The present disclosure relates to an automated player for playing stringed instruments. More specifically, the present disclosure relates to an automated apparatus for playing unmodified stringed instruments such as a guitar.
Stringed instruments, such as the modem guitar, are played by causing physical vibration to the strings of the instrument. The guitar has traditionally been played by setting the instrument in the musician's lap or suspending it from a strap over his shoulder and plucking or strumming the six strings with the right hand using either the fingertips or a small, plastic or tortoise-shell plectrum or “pick”. Different musical notes are possible by pressing the individual strings against the front face of the neck or fingerboard of the guitar using the fingers of the left hand. When a string is depressed, it bridges over frets, raised metal ribs embedded in the fingerboard, and thus shortens the vibrating portion of the string and causes a higher musical pitch. Such is disclosed in U.S. Pat. No. 6,723,904, which is directed to an automated player and is incorporated herein in its entirety by reference.
The present disclosure is directed to an automated, electromechanical player that is separate and independent from the guitar 10, or other stringed instrument, and attaches to the neck or other suitable support position on the instrument. While the present disclosure is written in the context of a six string guitar, one skilled in the art will appreciate that the principles of the present disclosure are applicable to many stringed instruments having less than or greater than six strings. Further, one skilled in the art will appreciate that dimensions, design and layout of the preferred embodiment, which is directed to a player for six string guitars, is readily adaptable to stringed instruments of different shapes and sizes. The player can play pre-programmed music on the stringed instrument automatically without need of a musician. Since there are no human limitations such as only four fingers of the left hand to use at a time, music can be programmed and played by the player that would normally be impossible for an ordinary musician to play. When used in conjunction with an existing instrument, the device could also be used as accompaniment for a band or solo vocalist similar to the way a drum machine is used today.
Referring to
Mounted to the lower frame is at least one and preferably a set of six individual rotary plucking mechanisms 32 (one for each string of the instrument). Each rotary plucking mechanism is dedicated to one string 26, such as one of the six strings on the guitar 10, and plucks the string by rotating a protruding quill 34 against the string, drawing the string back. The quill 34 then retracts to release the string and let the string vibrate freely. This mimics the action of the right hand of a guitarist. Since the quill 34 may be retracted at any given moment, the amount that the string is drawn, and thus the resulting amplitude/volume when released, is controllable.
Fretting Mechanism
The spacing between frets 36 on a guitar is not uniform. Since musical pitches are based on the ratios of frequencies between notes (and not the difference in frequency) musical tones of Western music are related to each other logarithmically. The smallest musical interval is the half-step or semitone (e.g. from C to C-sharp) and for any given note, the next note above can be calculated using
Where
fi=the frequency of a given note
f2=frequency of the next semitone above f1
Since the frequency of a vibrating string is directly proportionate to its length, the vibrating length of a guitar string must be increased by this same ratio to achieve each successively lower musical semitone. Thus the spacing between consecutive frets of a guitar must be continually increased by the factor 1.0595 as they continue up the neck to obtain the proper musical pitches.
Referring to
To effect this proportional difference in motion of the four carriages of the preferred player for a six string guitar, a pulley system is included that approximates this ratio. The integer ratio of 18:17 is approximately equal to 1.0588. This results in an error of only 0.06% from the proper ratio, which is negligible. Thus, a timing pulley arrangement including timing pulleys 38 with this ratio of teeth are used to produce the proper positioning of the carriages.
At the upper frame there are two pulleys, one for each belt 44, 46. Pulley 56, at the end of the faster belt 44, is an idler on bearings and its number of teeth is immaterial. Pulley 58, at the end of the slower belt 46, has 18 teeth and is rigidly connected to a second axle 68. At the other end of the second axle 68 are two more pulleys, 60 and 62. Pulley 60 is an idler and the axle has no effect on it. Pulley 62 is rigidly attached to the second axle 68 and has 17 teeth. So once again as pulley 60 takes up 18 teeth of belt 48 per revolution, pulley 62 takes up only 17 and thus drives its belt 50 slower in the same ratio of 17:18 as before. A carriage attached to this belt would correspond to the next smaller fret.
