Cartoon Face Generation

Abstract

A face cartooning system is described. In one implementation, the system generates an attractive cartoon face or graphic of a user's facial image. The system extracts facial features separately and applies pixel-based techniques customized to each facial feature. The style of cartoon face achieved resembles the likeness of the user more than cartoons generated by conventional vector-based cartooning techniques. The cartoon faces thus achieved provide an attractive facial appearance and thus have wide applicability in art, gaming, and messaging applications in which a pleasing degree of realism is desirable without exaggerated comedy or caricature.

Description

BACKGROUND

With the proliferation of gaming, personal website, instant messaging, and virtual reality scenarios, more and more users wish to enter websites and virtual worlds as artistically modified versions of themselves. However, conventional vector-based cartoon generators for making a caricature, gaming figure, or avatar of oneself can end up providing poorly executed or amateurish-appearing results, or may lose various facial qualities that make the user recognizable as a unique individual. Often the conventional techniques provide too much exaggerated caricature. What is needed is a system that maintains or improves the attractive integrity and recognizable qualities of a human face while converting an image of the user's face to a cartoon style.

SUMMARY

A face cartooning system is described. In one implementation, the system generates an attractive cartoon face or graphic of a user's facial image. The system extracts facial features separately and applies pixel-based techniques customized to each facial feature. The style of cartoon face achieved resembles the likeness of the user more than cartoons generated by conventional vector-based cartooning techniques. The cartoon faces thus achieved provide an attractive facial appearance and thus have wide applicability in art, gaming, and messaging applications in which a pleasing degree of realism is desirable without exaggerated comedy or caricature.

This summary is provided to introduce exemplary cartoon face generation, which is further described below in the Detailed Description. This summary is not intended to identify essential features of the claimed subject matter, nor is it intended for use in determining the scope of the claimed subject matter.

BRIEF DESCRIPTION OF THE DRAWINGS

FIG. 1 is a diagram of an exemplary system for generating cartoon faces.

FIG. 2 is a block diagram of an exemplary cartooning engine.

FIG. 3 is a diagram of an exemplary cartooning process.

FIG. 4 is a diagram of exemplary face alignment.

FIG. 5 is a diagram of an exemplary face-tooning process.

FIG. 6 is a flow diagram of an exemplary method of generating a cartoon face.

DETAILED DESCRIPTION

Overview

Described herein are systems and methods for cartoon face generation. In one implementation, an exemplary system generates a cartoon face from an original image, such as a photo that portrays a user's face. The style of cartoon face resembles the likeness of the person portrayed in the original photo more than cartoons generated by conventional vector-based cartooning techniques. The cartoon faces thus achieved render an attractive facial appearance and thus have wide applicability in art, gaming, and messaging applications in which a cartoon, avatar, or action figure is desired that captures the user's appearance with a pleasing degree of realism but without exaggerated comedy or caricature. For example, a user can insert a cartoon or graphic of the user's own face into a game or an instant messaging forum. The exemplary system achieves pleasing cartoon faces by applying pixel-based methods separately to some parts of the cartooning process.

Exemplary System

FIG. 1 shows an exemplary face cartooning system 100. A computing device 102, such as a computer or other device that includes processor, memory, and data storage, etc., hosts an exemplary cartooning engine 104. A user inputs an original image 106 that includes a portrayal of a face, for example, the user's own face. The cartooning engine 104 performs face detection and alignment on the original image 106, and extracts the visual face from the remainder of the image 106. The cartooning engine 104 then decomposes the face into different parts with alpha-matte masks. For example, the face can be separated into facial skin region(s), shadow region(s), brows, eyes, lips, and an inner-mouth region (if the portrayed mouth is open in the image 106). In one implementation, the cartooning engine 104 adopts different exemplary cartooning techniques for the different face parts extracted from the facial image or, alternatively, applies the same approach to multiple of the extracted parts but with different parameters for each part. Then, the cartooning engine 104 re-composes the separate parts via matte-compositing techniques to generate a finished, basic cartoon face 108. Finally, other accessories, such as neck, hair, hat, eyeglasses, beard, etc., are added, e.g., as templates pre-drawn by artists, to form the finished cartoon 110. The user can change and rearrange the accessory templates for entertaining results.

