The present invention relates to the field of musical keyboards; more specifically, it relates to a compact and portable collapsible musical keyboard and a musical synthesis system utilizing the keyboard.
Keyboard music synthesizers are well known and universally available. In one example, a keyboard music synthesizer includes a set of mechanical keys linked to an electronic circuit that synthesizes and then plays a note corresponding to the key depressed. Keyboard music synthesizers are generally less expensive and more compact than the standard instruments they are intended to replace.
There are two forms of keyboard music synthesizers, those having full size keyboards and those having smaller than full size keyboards. As the keyboard size decreases, it becomes increasingly less like the real instrument and in some cases the keys are so small as to allow depression of a single key difficult.
Generally, the full size keyboards are not very portable. Full size keyboards (or even ¾ and ½ scale versions) while often light enough to be transported, are bulky and awkward to carry and maneuver. Keyboards that are small enough to easily carry and maneuver generally have keys too small to play “real” music on. Alternatives, such as personal computer keyboards suffer from the distinct disadvantage of not having the layout of a musical keyboard. When a musical keyboard is displayed on a portable computer screen, the “keys” are very not in a natural position relative the users hands and thus awkward to play.
A first aspect of the present invention is a musical keyboard comprising: two or more modules, each module containing a different subset of a set of musical keys; and means for collapsing the modules from a deployed configuration wherein the modules are arranged in a row to form the musical keyboard, the keyboard being substantially planar, to a collapsed configuration wherein the modules are substantially positioned on top of each other.
A second aspect of the present invention is a collapsible musical keyboard comprising: one or more adjacent modules arrayed in a row, each pair of adjacent modules being pivotably connected together along a folding axis, the folding axes being mutually parallel; a different subset of a set of musical keys included in each the module; and the musical keyboard being foldable about the folding axes between a deployed configuration in which the musical keyboard is substantially planar and a collapsed configuration wherein the modules are substantially positioned on top of each other.
A third aspect of the present invention is a collapsible musical keyboard comprising: one or more adjacent modules arrayed in a row, each pair of adjacent modules including a plug mounted on a side of the first module of the pair and a recessed socket mounted on a facing side of the second module of the pair, the socket adapted to slidably engage and temporally join each the pair of adjacent modules, the sides of the modules being mutually parallel; and a different subset of a set of musical keys included in each the module.
The features of the invention are set forth in the appended claims. The invention itself, however, will be best understood by reference to the following detailed description, of an illustrative embodiment when read in conjunction with the accompanying drawings, wherein:
The term musical keyboard is defined as a keyboard having the functions of and replicating the physical layout of a keyboard typically found on musical instruments such as pianos, accordions, organs or other “keyboard” instruments. However, the term keyboard as used in the present invention is not limited to any one particular set or number of keys. For example, the keyboard, in the context of a piano-like keyboard, may contain the standard numbers of keys (i.e. 88, 61, or 49 keys) or other numbers of keys. While “main deck” (i.e. black and white keys) are illustrated in describing the present invention, other types of keys may be added, such as the “button” keys of an accordion or the stop keys of an organ. The term key is defined as a key normally found on a musical keyboard as previously defined. Individual keys may be standard (full) size or smaller than full size.
Located on top surface 130 of first module 105 near an outer side 145 is a protruding latch 150. Located on top surface 135 of second module 110 near an outer side 155 is a recessed catch 160. Latch 150 and catch 160 are located on respective top surfaces 130 and 135 and adapted to engage and thus temporarily fasten the first and second modules together as illustrated in FIG. 1C and described infra.
Located on top surface 130 near the juncture of inner side 120 and a top side 165 of first module 105 is a first slide 170. Located on top surface 130 near the juncture of inner side 120 and a bottom side 175 of first module 105 is a second slide 180. Located in top surface 135 near the juncture of inner side 125 and a top side 185 of second module 110 is a first slot 190. Located in top surface 135 near the juncture of inner side 125 and a bottom surface 195 of second module 105 is a second slot 200. First slide 170 is located on top surface 130 to slidably engage first slot 190 and second slide 180 is located on top surface 130 to slidably engage second slot 200 when first and second modules are fully deployed (the modules are arranged in a row with top surface 130 co-planer with top surface 135) and stop the modules from folding. Alternatively, first slide 170, second slide 180, first slot 190 and second slot 200 may be located respectively on top side 165, bottom side 175, top side 185 and bottom side 195. This alternative arrangement allows one-half key sets 205 and 210 be positioned closer to respective bottom sides 175 and 195. Other locking mechanism may be used in place of slides 170 and 180 and/or slots 190 and 200. For example, pivoting levers may replace the slide 170 and 180 or hinge 115 may be fitted with detents and bumps that engage the detents so that modules 105 and 110 snap into the deployed position and that may be unsnapped with a minimal amount of bending force applied to outer sides 145 and 150.