The pulleys 64, 66 at the other end of these last two belts 48, 50, are rigidly connected to each other, but not to the first axle 42, which they rotate freely upon. Pulley 64 has 18 teeth; pulley 66 has 17 teeth. The belt 50 coming from pulley 62 is wrapped around pulley 66 and the last belt 48 (running back to the idler, pulley 60) is wrapped around pulley 64. Again the ratio 17:18 is applied to drive the last, slowest belt 48. The last carriage is attached to this belt. Now, as the motor drives these carriages, they will expand and contract together to exactly match the position of the frets, no matter where they are on the neck.
Plucking Mechanism
To pluck the instrument strings, for each string the player includes a corresponding rotary plucker 32 that is positioned with its rotational axis perpendicular to the axis of the string 26 and located substantially directly above it. Each plucker of the preferred embodiment is as shown in
A small servomotor 70/gearhead 72 combination rotates a plucking rotor 74. The plucking rotor includes an eccentric hole that accepts a spring-loaded shaft, or quill 34. The quill 34 is adapted to slide in a bushing 78 parallel to the axis of the rotor 74 and a quill head rides against the face of a coupling housing 76 of the servomotor 70/gearhead combination 72. An opposite, or string end of the quill 34 extends from the face of the rotor 74 and is used to pluck the guitar string. The rotor 74 rotates within a roller, or overrunning clutch 80 contained within a housing 81. The clutch 80 is similar to a needle bearing that only allows rotation in one direction. Thus, the rotor 74 is free to turn in the clockwise direction but will seize in the counter-clockwise direction.
As the rotor 74 turns in the free direction it eventually guides the quill head over a small ramp 82 on the surface of the coupling housing. As the rotor 74 continues to turn, the ramp 82 forces the quill 34 against the pressure of its spring 84, extending it.
The shaft of the servomotor 70/gearhead 72 combination is attached to the rotor via a flexible coupling 86 that attaches to a pawl shaft 88 (see
If the rotor 74 is subsequently turned in the reverse direction, the roller-clutch 80 will prevent its rotation. Since the pawl shaft 88 is free to rotate within the rotor 74, it will now turn back against the torsion spring 94 force and pull out of the groove 96 in the quill shank. This will release the quill 34 and it will snap back to its retracted position, releasing the guitar string 26.
Thus the servomotor 70 operation controls each pluck operation. The plucking rotor 74 is rotated until the quill 34 is cocked; the quill 34 is then turned against the string 26 to draw it back; when rotation is reversed, the quill 34 retracts and the string 26 is plucked. Since the amount that the string 26 is pulled is dependent on how far the rotor 74 is turned and this distance determines how much amplitude the resulting plucked vibration will have (and thus the volume produced) the servomotor 70 also has control over the loudness of each pluck.
Since there is no universal standard for the spacing between strings on instruments, such as guitars of different manufacture or style, the player includes an adjustment assembly 100 to adjust the spacing of the rotary pluckers 32 (see
Neck Clamp
The player is attached to the instrument neck 118 via a mounting arrangement including two clamping devices. Again, although the preferred player described herein is in reference to a player for a guitar, one skilled in the art will appreciate that the particular mounting arrangement will differ between different stringed instruments. A first neck clamp 20 is part of the upper frame 12; a second neck clamp 121 art of the lower frame 14. Both neck clamps function identically. Each neck clamp (see
Operation
The player is designed for use on any stringed instrument, such as guitars, without any modifications to the instrument. An embedded electronic circuit 140 controls the stepper motors and solenoids and operates them in sequence to produce the pre-programmed music. A detachable electric cord and AC adapter connects the device to any 120 V a/c outlet. Music programs may be installed in RAM memory via a serial connection that can connect to a computer or other MIDI device.
This application claims the benefit of U.S. Provisional Application No. 60/543,186, filed Feb. 10, 2004.
Number | Date | Country | |
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60543186 | Feb 2004 | US |