Electronic musical instrument

Abstract

In an electronic musical instrument of the waveshape memory type including at least one waveshape memory for storing and reproducing sample values of a musical sound wave to be generated, the waveshape memory stores the sample values of the complete waveshape of a musical tone with a shaped envelope.

Description

BACKGROUND OF THE INVENTION

(a) Field of the Invention:

The present invention relates to an electronic musical instrument, and more particularly it pertains to an electronic musical instrument capable of simulating natural sounds by a waveshape memory system.

(b) Description of the Prior Art:

Heretofore, many attempts have been made to electronically or electrically reproduce, by electronic musical instruments, natural sounds existing in the natural world and to produce arbitrary artificial sounds. For example, according to one proposed method, original sounds are recorded on magnetic tapes or the like and the recorded sound information is reproduced by mechanically driving the magnetic tapes selectively upon depressions of keys in an eletronic musical instrument. Such method, therefore, is not purely electronic. Accordingly, it is difficult to quickly and faithfully follow up the depressions of keys which are performed at a high speed. Furthermore, in such a case, the rise and fall of a produced musical sound become very unnatural due to the mechanical nature of the tape feed.

There are many problems which are encountered in electronically synthesizing natural sounds. Generally speaking, a natural sound is formed of an extremely complicated combination of such factors as amplitude, frequency and phase. Moreover, all these factors vary with time. Therefore, it has been practically impossible to satisfy all such conditions, i.e. it has not been possible to reproduce all the complicated variations. Thus, the attempts to simulate natural sounds existing in the natural world have not succeeded at least in practice.

SUMMARY OF THE INVENTION

The present invention has been worked out in view of the circumstances described above, and an object thereof is to provide an electronic musical instrument capable of perfectly simulating natural sounds existing in the natural world and further capable of generating a variety of artificial sounds as musical sounds.

In order to accomplish this object according to the present invention, the electronic musical instrument comprises a waveshape memory system, and the information of the complete waveshape ranging from the attack to the decay of each musical sound to be produced is preliminarily stored in the waveshape memory. The output of the waveshape memory is directly utilized as a musical sound signal. Furthermore, according to the present invention, a plurality of such waveshape memories are used. At least one of such waveshape memories stores the information of part of the complete waveshape ranging from the attack to the decay of each musical sound to be produced, and another waveshape memory or memories store information of all or part of the remainder of the complete waveshape, and these waveshape memories are successively and/or repeatedly read out.

Here, the term "waveshape memory system" refers to a system for storing sample values of a waveshape of a musical sound to be produced and for reading out these sample values at a selected speed (such system is stated in for example, U.S. Pat. No. 3,515,792). In the prior art waveshape memory, however, the waveshape memory system stores the waveshape of a standard sound in one period without its envelope information added. The envelope shaping is performed by separately generating the envelope information and multiplying it with the waveshape signals which are repeatedly read out from the memory.

In this specification, the term "complete waveshape" of a musical sound refers to a tone waveshape which is afforded with an envelope shaping, whereas the term "tone waveshape" refers to a tone waveshape without the envelope shaping. That is, according to the present invention, a waveshape memory stores the "complete" waveshape of the whole or a part of the whole one musical tone. For saving the number of bits of the memory means, it is preferable to store the "complete" waveshape for only a part of a musical tone. From this point of view, the "complete" waveshape in the attacking period of a musical tone may be stored in a memory and the waveshape of the remainder period of the musical tone may be formed by repeatedly reading out a standard waveshape from another memory which independently has memorized the standard waveshape and multiplying the signal repeatedly read out from said another memory by a sustaining envelope and/or a decaying envelope to constitute the above-said complete waveshape for the reamining period. Such arrangement is particularly suitable for generating percussive tones such as the sounds of a piano.

BRIEF DESCRIPTION OF THE DRAWINGS

FIG. 1 is a circuit diagram of a keyboard device to be used in the embodiments of the present invention.

FIGS. 2a to 2f show waveshapes at various outputs of the device of FIG. 1.

FIG. 3 is a block diagram of an electronic musical instrument according to the first embodiment of the present invention.

