Patent Application
20210132469
The invention relates to lighting fixtures, and particularly to fixtures for use in still photography and cinematography.
Photography is the science, art, and practice of creating durable images by recording light or other electromagnetic radiation, either electronically, by means of an image sensor, or chemically, by means of a light-sensitive material such as photographic film. Still photography is the practice of making non-moving photographs, as distinct from motion picture photography (cinematography). Cinematography is the science or art of motion picture photography by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically, by means of a light-sensitive material such as film stock. Photographic lighting is the illumination of scenes to be photographed. A photograph may simply record patterns of light, color, and shade; lighting is important in controlling the image. In many cases, even illumination is desired to give an accurate rendition of the scene. In other cases, the direction, brightness, and color of light are manipulated for effect. Lighting is particularly important for establishing an interplay of highlights and shadows. Lighting and exposure are used to create effects such as low-key and high-key.
The main sources of light for photography are: 1. Natural/daylight, which varies with the weather and the time of day. Different techniques are necessary to take best advantage of or control the impact of natural light conditions, such as brilliant sunshine, an overcast evening, or any other condition; 2. Continuous artificial light, which may be normal lighting, or produced by special photoflood lights or other fixtures; and 3. A bright and very brief photographic flash from one or more positions.
The properties of different light sources vary; household incandescent lighting, fluorescent lighting, sodium discharge street lighting, etc., are very different and produce different results, and require different correction if a subjectively neutral or other desired rendition of colors is required.
Lighting creates the two-dimensional pattern of contrast the brain interprets to recognize three dimensional objects in photographs. In an in-person viewing experience the brain relies on stereoscopic vision, parallax, shifting focal in addition to the clues created by the highlight and shadow patterns the light on the object creates. When viewing a photographic image the brain tries to match the patterns of contrast and color it seen to those other sensory memories.
The baseline for what seems “normal” in lighting is the direction and character of natural and artificial sources and the context provided by other clues. In the example the photographer added a warming gel on the flash of the woman standing in a field in late afternoon light. The viewer knows the time of day from the angle of the shadows and neutral color balance would have seemed odd in that context. But similarly, the image of the woman if masked out and put on a plain white or neutral gray background would seem abnormally yellow.
The goal in all photographs is not necessarily to create an impression of normality. A lighting strategy can be used to achieve an impression that is different than normally expected. Light direction relative to the camera can alter the appearance of a three-dimensional object to give a two-dimensional impression. The presence, position, size/length, and direction of highlights and shadows provide other clues to shape and, when outdoors, the time of day. The tone and length of shadows provide contextual clues about the time of day or environment and by inference, based on personal experience, the mood of person.
A skilled photographer can manipulate how a viewer is likely to react to the content of a still or moving photograph by manipulating the lighting. In outdoor photography that can require a change in location, waiting for the ideal time (angle of sunlight) of day or in some cases the ideal time of year for the lighting to create the desired impression in the photograph or manipulating the natural lighting by using reflectors or flash. One of the limits to options for lighting objects to make a photographic image look “seen by eye” normal or surreal as a goal for the photograph is the available equipment. The viewer's reaction to an image(s) will be from the baseline of whether the lighting seems normal/natural or not compared to other clues. For example, when mixing natural artificial lighting, it is possible to control the differences between the shadow clues from the artificial light in coordination to the natural light. A photograph of a person's face artificially illuminated to appear as if it were photographed at noon will not seem normal if the background is illuminated by a setting sun because the lighting clues of the foreground do not match.
The sun hitting the front of objects facing a camera acts as “key” light creating highlights and casting shadows. The detail in the shadows is visible because the sunlight reflects off water vapor and dust in the atmosphere creating omni-directional “fill”. In open shade three dimensional objects will also usually cast shadows because the downward vector of skylight is usually stronger than the sideways vectors illuminating the sides. When a photographer puts a light source behind an object its role in the lighting strategy is to define an outline and create an impression of physical separation and three-dimensional space that a frontally illuminated scene lacks. To differentiate that role from that of “key” modeling when a modeling source moves behind the object it is typically called a “rim” or “accent” light. In portrait lighting it also called a “hair” light because it is used to create the appearance of physical separation between the subject's head and background. In natural lighting the tone of the background of an image is influenced by its reflective qualities and whether it is illuminated by the sun directly or skylight indirectly. Either the sun or sky, or a combination of both can be used for “background” lighting.
