Transversely between two support elements 5b are thus fitted formed pieces 6b. A single formed piece 6b preferably comprises a body through which the formed piece 6b can be connected by means of a screw 6e to the bridge piece 6a. The cam-like formed piece 6b comprises a contact surface which is divided into parts 6c and 6d in the description. When the restraining means are in their normal position, the point of connection of these parts is in contact with the counterpart 7a of the pivot link 7. The contact surface is preferably arranged to move against a counter-roll or other counterpart 7a located in the lower part (tip of one of the U branches) of the U-shaped pivot link 7.
When the lever 5′ is pressed in accordance with arrow P1 (
The purpose of the surface segments 6c and 6d of an individual formed piece 6b is in this embodiment to effect the individual movement of the corresponding pivot link 7 and thus of the restraining means 3 of the string, which is independent of the movements of the other pivot links 7 and thus of the other attachment means 3. The individual movement of the attachment means 3 of the string (which corresponds to the change in the length of the free section of string S) with respect to the movement of the lever means 5 (P1 and P2) is effected by at least the individual surface profile of the surface segments 6c and 6d of each formed piece 6b. The surface profiles for each surface segment 6c and 6d can be selected, for example, in such a way that the pitch of the strings changes when the lever 5′ is turned (tightening and loosening of the strings) to the same or essentially the same extent. This is not possible in the prior art string attachment arrangements with double restraining of the strings. The surface profiles of the surface segments 6c and 6d may, in principle, be selected as desired and the individual profiles of the surface correspond to the change in the pitch of the string S attached to the corresponding attachment means 3. For example, in a six-string guitar, the two thinnest strings can be provided with formed pieces 6b, by means of which are achieved changes in the pitch of the strings which correspond to one another when the lever 5′ is used. The following four strings can be divided in a corresponding manner into two sets of two strings.
The shape of the surface segments 6c and 6d of an individual formed piece 6b can be selected and manufactured by machine, for example, on the basis of one of the following parameters or their combination: string tension, frequency of the sound formed by the string, location of the restraining means at least in the longitudinal direction of the string, turning angle of the lever means 5 around the pivoted axle R1. Other parameters may also be used. All these parameters can be determined when the basic structure of the attachment arrangement 1, such as the positions of the pivoted axles and the shape of the counterpart 7a of the pivot link 7, are known. The contact surface of the formed piece 6b may be a part of the circular arch, whereby the desired movement of the attachment means 3 of the string determines the location of the diameter and the centre of the circle. This simple counter-surface and the entire formed piece are easy to dimension with the design program (cad) of a computer once the desired location of the attachment means 3 in the normal and extreme lever positions is determined. Such formed pieces are easy to dimension, manufacture and sell for all customary tightening and loosening distances of strings, for example with 0.25 mm spacing, whereby the player is fairly easily able to change the pitch of the strings in essentially equal proportion or to provide some other desired function. On the other hand, for example, the computation programs of the camshafts of combustion engines can be utilised even for providing extremely complex string tightening and loosening profiles. It is also possible to make a narrow sector by the normal position, where the contact surface of the formed piece 6b is at a constant distance, or almost constant distance, from axle R1 of the lever means 5, and in this case it is also possible to realise the construction only by means of the centering spring or other centering means of a simple lever means 5.
Furthermore, the individual movement of the attachment means 3 (for example, a change in its height with respect to the body 100) can be changed by designing or dimensioning the pivot link 7 in addition to or instead of the designing of the surface segments, especially if each pivot link 7 is provided with an individual pivoted axle R2.
In a preferred embodiment of the invention, the string attachment arrangement is preferably provided with the counter-spring mechanism shown in
Here, a single counter-spring 10d is fixed from its first end preferably to an adjustable holder 10e provided on the edge of a longitudinal cavity 100b or the like formed in the body 100 of the instrument. From its other end, the counter-spring 10d is fixed to a rocker element or corresponding rocker arm 10b, which is in this embodiment arranged in the longitudinal direction of the strings of the instrument between the counter-spring 10d and the support element 5b.
When looking at
In
In
The counter-spring mechanism may, therefore, differ structurally from the foregoing and be, for example, such that the positions of the counter-spring and the rocker arm with respect to one another are interchanged. In this case, the counter-spring is implemented as a functionally pushing pressure spring. If the pivoted axle R3 of the rocker arm or a corresponding circular element is perpendicular (vertical in
The invention can also be implemented with one or more tractive counter-springs, without a rocker arm or the like, in which case its feel in use is very similar to a Floyd Rose bridge. A simple counter-spring mechanism 10 actually only comprises a counter-spring 10d and its adjustable holder 10e and possibly a draw wire 10a for connecting the end of the spring to the lever means 5.