FIGS. 4 and 5 are block diagrams of an addresser and a self-holding flip-flop loop for elucidating the essential portions of the embodiment of FIG. 3.

FIGS. 6,7 and 8 are block diagrams of an electronic musical instrument according to the second, third and fourth embodiments of the present invention, respectively.

FIG. 9 is a block diagram of an electronic musical instrument according to a modified embodiment of the present invention.

DETAILED DESCRIPTION OF THE PREFERRED EMBODIMENTS

Throughout the embodiments to be described hereinbelow, similar keyboard devices are used. Therefore, description will be first made with respect to the keyboard device.

FIG. 1 shows a keyboard circuit for an individual key. Similar circuits are also provided for other keys of the keyboard. In the figure, a key switch KSW switches the power supply from a voltage source E to a circuit for generating various key operation signals. A differentiation circuit is formed with resistors R.sub.0 and R.sub.1 and a capacitor C.sub.1. Another differentiation circuit is formed with a capacitor C.sub.2 and a resistor R.sub.2. Diodes D.sub.1 and D.sub.2 are used for blocking pulses of negative polarity. Inverters INV.sub.1 to INV.sub.4 invert the polarity of the input signals.

A point A is grounded through the resistor R.sub.0 and connected to the voltage source E through the key switch KSW. The voltage from the voltage source E appears at point A during the key is depressed. Thus, a key depression signal A is generated upon depression of a key as shown in FIG. 2a. The inverter INV.sub.4 forms an inverted or complimentary key depression signal A as shown in FIG. 2b. The key depression signal A is differentiated by the differentiation circuit formed with the resistors R.sub.0 and R.sub.1 and the capacitor C.sub.1 to generate a positive and a negative pulse at the times of key depression and key release. The negative pulse signal corresponding to the key release is blocked by the diode D.sub.1. Thus, the diode D.sub.1 supplies only the key depression pulse signal KD as shown in FIG. 2c. The inverter INV.sub.1 inverts the polarity of this key depression pulse to generate an inverted or complimentary key depression pulse KD as shown in FIG. 2d. Further, the key depression signal A is inverted through the inverter INV.sub.2 and then differentiated by the differentiation circuit formed of the capacitor C.sub.2 and the resistor R.sub.2 to generate a negative and positive pulse signal at the times of key depression and key release. The negative pulse corresponding to the key depression is blocked by the diode D.sub.2. Thus, the diode D.sub.2 provides the key release pulse signal KR as shown in FIG. 2e. The inverter INV.sub.3 inverts the polarity of this key release pulse to generate the inverted or complimentary key release pulse signal KR as shown in FIG. 2f. In this way, the keyboard device provides a group of signals upon each key operation.

Description will hereinbelow be made with respect to the embodiments of the present invention. Throughout these embodiments, the circuit shown in the figure represents that for a single key. Similar circuit structure may be adopted for each key in the keyboard or in a part of the keyboard.

EMBODIMENT 1

FIG. 3 shows the first embodiment of the electronic musical instrument adapted for providing percussive tones. In this embodiment, the "complete" waveshape for one whole musical tone is stored in and read out from a memory, which may provide all the attack, sustain and decay envelopes when the key is depressed and kept depressed. Another memory is provided for damping the musical tone upon release of the key while not depressing the damper pedal.

The waveshape memories WM.sub.31 and WM.sub.32 are respectively addressed by addressers AD.sub.31 and AD.sub.32. The first waveshape memory WM.sub.31 stores therein the complete waveshape from the attack to the decay of a tone (curve a), while the second waveshape memory WM.sub.32 stores a damping envelope waveshape (curve b). Therefore, when the read-out of the second waveshape memory WM.sub.32 is initiated, for example by the release of the key while reading out the first waveshape memory WM.sub.31, waveshape signals which is read out from the respective waveshape memories WM.sub.31 and WM.sub.32 are multiplied in a multiplier unit MU.sub.30 to provide a resultant waveshape of which the decay becomes faster from the time of the key release as shown by curve c. Accordingly, when the percussive tone of a sound of a piano or the like is stored in the first waveshape memory WM.sub.31 and a suitable decay envelope waveshape in the second waveshape memory WM.sub.32, a very excellent simulation of the percussive tone is obtained. Here, the memory contents in the two waveshape memories WM.sub.31 and WM.sub.32 may be arbitrarily altered in conformity with the nature of an intended sound.