Artificial lighting strategies which seem most “natural” duplicate the same contrast pattern clues seen on three dimensional objects in various lighting conditions. A typical studio lighting configuration will consist of a fill source to control shadow tone, a single frontal key light to create the highlight modeling clues on the front of an object facing the camera over the shadows the fill illuminates, one or more rim/accent lights to create separation between foreground and background, and one or more background lights to control the tone of the background and separation between it and the foreground. This equipment may be cumbersome to store or transport.
There are two significant differences between natural lighting and artificial sources. One is the character of the fill and the other is more rapid fall-off in intensity. In nature, skylight fill is omni-directional and usually brighter from above. That “wrap around” characteristic is difficult to duplicate with a directional artificial source. In a fixed studio location it is possible to bounce fill backwards off a white wall to flood the space with indirect reflected light to simulate the impression of the sun reflecting off the atmosphere. Another way is to supplement a fill source from the direction of the camera with reflectors placed near the sides of the foreground subject.
The inverse-square law describes the approximate way a light source radiates and changes in intensity with distance. As the distance from a source doubles the area of the footprint of light increase by a factor four (the square of the distance). Because the same number of photons are spread over four times the area when distance is doubled the intensity at any point will be or ¼ the strength. Photographic light sources are not point light sources so the inverse square law does not perfectly apply but it explains why distance of artificial sources affects the character of lighting and lighting strategies in ways not seen in nature.
According to the inverse-square law if the distance of a light source is changed in the following distance increments 1, 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22, 32, 45, 64 the intensity will decrease by one f/stop. In practical terms this means if one face in a group portrait is 4m from the “key” light and another is 5.6m away the face further from the light will be one f/stop darker. In an outdoor portrait of a group of 200 people taken on an overcast day the lighting on all the faces will be equal. The same group photographed indoors would be far more difficult to light evenly. The simplest strategy requiring the least lighting equipment would be to get above the group with the camera, have them look up and bounce the lighting off the ceiling so like an overcast day every face is as equidistant as possible to the apparent source of the light.
Even something as basic as a head and shoulders portrait must take inverse-square fall-off into account by posing the front of the subject's face as close or closer to the “key” light than the shoulder or any other body part if the goal is to make the front of the face the most strongly contrasting focal point on a darker background. The position of the fill source relative to the face will also affect whether the nose shadow is the lightest (when fill is centered near camera) darkest (when fill is placed to the side) one on the face. The distance of the key and fill sources to the face will affect the rate at which the shadows transition from light to dark on the face.
A scene may be lit to look natural or surreal. Natural and surreal just describe grossly the effect of lighting. Understanding what makes lighting seem natural makes it easier to understand how to create other desired reactions. Natural light usually comes from above, so strategies which place the key light below the face will appear to be unusual or unnatural. The brain adapts color perception in a way which makes color balance seem neutral on white clothing and faces. The eyes also adapt to brightness as they scan and usually perceive a full range of detail in most environments. Lighting a scene with a tonal range or color cast which is out of context with what would typically be expected will cause the viewer to notice the environment and make other than normal assumptions about it. It is also possible to create the impression of environmental context where none is seen in the photograph, such the look of a person standing under a streetlight at night by using a gridded flash attached to the ceiling of the studio with no fill source.
A reflector is an improvised or specialized reflective surface used to redirect light towards a given subject or scene. Reflectors are often fixed to an artificial light source (for example, a filament bulb or flash tube) to direct and shape the otherwise scattered light by reflecting the light off a concave inner surface and direct the light toward the scene to be photographed. Although there are many variants, the most common types of reflectors are spherical, short-sided, giving a relatively broad spread of light, and parabolic, providing a tighter, parallel beam of light.