On the lower edge 5b′ of the support elements 5b are provided formed parts by means of which they settle by the effect of the tractive force of the strings S against the pin 8a in a transverse or essentially transverse direction with respect to the longitudinal direction of the pin 8a (see
Thus, the lever means 5 are effected by the forces generated by the counter-spring mechanism 10 and the return mechanism 8. The distribution of these forces is preferably selected in such a way that 90-75% of these forces are generated by the counter-spring mechanism 10 and 10-25% of these forces are generated by the return mechanism 8. These forces may be proportioned to the opposite forces generated on the lever means 5 through the formed element 6 of the springs S and the moving means 7. This setup ensures above all that at least the breaking of one string S, which typically corresponds to a decrease of 12-18% in the counterforce generated by the strings, will not affect the tuning of the other strings S. In other words, the position of the lever means 5, the formed element 6 and the moving means 7 remains unchanged in their normal position. An advantage of this compared to the prior art solutions is that playing with the instrument can be continued with the remainder of the strings S. Even a smaller proportion of the force of the return mechanism suffices to maintain the pitch of the other strings unchanged when the player changes the pitch of a string by moving it with a finger in the direction of the fingerboard frets, so-called bending. With prior art instruments, either a fixed-bridge or a floating-bridge guitar has to be selected, or both; the solution according to the invention combines the best properties of both in the same instrument, which means that they can be utilised in the same playing session and one good instrument is enough.
The purpose of the return mechanism 8 is to provide, together with the counter-spring 10d, at least the type of force where the joint force of the counter-springs 10d and the return mechanism 8 turning the lever means 5 is greater than the turning force of the strings S (in the opposite direction), whereby the pin 8a always rests against the end (counter-surface 2d′) of the slot 2d in the normal position of the attachment arrangement 1 (see
Structurally, this type of attachment arrangement allows a single string or several strings to be rapidly tuned up to a raised or dropped tune, because due to the structure, it is not necessary to search for a common state of equilibrium for all. For example, the often used so-called drop tuning, where the pitch of the thickest string is lowered by one interval while the tuning of the other strings remains the same, can be done by adjusting the tension of only this string, either by means of a tuner, a fine tuner or a separate mechanism installed for this purpose, and returning to standard tuning is equally easy.
In preferred embodiments of the invention, the strings are restrained at both ends of the sounding part in such a way that in connection with the restraining point is formed a non-sounding section at most of an insignificant length, in which case there are no separate slots or grooves in the structure from which the strings could come out when they loosen, and in which case the instrument returns precisely into tune when the bridge mechanism returns to its normal position. In connection with this type of restraining, practical fine-tuning can be implemented either in the restraining means 3 comprised in the bridge or in the lock saddle at the front end of the neck of the instrument. The intonation of the string, that is, the fine-tuning of its length, is done by moving the restraining means 3 along the surface of the pivot link 7 essentially parallel to the string. Since the structure of the bridge makes it possible to render all strings S completely loose by deviating the lever 5′, the conventional tuners on the headstock of the instrument, or even the whole headstock, can be eliminated, and the bridge can be set in a string-changing position, for example, by placing a piece of suitable height between the lever 5′ turned back and the body 100 of the instrument. Each string S is attached at its bridge-side end by means of the restraining means 3 to a pivot link 7 turning around its axle R2, the change in the position of which changes the length of the string attached to it and thus also the tension and pitch. The tractive force caused by the tension of the string and the force of the possible auxiliary spring connected to the pivot link 7 is exerted on the pivot link 7, pulling it in a direction loosening the string. The lever 5′ is comprised in the lever means 5 which are mounted on bearings to turn around their axis R1. With the lever means turns a formed element 6, including typically one separate and separately exchangeable formed piece 6d per each pivot link 7 which corresponds to the counterpart 7a at the end of the pivot link 7. The spring forces resisting the tractive force caused by the strings S and the force of the auxiliary spring possibly connected to the pivot link 7 are exerted on the lever means 5. These forces are preferably generated by two parts: the return mechanism 8, which aims to return the lever means 5, and through them the entire mechanism, to its normal position when the lever 5′ is released after having been pressed P1 downwards and which does not tend to pull the lever means 5 further than to the normal position in the string-tensioning direction, but stops at this point against the counter-surface included in or attached to the bridge body 2, and by a counter-spring mechanism 10 which acts over the entire turning distance of the lever means, attempting to pull the lever means in the string-tensioning direction. The forces parallel to the tractive force of the strings S exerted on the pivot link 7, and the forces opposite to them exerted on the lever means 5, press the counterparts 7a at the ends of the pivot links 7 towards the contact surface of the formed pieces 6d connected to the lever means, and the distribution of forces in this manner makes the mechanism free from play. The joint force of the return mechanism 8 and the counter-spring mechanism 10 is adjusted to be so great that while the lever 5′ is free, the return spring mechanism 8 meets its counter-surface connected to the bridge body 2 and the entire bridge mechanism in its normal position. By means of the shape of the contact surface of the easily exchangeable formed piece 6b is directly affected how the turning angle of the pivot link 7 corresponding to it and the tension of the string S attached to the pivot link 7 change when the lever 5′ is deviated from its normal position, and due to this, each string can be provided with a pitch changing profile according to the wishes of the player. The return mechanism 8, the counter-spring mechanism 10 or both may be implemented by utilising a rocker arm 10b turning around its axle R3, or a corresponding element which, when turning, when deviating the lever 5′ in the downward direction P1, the lever arm of the draw wire or the like between the rocker arm and the lever means 5 lengthens and/or the lever arm of the spring connected to it shortens, and which, when turning, when deviating the lever 5′ in the upward direction P2, the lever arm of the draw wire or the like between the rocker arm and the lever means 5 shortens and/or the lever arm of the spring connected to it lengthens, whereby the use of the lever 5′ and of the entire mechanism becomes lighter and the feel improves. By adjusting forces and relative forces of the return mechanism 8 and the counter-spring mechanism 10 can be sought a combination of precisely the properties and feel which the player finds best for himself/herself. In general, a good starting point is that the return mechanism 8 produces about 20% of the overall force required, whereby the feel is good when moving in one direction or the other from the normal position and yet the remaining strings of the instrument remain in tune even when one string breaks. A larger proportion of the overall force of the return mechanism 8 allows, for example, several strings to be broken without the tuning of the remaining strings changing. Then again, it has been found that even a smaller proportion of the overall force of the return mechanism 8 is sufficient, for example, for the pitch of the other strings not to change, when one or more of the strings are slid in the direction of the frets of the fingerboard, that is, transversely, to heighten their pitch (so-called bending). Furthermore, the tuning of the lowest string can be changed to one interval lower (so-called drop tuning) or back without other adjustments or changing the tuning of all strings is easy and quick.