Now, the details of the arrangement of FIG. 3 will be described along with the operation thereof.

When a key depression pulse KD as shown in FIG. 2c is generated by a key depressing operation as described in connection with FIG. 1, a flip-flop FF.sub.31 is set to continuously generate a Q output. Then, clock pulses .phi. of a predetermined frequency are directly transmitted through an AND circuit AND.sub.31 to the addresser AD.sub.31, which sequentially generate a pulse at their each output, one at a time, to thereby address the waveshape memory WM.sub.31 to read out the waveshape which is stored therein. When the addresser AD.sub.31 generates the last bit output, the flip-flop FF.sub.31 is re-set, and the reading-out of the waveshape memory WM.sub.31 terminates.

An example of the addresser AD.sub.31 is shown in FIG. 4, which comprises a counter 41 and a decoder 42. The content of the addresser AD.sub.31, i.e. the content of the counter 41, is cleared by the key depression pulse KD before the initiation of counting. Other addressers referred to in this specification may have similar structures. The waveshape memory WM.sub.31 may be formed with a ROM or the like. Other waveshape memories referred to in this specification may have similar structures.

Now, let us assume that the key releasing operation is conducted while the first waveshape memory WM.sub.31 is being read out and that a damper pedal is released and an associated damper switch DP is closed for effecting an abrupt decay of the sound. When the damper switch DP is open, a voltage +V is applied to an inverter INV.sub.31 through a resistance R.sub.30. When the damper switch DP is closed, the ground (zero) potential 0 is applied to the inverter INV.sub.31 and accordingly the output of the inverter INV.sub.31 becomes "1". Upon the key release with the damper switch DP closed, a key release pulse KR as shown in FIG. 2e is applied to and allowed to transmit through an AND circuit AND.sub.32 and an OR circuit OR.sub.31 to a D-type flip-flop FF.sub.32. Thus, the flip-flop FF.sub.32 provides a Q output. The Q output is delivered to AND circuits AND.sub.33 and AND.sub.34. The inverted key depression pulse KD which is applied to the AND circuit AND.sub.33 is "1" when the key has been released. Furthermore, the output of an inverter INV.sub.32 which is applied with the final bit output of the addresser AD.sub.32 is also applied to the AND circuit AND .sub.33 and is "1" since there is yet no output at the final bit of the addresser AD.sub.32. Accordingly, the AND circuit AND.sub.33 satisfies the AND condition and feeds the Q output of the flip-flop FF.sub.32 back to the input of the same flip-flop FF.sub.32 through the OR circuit OR.sub.31. Therefore, the flip-flop FF.sub.32 is self-held.

The self-held flip-flop FF.sub.32 permits the clock pulses .phi. of the predetermined frequency to pass through and AND circuit AND.sub.34 to enter into the addresser AD.sub.32. The addresser AD.sub.32 addresses the waveshape memory WM.sub.32 storing the decaying envelope to read out the sample values of the memory content. Here, when an output is generated at the final bit of the addresser AD.sub.32, the output of the inverter INV.sub.32 becomes "0"and the AND condition for the AND circuit AND.sub.33 is destroyed. Therefore, the self-holding of the flip-flop FF.sub.32 is released, and the drive of the addresser is terminated. In order to prepare for the key release and a re-depression of the key, the addresser AD.sub.32 has its content cleared by either of the key depression pulse KD and the key release pulse KR through the OR circuit OR.sub.32.

In the manner described above, according to this embodiment, a rapidly decaying envelope is given on the waveshape which is read out from the first waveshape memory WM.sub.31, i.e. multiplied in the multiplier unit MU.sub.30 by the closure of the damper switch DP and the key release. Thus, the so-called damper effect is afforded by which the volume of the sound decreases quickly after the release of the key.