The reflector factor is the ratio of the illumination provided by a lamp fitted within a reflector to the illumination provided without any reflector fitted. A matte reflector will typically have a reflector factor of around 2, due to its more diffuse effect, while a polished or metallic-finished reflector may have a factor of up to 6.
A soft box is a type of photographic lighting device, one of a number of photographic soft light devices. Soft light fixtures create even and diffused light by directing light through some diffusing material, or by “bouncing” light off a second surface to diffuse the light. Light from a bulb may be bounced off the inside of a metalized umbrella to create a soft indirect light in a known umbrella light.
A “soft box” is an enclosure around a bulb comprising reflective side and back walls and a diffusing material at the front of the light.
The sides and back of the box are lined with a bright surface—an aluminized fabric surface or an aluminum foil, to act as an efficient reflector. In some commercially available models the diffuser is removable to allow the light to be used alone as a floodlight or with an umbrella reflector.
A soft box can be used with either flash or continuous light sources such as fluorescent lamps or “hot lights” such as quartz halogen bulbs or tungsten bulbs. If soft box lights are used with “hot” light sources, the user must be sure the soft box is heat rated for the wattage of the light to which it is attached to avoid fire hazard.
U.S. Pat. No. 3,851,164 entitled, “Umbrella Light,” is expressly incorporated by reference herein and shows a prior art umbrella light fixture. As shown in
The light source unit 11, has the lamps and reflectors in predetermined fixed relationship, is adapted to be secured at any suitable position along the length of the umbrella shaft 12. To this end, it has spring clamp 32 for frictionally engaging the shaft 12. The bulbs and their reflectors are not arranged completely symmetrically with respect to the shaft 12 and the umbrella-type reflector carried thereby.
The spring clamp may be a simple conventional spring clip such as is used for holding sheets of paper together, having a pair of spring-loaded jaws generally several cm (e.g., about 5 cm) long and having a pair of finger pieces (e.g., Boston Bull Clip No. 2). One of the finger pieces is secured to the housing of the light source unit 11; the other, projects outwards for manual manipulation and is provided with a heat- and electrically-insulating covering.
The prior art device is configured with light source unit 11 fixed to the swivel 14 such that the center of gravity of the device is situated approximately directly over the pole 17 or base of the tripod. Like conventional umbrellas, the umbrella has, on its central shaft 12, a small ring 56 fixed near the top of the shaft; a set of long ribs 57 each having one end 58 pivotally attached to the small fixed ring 56; a slider 59 mounted on the shaft and having a small ring 61 integral therewith; a set of short ribs 62 each having one of its ends 63 pivotally attached to the slider ring and its other end 64 pivotally attached to the long rib at an intermediate point 66 on the length of said long rib 57 (a pivot fitting 67 being fixed to each long rib for this purpose); a latch 68 to hold the slider 59 in a position on the shaft in which the umbrella is open; a second latch 68a to hold the slider in a position on the shaft in which the umbrella is closed; and a fabric cover 69 which is fixed to the shaft just outside of the fixed ring 58 (being held on the shaft by a suitable ferrule 71) and is attached (as by suitable thread loops 72) to fittings 73 secured to the long ribs 57 adjacent their free ends 74, as well as by intermediate thread loops 76 engaging intermediate portions of said long ribs. As in conventional umbrellas, the covering is made up of series of substantially identical sectors or panels sewn together along their edges, forming seams, and the rib-attaching loops 72 are situated at the outer ends of the seams so that each of the panels is disposed between the corresponding adjacent long ribs. The position of the latch 68 is such that when the slider is held thereby the fabric is taut and the long ribs are bent. The ribs are flexible and of conventional construction, of thin metal which is formed into channel-shaped cross-section over substantially their whole length, except at their ends.