First module 105 includes a first one-half set of musical keys 205 and second module 110 includes a second one-half set of musical keys 210. Together, first and second one-half sets of musical keys 205 and 210 form a complete set of musical keys. Each one-half key set may comprise spring loaded levers activating momentary switches (instead of hammers as in a piano), rubber dome mechanical keys, metal contact mechanical keys, membrane mechanical keys, foam element mechanical keys, capacitive non-mechanical keys or facsimile key outlines displayed on liquid crystal display (LCD) or light emitting diode (LED) touch sensitive displays.
First module 105 further includes an optional first speaker 215 and second module 110 includes an optional second speaker 220. If speakers 215 and 220 are not used, the overall “foot print” of keyboard 100 in both deployed and collapsed configurations will be reduced. Also, first module 105 may include an on/off switch 225.
Located in outer side 155 of second module 110 are an output jack 230 and an optional power jack 235. Output jack 230 may be used to send key depression signals to an external music simulation device or music to a set of earphones when keyboard 100 includes a complete music simulation system. Speakers 215 and 220, if present, are disabled when earphones or another device are plugged into output jack 230. Power jack 235 allows charging of an internal battery or supplies power from an external source as illustrated in FIG. 5 and described infra.
Finally, it should be understood that each module 105 and 110 includes internal wiring (not shown) required by each module as well as connective wiring (not shown) that connects the two one-half sets of keys 205 and 210 together so they respond as a single keyboard. Further, music simulation electronics, as illustrated in FIG. 5 and described infra, will be contained within one or more of the modules.
First module 305 includes a first one-third set of musical keys 375. Second module 320 includes a second one-third set of musical keys 380. Third module 335 includes a third one-third set of musical keys 385. Together, first, second and third one-third sets of musical keys 375, 380 and 385 form a complete set of musical keys. First, second and third one-third sets of musical keys 375, 380 and 385 are similar to first and second one-half sets of musical keys 205 and 210 described supra.
Located on top surface 310 of first module 305 near first hinge 350 are a pair of slides 390, each slide adapted to slidably engage one of a pair of slots 395 located in top surface 325 of second module 320 near first hinge 350. Located in top surface 325 of second module 320 near second hinge 355 are a pair of slides 400, each slide adapted to slidably engage one of a pair of slots 405 located on top surface 340 of third module 335 near second hinge 355. Slides 390 and 400 operate similarly to slides 170 and 180 as described supra in reference to FIG. 1A.
First module 305 further includes an optional first speaker 410 and third module 335 includes an optional second speaker 415. If speakers 410 and 415 are not used, the overall “foot print” of keyboard 300 in both deployed and collapsed configurations will be reduced. Also, second module 320 may include an on/off switch 420.
Finally, it should be understood that each module 305, 320 and 335 includes internal wiring (not shown) required by each module as well as connective wiring (not shown) that connects the three one-third sets of keys 375, 380 and 385 together so they respond as a single keyboard. Further, music simulation electronics, as illustrated in FIG. 5 and described infra, will be contained within one or more of the modules.
First module 505 includes a first one-quarter set of musical keys 595. Second module 520 includes a second one-quarter set of musical keys 600. Third module 535 includes a third one-quarter set of musical keys 605. Fourth module 550 includes a fourth one-quarter set of musical keys 610. Together, first, second, third and fourth one-quarter sets of musical keys 595, 600, 605 and 610 form a complete set of musical keys. First, second, third and fourth one-quarter sets of musical keys 595, 600, 605 and 610 are similar to first and second one-half sets of musical keys 205 and 210 described supra.