FIG. 5 shows a self-holding flip-flop circuit in which an output of a D-type flip-flop FF.sub.50 can be self-held by a loop including an OR circuit OR.sub.50 and an AND circuit AND.sub.50 in the manner as described above. Since such self-holding circuit will also be used in the ensuing embodiments, detailed explanation thereof will be omitted.

EMBODIMENT 2

FIG. 6 shows a second embodiment of the present invention, in which the "complete" waveshape is stored in a memory only for the attacking period of a musical tone. Although the embodiment is suitable to obtain a percussive tone similar to the first embodiment, the use thereof is not restricted to the generation of such percussive tones.

This embodiment uses three kinds of waveshape memories WM.sub.61, WM.sub.62 and WM.sub.63 which are respectively addressed by addressers AD.sub.61, AD.sub.62 and AD.sub.63. The first waveshape memory WM.sub.61 stores therein the complete waveshape in the attack period, the second waveshape memory WM.sub.62 stores at least one fundamental period of a musical tone waveshape, and the third waveshape memory WM.sub.63 stores an envelope waveshape ranging from the sustain to the decay, which envelope shape follows the attack. Therefore, when the envelope shaping is performed while reading out the second waveshape memory WM.sub.62 following the reading-out of the first waveshape memory WM.sub.61, the musical sound having similar effects as those of the first embodiment can be produced using simpler memories than those in the first embodiment. Here, the memory content of the third waveshape memory WM.sub.63 may not include the sustain envelope.

Now, the construction and the operation of this embodiment will be made apparent through the following description of the processes of forming a musical sound.

The arrangement of a flip-flop FF.sub.61, an AND circuit AND.sub.61 and the addresser AD.sub.61 for addressing sampling values in the waveshape memory WM.sub.61 upon arrival of a key depression pulse KD is similar to the arrangement for addressing the first waveshape memory WM.sub.31 in the first embodiment. Thus, the description thereof is omitted here. When the reading-out of the first waveshape memory WM.sub.61 which stores the complete waveshape of the attack period terminates and the final bit output of the addresser AD.sub.61 is generated, this final bit output signal re-sets the flip-flop FF.sub.61. The final bit out-put is also utilized as a signal 1MF for driving the addressers AD.sub.62 and AD.sub.63 which address the second and third waveshape memories WM.sub.62 and WM.sub.63.

A D-type flip-flop FF.sub.62 is set through an OR circuit OR.sub.61 by the signal 1MF. The output of the flip-flop FF.sub.62 is self-held when the AND condition of an AND circuit AND.sub.62 is satisfied. The flip-flop FF.sub.62 supplies clock pulses .phi. of a predetermined frequency to the addresser AD.sub.62 through an AND circuit AND.sub.63. Thus, the addresser AD.sub.62 is driven to read out the content of the waveshape memory WM.sub.62. The AND condition for the AND circuit AND.sub.62 for generating an output "1" is that the inverted key depression signal KD is "1" and also the inverted output DF (inverted by an inverter INV.sub.62) of the final bit output DF of the addresser AD.sub.63 assigned for addressing the third waveshape memory WM.sub.63 is "1" . Therefore, unless the reading-out of the third waveshape memory WM.sub.63 has terminated after the depression of the key, the AND condition of the AND circuit AND.sub.62 holds, and the flip-flop FF.sub.62 self-holds.

A D-type flip-flop FF.sub.63 for driving the addresser AD.sub.63 is self-held by the loop of an OR circuit OR.sub.62 and an AND circuit AND.sub.64 under the similar conditions for the self-holding of the flip-flop FF.sub.62.

The addresser AD.sub.63 for addressing the third waveshape memory WM.sub.63 is supplied with a drive signal when the AND condition of AND circuit AND.sub.65 is satisfied. One input of the AND circuit AND.sub.65 is the output of the self-holding flip-flop FF.sub.63, and the other is a decay instruction signal DY which is formed in the following manner.