The umbrella is shaped so that in its open operative position it has a central portion, adjacent to its apex, whose fabric surface faces in a direction such as to reflect the light principally in an axial direction and a peripheral portion whose fabric surfaces face in a direction such as to reflect the light principally in a direction which is radial of the axis.
A significant disadvantage to the prior art configurations of umbrella lights as described above, that the weight of the light source unit and the required proximity of the light source unit 11 to the umbrella reflector limits the range of positions for the fixture which must always have a center of gravity above the base of the tripod. The relative position of the pole 17 and the fabric cover limit the orientation of the umbrella type reflector. In addition, the lighting unit, long ribs, short ribs, shaft and mounting pole all interfere with the light projection. The components, particularly the light source unit 11, contributes significant weight and the fixture is bulky, cumbersome to assemble, and requires significant storage space to store.
U.S. Patent Publication No. 2016/0230942 A1 shows a collapsible LED fixture for photographic lighting. The embodiments described herein are improvements to the fixture designs shown in US 2016/0230942 A1 in that it is easier to deploy and more versatile.
It is an object of the invention to provide a versatile fixture for photographic lighting. It is an object to provide a lighting fixture that allows adjustment of the focus or spread of light. It is an object to provide a lighting fixture that can be adjusted by setting arms at different angles of deployment. It is an object to provide a lighting fixture that delivers controllable illumination without the need for additional light shaping tools such as cutters, diffusers, or reflectors. It is an object to provide a lighting fixture that is capable of delivering illumination that is soft, directional and direct.
The diversity of conditions and desired lighting effects for photography may require complex lighting strategies. It is a further object of the invention to provide a fixture that may be easily deployed and may be used, in varied situations for photographic lighting.
It is a further object of the invention to provide a fixture that may be adjusted to change the color, temperature, and intensity of the light created.
It is a further object of the invention to provide a lighting fixture that may be compactly stored and easily transported.
It is a further object of the invention to provide a lighting fixture that is not fragile.
It is a further object of the invention to provide a lighting fixture that reduces the amount of heat generated by a light source.
It is a further object of the invention to provide a lighting fixture that may have a reflector. It is a further object of the invention to provide a lighting fixture that may have a cover. The cover may be reflective or may be black. According to an advantageous feature, the cover may be provided to reduce light emissions in the area outside of the direction of interest. The cover may have a range of curvature when deployed.
It is a further object of the invention to provide a lighting fixture that does not require a reflector, yet is still able to effectively light an object for an exposure of at least f/1.4 at twelve feet on ISO 800 film.
One or more of the objects may be achieved by fixtures described herein. The light fixture may have light emitting diodes as its light source. Advantageously, the LED light sources may be arranged to cast light on a subject appearing to be uniform. It is an advantageous feature to provide a fixture that is collapsible and may be stored in a small space.
A fixture, when assembled, may be shaped to direct light in a desired direction. The shape may approximate and be generally concave in the area of light emission. The light emitting portion or side of the fixture may be dish shaped. The light emitting portion of the fixture may be parabolic. The light emitting portion of the fixture may be in the general shape of a paraboloid. The shape may be paraboloidal. The fixture may have a hub and a plurality of arms connected to the hub. The arms may be curved or bent. The arms may have multiple segments. The arms may be in the form of a parabolic curve. Description of shapes is not intended to require mathematical precision or symmetry. The scope of the invention includes a range of shapes from mathematical precision to shapes which are generally equivalent for purposes of lighting or for purposes of theatrical or photographic lighting, for still or cinematographic applications. The exact shape is dependent on the characteristics of the spokes and load applied to the spokes. Light may be directed from an interior concave portion of the fixture. Advantageously the fixture may have a central hub with multiple spokes extending from the central hub. The spokes may be strips that carry a plurality of LEDs.
