The invention relates to a device comprising a sound signal generator having an input element and a sound reconstruction element.
The invention also relates to a method for forming a call signal.
The invention finds important applications in particular with regard to the case where the sound signal, replacing traditional ringing, is the call signal for mobile telephones.
Such a device is known from European patent document EP 1 073034. In this known device, the sound signal can have a multitude of tones. However, it is considered that it does not leave enough initiative to the user on the choice of ringing or call melodies.
The present invention proposes a device of the type mentioned in the preamble which gives great initiative with regard to the production of this call signal.
For this purpose, such a device is characterized in that it is provided with a harmonization element for transforming, into a polyphonic melody formed from accompaniment notes, a monodic melody entered by means of said input element, and a connection element for applying said polyphonic melody to the sound reconstruction element.
A method for forming a call signal is characterized in that it comprises the following steps:
entering a monodic melody formed from notes,
allocating a chord for the majority of these notes with a view to forming a polyphonic melody,
recording this polyphonic melody,
applying this polyphonic melody to a sound reconstruction element in order to make a call.
The invention will be further described with reference to examples of embodiment shown in the drawings to which, however, the invention is not restricted. In the drawings:
In
When the user receives an incoming call which concerns him, the loudspeaker 20 emits a call signal, which the user would wish to be as pleasant as possible or which most seems to him to reflect his personality.
For this purpose, the invention proposes that the user himself should determine the call melody by singing or whistling into the microphone 17. To make the melody more attractive, the device comprises means for forming an accompaniment to this melody.
Tonic
Supertonic
Mediant
Subdominant
Dominant
Submediant
Leading note
For each of these degrees there are several possible predefined chords (box K22). Referring to
Σp=0.7+0.2+1+0.1+0.2+0.3+0.7=3.2
This value is the largest considering all the possible paths. The optimum path is chosen by using a Viterbi algorithm for example (box K25, FIG. 4).
The melody thus recorded is available in order to be applied to the loudspeaker 20. A connection between the memory 35 where it is recorded will be established with the audio frequency circuit 15, via the line BUSAD, so that the call signal can ring.
First of all a histogram of the notes of the melody is established (box K50). That is to say there is a statistic of the number of dohs (No(doh)), doh# No(doh#) etc. It is also possible to define a histogram vector of the notes of the melody for each level. That is to say, for H(doh), for example from the histogram (box K52)
H(doh)=[No(doh), No(doh#), No(re), No(re#), No(me), No(fah), No(fah#), No(soh), No(soh#), No(lah), No(lah#), No(te)]
H(doh#)=[No(doh#), . . .
etc.
The “pillar” notes of the tonality are levels 1, 4 and 5 (tonic, subdominant, dominant).
Levels 2, 3, 6 and 7 are rather less frequent, particularly with simple melodies, which a normal user could enter.
Because of this, two “mask” vectors are defined, one in a major and one in a minor. This mask weights the histogram of the notes of the melody.
For the major mask, it is possible to take the vector
AM=[5; 0; 2; 0; 3; 4; 0; 5; 0; 2; 0; 1].
For the minor mask:
Am=[5; 0; 2; 3; 0; 4; 0; 5; 2; 0; 1; 1].
It is also possible to define masks other than the major and minor modes.
Next, a “likelihood score” is calculated for the Doh Major and Doh minor tonality
true(DohM) AM*H(doh)
true (Dohm) Am*H(doh) where the symbol * designates the scalar product.
Next, the “likelihood score” is calculated for the 22 other possible tonalities.
For example H(re)=[No(re), No(re#), No(me), No(fah), No(fah#), No(soh), No(soh#), No(lah), No(lah#), No(te), No(doh), No(doh#),] and
true(ReM)=AM*H(Re)
true(Rem)=Am*H(Re)
The final choice of the tonality is a function of the true( ) values obtained.
By way of example, the tonality can be taken which maximizes true( ) (box K56).
It should be noted that the melody can also be entered using the keypad 10 of the device, keys being allocated to musical notes.
Number | Date | Country | Kind |
---|---|---|---|
01 12511 | Sep 2001 | FR | national |
Number | Name | Date | Kind |
---|---|---|---|
4951544 | Minamitaka | Aug 1990 | A |
5510572 | Hayashi et al. | Apr 1996 | A |
5883326 | Goodman et al. | Mar 1999 | A |
6060655 | Minamitaka | May 2000 | A |
Number | Date | Country |
---|---|---|
1073034 | Jan 2001 | EP |
02197885 | Aug 1990 | JP |
Number | Date | Country | |
---|---|---|---|
20030070536 A1 | Apr 2003 | US |