Located on top surface 510 of first module 505 near first hinge 565 are a pair of slides 615, each slide adapted to slidably engage one of a pair of slots 620 located in top surface 525 of second module 520 near first hinge 565. Located on top surface 525 of second module 520 near second hinge 570 are a pair of slides 625, each slide adapted to slidably engage one of a pair of slots 630 located in top surface 540 of third module 535 near second hinge 570. Located on top surface 540 of third module 535 near third hinge 575 are a pair of slides 635, each slide adapted to slidably engage one of a pair of slots 640 located in top surface 555 of fourth module 550 near third hinge 575. Slides 615, 620 and 625 operate similarly to slides 170 and 180 as described supra in reference to FIG. 1A.
First module 505 further includes an optional first speaker 645 and fourth module 550 includes an optional second speaker 650. If speakers 645 and 650 are not used, the overall “foot print” of keyboard 500 in both deployed and collapsed configurations will be reduced. Also, third module 535 may include an on/off switch 655.
First module 505 has a raised lip 655 located opposite from the side of the first module that is attached to first hinge 565. Fourth module 550 has a raised lip 655 located opposite from the side of the fourth module that is attached to third hinge 575. Located on raised lip 655 is a protruding latch 665. Located in raised lip 660 is a recessed catch 670. Latch 665 and catch 670 are located and adapted to engage and thus temporarily fasten first and fourth modules 505 and 550 together with second and third modules 520 and 535 in-between the first and third modules as illustrated in FIG. 3B and described infra.
Finally, it should be understood that each module 505, 520, 535 and 550 includes internal wiring (not shown) required by each module as well as connective wiring (not shown) that connects the four one-quarter sets of keys 595, 600, 605 and 650 together so they respond as a single keyboard. Further, music simulation electronics, as illustrated in FIG. 5 and described infra, will be contained within one or more of the modules.
First module 705 includes a first one-quarter set of musical keys 785. Second module 725 includes a second one-quarter set of musical keys 790. Third module 745 includes a third one-quarter set of musical keys 795. Fourth module 765 includes a fourth one-quarter set of musical keys 800. Together, first, second, third and fourth one-quarter sets of musical keys 785, 790, 795 and 800 form a complete set of musical keys. First, second, third and fourth one-quarter sets of musical keys 785, 790, 795 and 800 are similar to first and second one-half sets of musical keys 205 and 210 described supra.
First module 705 includes an optional first speaker 805 and fourth module 765 includes an optional second speaker 810. If speakers 805 and 810 are not used, the overall “foot print” of keyboard 700 in both deployed and collapsed configurations will be reduced. Also, third module 745 may include an on/off switch 815.
First module 705 includes a plug 815 on second side 720 adapted to electrically and mechanically engage a socket 820 in first side 735 of second module 725. Second module 725 includes a plug 825 on second side 740 adapted to electrically and mechanically engage a socket 830 in first side 755 of third module 745. Third module 745 includes a plug 835 on second side 760 adapted to electrically and mechanically engage a socket 840 in first side 775 of fourth module 765. Each module 805, 725, 745 and 765 includes internal wiring (not shown) required by each module. Plug/socket combinations 815/820, 825/830 and 835/840 wire the four one-quarter sets of keys 785, 790, 795 and 800 together so they respond as a single keyboard. The four modules 805, 725, 745 and 765 are assembled into the deployed configuration of keyboard 700 (see
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A third advantage is the musical keyboard of the fourth embodiment of the present invention is scalable. Modules may be added to increase the total number of keys and modules may be removed to reduce the total number of keys in the keyboard. This may be accomplished by adding a module counting function to the electronics supporting the keyboard and is illustrated in FIG. 5 and described infra.
Music simulation system 900 may also include a charger 945 (external or internal) for charging a battery 950. Music simulation system 900 may be turned on or turned off by a switch 955. Charger 945 is coupled to a power jack 960 for connection to an external power source. Battery 950 powers controller 910, sound synthesizer 915 and amplifier 925. Key set 900 may be powered through controller 910.
Controller 910 (and module sensor 920 if present), sound synthesizer 915, amplifier 925 and battery 950 are all housed within one or more of modules of the keyboard. Charger 945 may be internal or external to the modules.
The description of the embodiments of the present invention is given above for the understanding of the present invention. It will be understood that the invention is not limited to the particular embodiments described herein, but is capable of various modifications, rearrangements and substitutions as will now become apparent to those skilled in the art without departing from the scope of the invention. Therefore it is intended that the following claims cover all such modifications and changes as fall within the true spirit and scope of the invention.
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Number | Date | Country | |
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20040083877 A1 | May 2004 | US |