The spokes may be pivot mounted to a central hub. Advantageously the fully assembled fixture may have the configuration of an umbrella. The LEDs may face the inside of the umbrella and toward a subject. The LEDs may be generally faced in the same direction. Advantageously the emission pattern of the LEDs may be generally normal to the mounting plane of an LED. The LEDs may have a half intensity angle of 60 degrees or less. A fixture having forward facing and emitting LEDs may not require a highly reflective backing.
The distal ends of the spokes may be held by a band and/or a shade/reflector. The band may carry LEDs also. When the band and/or shade or reflector are disassembled from the spokes, the spokes may pivot towards the outside of the umbrella and collapse into a configuration that may be easily stored in a generally tubular shape. The distal ends of the spokes, once released, may be reversely collapsible umbrella (as compared to a conventional umbrella).
A circumferential band may also carry LEDs, LED strips and/or LED packages. The LEDs may be set to be adjustable within a range of colors and temperatures. This can be accomplished by controlling individual LEDs having different colors and temperatures, or using LED elements which may be adjusted in color and/or temperature.
The light fixture may have a central hub base with three or more spokes hinged to the hub. The hinge may have an element to limit the range of rotation of the hinge and/or select the angle of rotation at a position suitable for deployment and use.
The light fixture for photography may have a central hub and a plurality of spokes attached to the hub. The spokes may have two or more segments. One of the segments, a proximal segment, may be attached to the hub by a first hinge. An intermediate hinge may attach the proximal segment to a distal segment. One end of the proximal segment is attached to the hub and an opposing end of the proximal segment may be attached to the distal segment. The first hinge and each intermediate hinge of each spoke may include a locking mechanism having at least one fixation angle. The proximal segments pivot between a storage position and one or more deployed positions wherein said spokes are folded in the storage position and locked in the deployed position. A plurality of LEDs may be distributed along the spokes and the LEDs may emit sufficient light in the deployed position for photographic lighting. The LEDs may be arranged to emit light towards a subject in the deployed configuration. The LEDs may be configured to emit sufficient radiation to effectively light an object for an exposure of at least f/1.4 at 12 feet on ISO 800 film. The hinges may be detent hinges. The hinges may have two or more locking positions. A first locking position of the hinges may be at an angle to an axis of said hub of 45-75 degrees. The first locking position may be at an angle to an axis of said hub of 55-65 degrees. A second locking position of the hinges may be perpendicular to an axis of the hub and the spokes may be received in the pockets. The intermediate hinges may have a first locking position holding the distal segment at an angle to the proximal segment of 135-165 degrees. The second locking position of the intermediate hinges may hold the distal segment in substantially the same direction as the proximal segments. The locking mechanism may be a releasably fixed locking mechanism. The lighting fixture may have a fixed or removable cover backing the spokes. The cover may be a high optical density cover. The cover may be wind-permeable and/or reflective. The light fixture may have an LED controller connected to the LEDs.
A plurality of LEDs may be distributed along the spokes so that LEDs define a generally concave shape or paraboloidal shape. A strap may be used to keep the spokes flexed. The LEDs may have a radiation pattern to emit light in a forward direction. This is useful when the fixture is pointing toward a photographic subject. The LEDs may be configured to emit sufficient radiation to effectively light an object for an exposure of at least f/1.4 at 12 feet on ISO 800 film. The LEDs may be mounted on an LED strip and an LED strip may be mounted on a spoke. The fixture may have LED packages mounted on the spokes. The spokes may be made with carbon fiber. The spokes and strap may be clipped or the strap may have pockets to receive the ends of the spokes. A slot and mating dog may be provided on the hinge and the hub to stabilize the spoke in relation to the hub. The fixture may have a back cover connected to the spokes in a deployed configuration. The cover may be reflective, have a high optical density, and/or be wind-permeable depending on the use. An LED controller may be provided to control the color, intensity, and/or temperature of the fixture light. The fixture may have a front cover which is a filter or diffuser. The front cover may also be clear.
The arms may support a sheet which may be reflective or light absorbing. The sheet may also be a light emitting structure. Examples of flexible structures are OLED sheets or an LED mat, for example, from Wescott.