Exemplary Engine

FIG. 2 shows the exemplary cartooning engine 104 of FIG. 1, in greater detail. The illustrated implementation in FIG. 2 is only one example configuration, for descriptive purposes. Many other arrangements of the illustrated components or even different components constituting an exemplary cartooning engine 104 are possible within the scope of the subject matter. Such an exemplary cartooning engine 104 can be executed in hardware, software, or combinations of hardware, software, firmware, etc.

The illustrated example cartooning engine 104 includes a face processor 202, a decomposition engine 204, a pixel-based cartoonizer 206, a compositor 208, and an accessories engine 210.

In one implementation, the face processor 202 further includes a face detector 212, a head cropper 214, a contrast enhancer 216, a color normalizer 218, and a face alignment engine 220, which in turn further includes a feature landmarks assignor 222. Feature landmarks are also known as “feature points” in the description below.

The decomposition engine 204 includes a face extractor 224 and a features extractor 226. How the face and features are extracted will be described in greater detail below.

The terms “cartoonizer” and “cartooner” are used herein to mean cartoon-generating engines or cartoon-assisting processes. The pixel-based cartoonizer 206 further includes a skin cartooner 228, a shadow cartooner 230, and a base-head cartooner 232 associated with the skin cartooner 228, that includes a “forehead & ears” geometry engine 234. Further, the cartoonizer 206 includes a features cartooner 236 including a brows processor 238, eyes processor 240, lips processor 242, and inner-mouth processor 244.

The compositor 208, for re-composing the cartoonized facial parts back into a basic cartoon face 208, includes a “head & shadow” combination engine 246 and a “head & features” combination engine 248.

The accessories engine 210 includes a user interface 250 for selecting and rearranging the templates 252, i.e., templates for selecting and adding the accessories introduced above to the basic face 108.

Operation of the Exemplary Engine

Inspired by the skill and technique applied by artists when drawing cartoons, the exemplary cartooning engine 104 separately processes different parts of the face in the original image 106 using operations well-suited to each part, then composes these parts into a basic cartoon face 108 with matte-compositing techniques. As mentioned above, the accessories engine 210 then adds accessories associated with a face, such as neck, hair, eyeglasses, hat, etc., via templates 252 that can be synthesized by a computing device or pre-drawn by artists.

As shown in FIG. 3, the exemplary cartooning engine 104 implements facial cartooning, which can be describe in four stages:

1) Face Detection and Image Pre-Processing

In the stage of face detection and image pre-processing 302, there are many face detection techniques and alternatives that can be used to detect and locate a face in the original image 106. For example, the face detector 212 may use conventional face detection techniques, or alternatively may use a simple user interaction, such as dragging a rectangle with a computer mouse to frame or designate the subject face in the original image 106.

During pre-processing, the head cropper 214 delimits the portrayed head 304 (including associated hair, etc.) from the background 306, so that the delimited visual head region can become the object of following processing steps.

Since the original image 106 may be a digital photo captured in various lighting conditions, the contrast enhancer 216 may use an auto-leveling technique to enhance the contrast within the visual head region. The color normalizer 218 can then normalize the color histogram if the color is outside of tolerances.

2) Interactive Face Alignment

The face alignment engine 220 executes face alignment 308 to locate feature landmarks along the contour of different portrayed facial parts: eyes, brows, nose, lips, cheeks, etc. In one implementation, the contours of the landmarked features are approximated with features points—i.e., dots—as shown in FIG. 4. For example, the positions of a total of 87 feature points are shown in FIG. 4, and in one implementation this is a sufficient number for the feature landmarks assignor 222 to capture the differences in features between human individuals, so that individuals can be recognized as unique in the resulting cartoon 110.

Face alignment 308 is an important underpinning for the cartooning engine 104, since the original image 106 is being separated into different facial parts according to the face alignment results 310. That is, the more accurate the face alignment 308, the more accurately the generated-cartoon 110 will imitate the original image 106. In one implementation, the face alignment engine 220 employs or comprises a Bayesian Tangent Shape Model (BSTM), e.g., that uses a constrained BSTM technique. The BSTM-based face alignment engine 220 is robust and accurate enough to obtain facial alignment results automatically. In one implementation, an ordinary BTSM method is used first to gain an initial alignment result. Then the user can modify positions of some feature points by dragging them to the expected positions. These constraints are added in the BTSM searching strategy to obtain an optimal solution.

Once the face alignment 308 is complete, the face can be separated into different parts using the aligned feature points.

3) Face-Tooning

Face-tooning 312 is a key phase in personalizing the cartoon face generation. FIG. 5 illustrates an implementation of the process.

