This invention relates to a technique for previewing a color-graded image.
The process of producing a motion picture feature presentation usually includes a “post-production” phase during which images (frames) within motion picture feature presentation undergo processing, including color grading. An individual or team of individuals, typically referred to as “colorists,” will change the color attributes of selected images within the motion picture feature presentation under the supervision of the movie's director and/or director of photography to achieve a desired appearance. Such color attributes can include hue, saturation, and gamma. Color grading of selected images in such a manner affords the ability to enhance the motion picture feature presentation beyond the color properties of the original camera negative film stock, or in the case of a digitally originated movie, the color properties of the digital camera(s) that originally captured the images.
As the sophistication of consumer digital photography has increased, so too has the desire of consumers to perform many of the same kind of advanced post-production techniques used in the motion picture film industry, including color grading. While tools exist for consumers to perform some post-production activities, such as color grading, such tools typically operate by rendering the original image file, a time consuming process that can permanently change the image file. Thus, if a consumer becomes dissatisfied with the color grading, recovering the original image file can prove difficult or even impossible.
Thus, a need exists for a technique that allows for previewing an image file color graded in a desired manner without the need for image rendering.
Briefly, in accordance with a preferred embodiment of the present principles, a method for previewing a color graded image commences by first obtaining color metadata corresponding to a sample image appearance selected by a user from among a set of different sample image appearances, each sample image appearance having associated color metadata. The color metadata corresponding to the selected sample image appearance is stored with an image file the user has selected for color grading. The color metadata corresponding to the selected sample image appearance is applied to the image file to generate a preview of the image file, as it would appear when color graded with the color metadata.
The system 10 also includes a first fie system 18 for storing incoming audio-visual files which typically, although not necessarily, are formatted in the Apple®“Quick Time” format. (The incoming audio-visual files could have other formats without departing from the present principles.) Typically, each the audio-visual files stored in the file system 18 represents at least a portion of a motion picture or video program, with or without accompanying audio. The audio-visual files stored in the file system 18 each have a track for storing color metadata for color grading the stored audio-visual file. The metadata track associated with each audio-visual file typically is empty upon initial ingest (i.e., initial importation) into the file system 18, thus allowing accommodation of the later-generated color metadata.
In addition to the file system 18, the system 10 includes a file system 20 that stores color metadata in the form of: (1) a color curve control three-dimensional (3D) look-up table (LUT) 22, a color keying 3D look-up table 24, a 3-way color decision list (CDL) 26 and an Image Appearance 3D LUT 28. Data from the Image Appearance LUT 28, together with data from the color curve control LUT 22, the color keying 24 LUT 24, and the 3-way color decision list 26 get combined to generate a set of values stored in a preview 3D LUT 30. The GPU 12 makes use of the values in the preview LUT 30 to color grade a user-selected audio-visual file stored in the file system 18 for preview on the display 16. Typically, the GPU 12 performs the color grading for image preview purposes following image decoding by shading the individual pixels in the selected audio-visual file using a 3D LUT (not shown).
The Image Appearance LUT 28 contains at least one, and preferably, a plurality of sets of predetermined color metadata created in advance of color grading for image preview in accordance with the present principles. Typically, the sets of predetermined color metadata will include the original file information (“no color grading) and a plurality of different color grades or looks. Each set of color metadata within the Image appearance LUT, when applied to a selected audio-visual file stored in the file system 18, whether as part of a preview operation, or as part of a rendering operation, will impart a certain appearance (e.g., a certain “look”) to the images in that file. For example, one set of color metadata, when applied to a selected audio-visual file, will cause the images therein to have a particular color hue. Another set of color metadata, when applied to the selected audio-visual will impart a different hue. Thus, each of the various sets of color metadata stored in the Image Appearance LUT 28, when applied to a selected audio-visual file, will alter the appearances of the images in a particular manner. By selecting a particular one of the sets of color metadata, a user can achieve a desired image appearance without having to determine the appropriate values for the color metadata in advance. Note that a user could select multiple sets of color metadata for application to a selected image in succession, rather than select a single set.
To facilitate user selection of a desired image appearance, the user will make use of a graphical user interface (GUI) 34 depicted in
The user can advantageously split the image in the main window 34 by dragging the same movie clip into the original image, thus creating two sections 40a and 40b divided by a vertical separator 42. Typically, the user will leave one copy of the clip, typically image appearing in the left hand section 40a of the main window 34, in its original form (i.e., without application of the selected set of color metadata). The user can then apply a selected set of color metadata to the clip appearing in the right-hand section 40b obtain a desired “look” for that clip. In other words, the right-hand section 40b depicted in the main window 34 of the GUI 32 of FIG, 2 depicts the current image frame of the selected audio-visual file as if it were color graded in accordance with the selected set of color metadata. In practice, the user can displace the vertical separator 42 to vary the relative size of the sections 40a and 40 to increase or decrease the size of one image relative to the other typically for the purpose of comparing the original image with the color graded image.
Referring to
The color keying LUT 24 contains values associated with color keying, a post-production tool, which allows for color isolation. Using the color keying LUT, a user can put a color key on a particular object in a scene to change the object of that color.
The 3-way color correction CDL 26 contains information indicative of color correction (i.e., color grading) operations applied previously to other audio-visual image files. Using the information in the color correction CDL 26, a user can select one or more of color correction operations for application to the selected image in addition to application of the color metadata set selected from the Image appearance LUT 28 in the manner described previously.
As discussed previously, data from the Image Appearance LUT 28, together with data from the color curve control LUT 22, the color keying 24 LUT 24, and the 3-way color decision list 26 get combined to generate the values stored in the preview 3D LUT 30. However, a user need not make manual image adjustments involving all or any the Image Appearance LUT 28, together with data from the color curve control LUT 22, the color keying 24 LUT 24, and the 3-way color decision list 26. Thus, data from some or all of the Image Appearance LUT 28, and the color curve control LUT 22, the color keying 24 LUT 24, and the 3-way color decision list 26 need not get folded with the data from the Image Appearance LUT 28.
The foregoing describes a technique for previewing a color-graded image.
This application claims priority under 35 U.S.C. 119(e) to U.S. Provisional Patent Application Ser. No. 61/616,186, filed Mar. 27, 2012, the teachings of which are incorporated herein.
Filing Document | Filing Date | Country | Kind | 371c Date |
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PCT/US2012/045400 | 7/3/2012 | WO | 00 | 8/22/2014 |
Number | Date | Country | |
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61616186 | Mar 2012 | US |