It is an object to provide a versatile lighting fixture for photographic applications. It is an object to provide a lightweight fixture. It is a further object to provide a fixture which is easy to deploy. It is a further object to provide a fixture which may be usable in differing weather conditions including winds, rain, and/or snow. It is an object to provide a fixture which may be utilized in one configuration to deliver fill lighting and in other configurations more focused like lighting.
Various objects, features, aspects, and advantages of the present invention will become more apparent from the following detailed description of preferred embodiments of the invention, along with the accompanying drawings in which like numerals represent like components.
Moreover, the above objects and advantages of the invention are illustrative, and not exhaustive, of those that can be achieved by the invention. Thus, these and other objects and advantages of the invention will be apparent from the description herein, both as embodied herein and as modified in view of any variations which will be apparent to those skilled in the art.
Where a range of values is provided, it is understood that each intervening value, unless the context clearly dictates otherwise, between the upper and lower limit of that range and any other stated or intervening value in that stated range is encompassed. The upper and lower limits of these smaller ranges may independently be included in the smaller ranges is also encompassed, subject to any specifically excluded limit in the stated range. Where the stated range includes one or both of the limits, ranges excluding either or both of those included limits are also included.
Unless defined otherwise, all technical and scientific terms used herein have the same meaning as commonly understood by one of ordinary skill in the art to which this invention belongs. Although any methods and materials similar or equivalent to those described herein can also be used in the practice or testing of the present invention, a limited number of the exemplary methods and materials are described herein.
It must be noted that as used herein and in the appended claims, the singular forms “a”, “an”, and “the” include plural referents unless the context clearly dictates otherwise.
All publications mentioned herein are incorporated herein by reference to disclose and describe the methods and/or materials in connection with which the publications are cited. The publications discussed herein are provided solely for their disclosure prior to the filing date of the present application. Nothing herein is to be construed as an admission that the present invention is not entitled to antedate such publication by virtue of prior invention or work of an inventor. Further, the dates of publication provided may be different from the actual publication dates, which may need to be independently confirmed.
Before the present invention is described in further detail, it is to be understood that the invention is not limited to the particular embodiments described, as such may, of course, vary. It is also to be understood that the terminology used herein is for the purpose of describing particular embodiments only, and is not intended to be limiting, since the scope of the present invention will be limited only by the appended claims.
The fewer the segments in each spoke, the rougher the approximation to the ideal circular, parabolic or other desired arcuate shape. Adding one or more intermediate segments permits closer approximation of a desired arcuate shape. The spokes 101 may be in two or more segments 107, 109. The segments may be straight and linear. Proximal segments 107 of the spokes 101 may be connected to the hub 102 using a proximal hinge 108. Distal segments 109 of the spokes 101 may be connected to the proximal segments 107 by an intermediate hinge 110. The segments 107 and 109 may have terminals 111 to electrically connect the segments. The spokes and particularly the hinges 108, 110 may be adjusted to disperse, or concentrate light as desired. The spokes 101 may include a plurality of LEDs 103 (shown in
One example, shown in
According to one embodiment three LED strips 116 may be mounted on each spoke 101. Electricity may be supplied by conductors from a power supply or controller connected to one or more bus structures embedded in the hub. The strips or LEDs may be connected by leads to the bus structure.
According to an alternative, LEDs may be attached directly to or embedded in the spokes 101. The spokes 101 may be carbon fiber. Carbon fiber is selected for its high strength, flexibility, and light weight.
LEDs may be in any useful configuration. An alternative to the configuration shown in
The spokes 101 may be rotated about pivots 108 and 110 to deploy the fixture 100. An articulation mechanism may be configured to limit the rotation of the spokes 101. The light emitting side of the proximal segments may be set to an angle of 90 degrees or less from the axis of the hub. The hinges may have a locking mechanism, which can be set at fixed or variable angles. In one embodiment, the angle may be 60 degrees from the axis of the hub. The intermediate hinges may also have a locking mechanism and in one configuration the intermediate hinges may lock at 150 degrees.