First, assisted by the face alignment result shown in FIG. 4, the face extractor 224 separates the face from the original image 106. The features extractor 226 decomposes the extracted face into multiple parts with corresponding alpha matte masks: that is, brows, eyes, facial skin region, facial shadow region, lips, and the inner mouth, when visible. It should be noted that if the mouth is close, the inner-mouth region does not exist, in which case the lips and inner-mouth region can be combined into just a mouth region.

Second, the features cartoonizer 236 adopts different techniques for each extracted facial part, or, adopts the same technique but with different parameters.

Facial Skin and Base-Head Shape

The skin cartooner 228 aims to produce a base-head 502 of the cartoon face, as shown in FIG. 5. There are two processing phases at this stage. The first phase involves extracting skin color from the facial skin region and shifting this extracted skin color to a cartoon style. Actually, the true color of skin is rarely or never extracted because the lighting condition of the original image 106 is unknown. Thus, in one implementation, the skin cartooner 228 clusters pixels of the skin region into five groups according to their lightness. The cluster that has a lightness that is just inferior to the brightest cluster is adopted as representing the true color of the skin. The extracted color is then shifted by adjusting its brightness and chroma attributes into a cartoon style. Often, such solutions are not exact, but do not need to be to draw a base-head 502 of a reasonable cartoon face.

The second phase executed by the skin cartooner 228 in creating a base-head 502 is producing a suitable forehead and ear shape. In one implementation, the forehead and ear shape may be determined from an aligned cheek shape. Thus, in one implementation, the base-head cartooner 232 has a forehead & ears geometry engine 234 that learns an affine transformation from the cheek shape of a reference face to the aligned cheek shape of the aligned original image 106. Then forehead & ears geometry engine 234 applies the same transformation to the forehead and ear shape of the reference face to produce a corresponding forehead and ear shape for the face in the original image 106. Thus, the base-head 502 can be produced along with or after face skin region processing 228.

Shadow Region

The shadow on a face represents 3-dimensional information of the face and becomes an important factor that can influence the likeness between the generated cartoon face 108 and the original image 106. After the shadow cartooner 230 determines the shadow region, the process is straightforward. The shadow cartooner 230 clusters pixels in the shadow region into groups according to their lightness and replaces the color of each pixel with the mean color of the group that the pixel belongs to. The shadow cartooner 230 may also shift the color of the shadow region into a cartoon style, for example, using the same shifting parameters there were used when shifting the facial skin region, because the pixels of the shadow region also belong to the face skin region.

Browse Eyes, Lips, and Inner-Mouth Region

The brows processor 238, eyes processor 240, lips processor 242, and mouth processor 244 take a similar approach for their respective facial regions as that executed for the shadow region, but the number of clusters and shifting parameters may be different for different regions. Additionally, the eyes processor 240 may enlarge the eye regions and their masks to some extent to emphasize the eyes in cartoon face 108, for example, enlarging the eyes 1.1 times, in one implementation. The eyes processor 240 may also enhance contrast of the pixels in the eye regions.

Recombining Facial Parts and Regions

The compositor 208 combines the processed facial parts, e.g., with a matte-compositing technique, in order to obtain the face-tooning result 504. In one implementation, the formulation of matte-compositing is given by Equation (1):

I=aF+(1−a)B  (1)

where F is image foreground, B is image background, a is the a-matte mask and I is the composed image. Since there are several composition steps, for each step, I represents the composed result, leading to the final result 504.

The head & shadow combination engine 246 combines the base-head image 502 used as background with the shadow region and its corresponding mask, used as foreground. The head & features combination engine 248 then combines the shadowed base-head 502, used as background, one-by-one with the cartoonized brows, eyes, lips and inner-mouth region and their respective masks, these latter parts used as foreground in the combination. Thus, compositor 208 generates the basic cartoon face result 504.

4) Adding Accessories

Referring back to FIG. 3, the step of adding accessories 314 allows the user to select or the computing device to automatically generate or select other parts of the completed cartoon 110, such as neck, hair, accessory artifacts, clothes items, and background. In one implementation, these parts added by templates 252 pre-drawn by artists for fun cartoon effects. In some implementations, the accessories engine 210 may automatically add some accessories by replacing parts of the original image 106 with an accessory or accessory template 252 sized to fit the replaced part. Through the user interface 250, the user can add various accessories such as eyeglasses, hat, beard, hair styles, ribbons, shirt collars.