In preferred embodiments of the invention, the return mechanism 8 and the counter-spring mechanism 10 are mounted on the sides with respect to the strings S, in such a way that the cavities needed for them in the body 100 of the instrument are not under the strings, whereby the body and the structure of the instrument is as strong as possible in the area between the neck and the bridge. In addition to this, the bridge body 2 is preferably mounted in a hole 100a made in the body 100 of the instrument in such a way that the front edge of the bridge body 2, to which the lugs 20 of the pivot link 7 are attached, rests against the corresponding edge of the hole 100a in the body of the instrument. In this case, the instrument produces a strong and pure tone and good sustain, that is, if desired, sounds sound for a long time after twanging.
Many of the advantages of the invention can also be achieved even when each string does not have its own pivot link 7, but several strings are attached to a joint pivot link. Already three pivot links positioned in such a way that the thinnest and thickest string have their own pivot links and the centremost strings have one joint pivot link is a noteworthy alternative. In an extreme case, there may be one joint pivot link for all strings.
The solution according to the invention can also easily be equipped with an electronic control device, such as a potentiometer, the signal of which changes as the tension of the strings S changes. This type of control device can be connected, for example, by means of draw wire or both a pulling and pushing wire either to the lever means 5, the moving means 7 or the rocker arm 10b. By means of the control device, for example, a special effect can be controlled to change its form in accordance with the use of the lever 5′. This type of special effect may be, for example, a light effect mounted either on the instrument itself or outside it, the brightness and/or colour of which may change as a function of turning the lever. This type of control device mechanism could also be applied to other moving bridge constructions.
In a preferred embodiment of the invention, the lever 5′ is located practically at the same point with respect to the strings S and the entire instrument as the lever of a Floyd Rose bridge controlling non-fixed bridges, which means that the lever can be exactly the same and in the same location and thus familiar to the players. The path of the lever can also be made similar, or essentially similar, to that in a Floyd Rose bridge. Furthermore, it is possible to make the appearance of the entire bridge very similar to the well-known and generally accepted appearance of a Floyd Rose bridge.
In a preferred embodiment of the invention, it is possible that the draw wire (wires) 10a of the counter-spring arrangement 10 shown, for example, in
The present invention is not limited merely to the embodiments shown, but may be applied in various ways within the scope of protection defined by the claims.
Filing Document | Filing Date | Country | Kind |
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PCT/FI2013/051177 | 12/18/2013 | WO | 00 |
Publishing Document | Publishing Date | Country | Kind |
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WO2015/092115 | 6/25/2015 | WO | A |
Number | Name | Date | Kind |
---|---|---|---|
4171661 | Rose | Oct 1979 | A |
4497236 | Rose | Feb 1985 | A |
4686883 | Piche et al. | Aug 1987 | A |
5986190 | Wolff et al. | Nov 1999 | A |
6100459 | Yost | Aug 2000 | A |
20040159204 | Rose | Aug 2004 | A1 |
20050204892 | Minakuchi | Sep 2005 | A1 |
20100064877 | Deck | Mar 2010 | A1 |
Number | Date | Country |
---|---|---|
2077736 | Mar 1994 | CA |
3526928 | Apr 1986 | DE |
3520843 | Dec 1986 | DE |
2 780 542 | Dec 1999 | FR |
Entry |
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Supplementary European Search Report (SESR) dated Jun. 23, 2017 for EP Application No. 13899838.0. |
espacenet English abstract of DE 3520843 A1. |
Number | Date | Country | |
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20160379608 A1 | Dec 2016 | US |