The hinges may have a detent mechanism to automatically, yet releasably, lock the hinge in a fixed position of rotation. The hinge may include two rotatably attached members and the detent mechanism may include an indentation formed in the attached end of one member and a block pivotally mounted on the other member in the manner shown in U.S. Pat. No. 5,409,449. The block may have a locking projection that is biased toward the indentation and cooperates therewith to provide three or more positions of operation, a locked position, a release position, and an activated position. In the locked position, the locking projection fittingly may engage the indentation, thereby substantially preventing rotation of the hinge. The release position displaces the locking projection a radial distance away from the indentation, thereby permitting the hinge to rotate freely. In the activated position, the block disengages the indentation and maintains an angular distance therefrom so that the detent mechanism does not obstruct rotation of the hinge, but enables automatic repositioning of the hinge assembly to the locked position whenever the locking projection and indentation angularly realign.
Other detent mechanisms may be used. For example, as shown in US 2011/0199171 A1 a magnetic detent assembly may provide for detent devices with improved performance and manufacturability. A magnetic detent assembly may provide for established detent positions and force profiles by including a pair of unitary magnetic components each having a special geometry. The changing area of overlap (and hence magnetic flux) between the magnetic components can give rise to the detent positions and force profiles. The magnetic components can comprise an N-point star shaped geometry, where the number and distribution of the star wings can be varied to define customized detent positions and the contour of the star wings can be varied to create customized force profiles.
The hinge shown in U.S. Pat. No. 6,092,264 may be adapted for use in the light fixture. U.S. Pat. No. 6,092,264 shows a hinge and locking mechanism to deploy a member from a storage position to a deployed position. The mechanism may include a support base and a deployable member. A pivot axle may be secured to one of the support base and the deployable member and pivotally engaged with the other for rotation about a first axis. A spring element may urge the deployable member to rotate in a first direction about the first axis to the deployed position. A locking pin may be provided which is movable between an unlocked position and a locked position. The locking pin may lock the deployable member in the deployed position. A locking pin spring may be provided to urge the locking pin into the locked position. A deformable bump stop can be provided to cushion movement of the erectable member into the erected position. The spring element can be a helical spring.
The outwardly facing surface 101a, of the spokes 101 may carry the LED elements.
A controller may be connected to the LED bands in order to set the color, temperature and/or intensity of light generated by the LEDs.
The invention is described in detail with respect to preferred embodiments, and it will now be apparent from the foregoing to those skilled in the art that changes and modifications may be made without departing from the invention in its broader aspects, and the invention, therefore, as defined in the claims, is intended to cover all such changes and modifications that fall within the true spirit of the invention.
Thus, specific apparatus for photographic lighting have been disclosed. It should be apparent, however, to those skilled in the art that many more modifications besides those already described are possible without departing from the inventive concepts herein. The inventive subject matter, therefore, is not to be restricted except in the spirit of the disclosure. Moreover, in interpreting the disclosure, all terms should be interpreted in the broadest possible manner consistent with the context. In particular, the terms “comprises” and “comprising” should be interpreted as referring to elements, components, or steps in a non-exclusive manner, indicating that the referenced elements, components, or steps may be present, or utilized, or combined with other elements, components, or steps that are not expressly referenced.
This application claims priority from U.S. patent application Ser. No. 15/436,444 filed Feb. 17, 2017. This application claims priority through 35 U.S.C. § 371 of International Patent Application No. PCT/US/2018/018691 filed Feb. 20, 2018, which in turn claims priority from U.S. patent application Ser. No. 15/436,444 filed Feb. 17, 2017.
| Filing Document | Filing Date | Country | Kind |
|---|---|---|---|
| PCT/US18/18691 | 2/20/2018 | WO | 00 |
| Number | Date | Country | |
|---|---|---|---|
| Parent | 15436444 | Feb 2017 | US |
| Child | 16487054 | US |