Exemplary Methods

FIG. 12 shows an exemplary method 1200 of performing exemplary progressive cutout. In the flow diagram, the operations are summarized in individual blocks. The exemplary method 1200 may be performed by hardware, software, or combinations of hardware, software, firmware, etc., for example, by components of the exemplary progressive cutout engine 408.

CONCLUSION

Although exemplary systems and methods have been described in language specific to structural features and/or methodological acts, it is to be understood that the subject matter defined in the appended claims is not necessarily limited to the specific features or acts described. Rather, the specific features and acts are disclosed as exemplary forms of implementing the claimed methods, devices, systems, etc.

Claims

1. A method, comprising: extracting visual features of a face portrayed in an image;assigning pixels of each visual feature into clusters according to an attribute;shifting pixel values across each visual feature based on one of the clusters in each visual feature; andrecombining the visual features to form a cartoon of the face.

2. The method as recited in claim 1, wherein extracting the visual features includes: detecting a face;aligning the face to map some of the visual features with points; andextracting the visual features and associated alpha-matte masks.

3. The method as recited in claim 1, wherein the features include one of facial skin, facial shadow, eyes, brows, nose, cheeks, lips, and inner mouth.

4. The method as recited in claim 2, wherein mapping the visual features includes applying a Bayesian Tangent Shape Model (BSTM).

5. The method as recited in claim 1, wherein assigning pixels of each visual feature into clusters further includes: grouping the pixels into the clusters according a lightness attribute; andselecting one of the clusters to represent the color of the visual feature.

6. The method as recited in claim 5, further comprising selecting the second lightest cluster to represent the color of the visual feature, when the visual feature comprises a skin region.

7. The method as recited in claim 5, further comprising: propagating the color of the selected cluster across the pixels of the visual feature; andshifting the lightness and chroma of the pixels of the visual feature to achieve a cartoon style.

8. The method as recited in claim 1, further comprising learning an affine transformation from a cheek shape of a reference face to a cheek shape of the face in the image to produce a forehead and ear geometry for the face in the image based on a forehead and ear geometry of the reference face.

9. The method as recited in claim 1, wherein extracting visual features includes: extracting a shadow region of the face;clustering pixels in the shadow region into groups according to a lightness attribute of the pixels; andreplacing a color of each pixel in each group with a mean color of the group.

10. The method as recited in claim 1, further comprising adopting a different cartooning technique for each different visual feature of the face.

11. The method as recited in claim 1, further comprising adopting a same cartooning technique for each different visual feature of the face, and using different parameters for the cartooning technique for each visual feature.

12. The method as recited in claim 1, further comprising: applying a pixel-based cartooning technique to an extracted skin region of the face;applying a pixel-based cartooning technique to an extracted head shape feature of the face; andcombining the skin region of the face and the head shape feature of the face to create a base for recombining the remaining visual features of the face.

13. The method as recited in claim 12, further comprising combining the base with a shadow visual feature of the face to form a second base for recombining the subsequent remaining visual features of the face.

14. The method as recited in claim 1, further comprising combining accessories with the cartoon of the face, wherein the accessories include one of a neck, hair, hat, eyeglasses, facial hair, and clothing.

15. A system, comprising: a computing device;a cartooning engine in the computing device;a decomposition engine in the cartooning engine to extract visual features from a face portrayed in an image;a cartoonizer to assign pixels of each visual feature into clusters according to an attribute and shift pixel values across each visual feature based on one of the clusters in each visual feature; anda compositor to recombine the visual features using an alpha-matte technique to form a cartoon of the face.

16. The system as recited in claim 15, further comprising a face processor, including a face detector, pre-processing components to enhance contrast and normalize color, and an alignment engine to align the face in the image for mapping facial features.

17. The system as recited in claim 16, further comprising a user interface for a user to interactively assist mapping the facial features.

18. The system as recited in claim 15, wherein the cartoonizer renders each of the visual features separately into a cartoon style; and wherein the visual features include a skin feature, a shadow feature, a facial geometry feature, an eyebrows features, an eyes feature, a lips feature, and an inner-mouth feature.

19. The system as recited in claim 15, further comprising an accessories engine, for adding user-selected pre-drawn visual features to the cartoon of the face.

20. A system, comprising: means for extracting visual features from a facial image; andmeans for separately rendering each visual feature into a cartoon style based on pixel clustering.