There are three kinds of decay instruction signal DY. Firstly, when a key is being depressed and when a key depression signal A (FIG. 2a) is generated, the AND condition of an AND circuit AND.sub.66 is satisfied by a clock signal .phi..sub.L of a comparatively long period of clock synchronization. In consequence, the addresser AD.sub.63 addresses the third waveshape memory WM.sub.63 at a comparatively slow speed corresponding to the clock signal .phi..sub.L. Accordingly, the decay envelope waveshape which is comparatively gentle is multiplied with the waveshape which is read out from the second waveshape memory WM.sub.62 in a multiplier unit MU.sub.60. The resultant waveshape is supplied through an adder SM.sub.60.

Secondly, when the key is not depressed and the inverter key depression signal A (FIG. 2b) is generated and when the damper pedal is depressed and the pedal switch DP is opened, the AND condition of an AND circuit AND.sub.68 is satisfied, and the comparatively gentle decay envelope is given to the musical sound by the same clock signal .phi..sub.L as in the first case.

Thirdly, when an output of an inverter INV.sub.61 becomes "1" upon the release of the damper pedal to close the pedal switch DP and when the key is not depressed and the inverted key depression signal A is generated, the AND condition of an AND circuit AND.sub.67 is satisfied, and a clock signal .phi..sub.H of a comparatively short period is transferred through an OR circuit OR.sub.63 to the addresser AD.sub.63. In consequence, the addresser AD.sub.63 addresses the third waveshape memory WM.sub.63 at a comparatively high speed. Accordingly, a rapidly decaying envelope waveshape is given in the multiplier unit MU.sub.60 to the waveshape which is read out from the second waveshape memory WM.sub.62. Thus, succeeding to the read-out output of the first waveshape memory WM.sub.61, the above-described waveshape is delivered from the adder SM.sub.60. Here, the third addresser AD.sub.63 is cleared by either one of the key depression pulse KD and the key release pulse KR supplied through an OR circuit OR.sub.64 as in the first embodiment.

As will be understood from the above, according to the second embodiment, the whole waveshape of the attack part is read out from the first waveshape memory WM.sub.61 immediately after the depression of the key. Following the reading-out of the waveshape in the attack part, the second waveshape memory WM.sub.62 is repeatedly read out. To these repeatedly read-out waveshapes, (a) the gentle decay envelope is multiplied irrespective of the depression or release of the key if the damper switch DP is opened or (b) the rapid decay envelope is multiplied immediately after the release of the key when the damper switch DP is closed.

EMBODIMENT 3

FIG. 7 shows a third embodiment of the present invention in which a tone waveshape is caused to decay off without using a damper pedal. As can be seen in the figure, this embodiment may be regarded as a modification of the second embodiment.

This embodiment comprises three kinds of waveshape memories WM.sub.71, WM.sub.72 and WM.sub.73 which are respectively addressed by addressers AD.sub.71, AD.sub.72 and AD.sub.73. The first waveshape memory WM.sub.71 stores the complete waveshape in the attack period, the second waveshape memory WM.sub.72 stores at least one period of the tone waveshape, and the third waveshape memory WM.sub.73 stores an envelope waveshape from the sustain to the decay, which envelope shape follows the attack. Therefore, after reading out the first waveshape memory WM.sub.71, the second waveshape memory WM.sub.72 is subsequently read out repeatedly, and the envelope waveshape which is read out from the third waveshape memory WM.sub.73 in correspondence with the release of the key is multiplied in a multiplier unit MU.sub.70 to the output of the second waveshape memory WM.sub.72. Thus, a musical sound signal is provided from an adder SM.sub.70.

Now, the construction and the operation of this embodiment will be made apparent through the following description of the processes for forming a musical tone. The arrangement of a flip-flop FF.sub.71, an AND circuit AND.sub.71 and an addresser AD.sub.71 for addressing sampling values in the waveshape memory WM.sub.61 upon arrival of a key depression pulse KD is similar to those in the first and the second embodiments. The final bit output signal of the addresser AD.sub.71 is used as the re-set signal for the flip-flop FF.sub.71 and also as the start signal 1MF for the addresser AD.sub.72 which addresses the second waveshape memory WM.sub.72. These points are similar to those in the second embodiment, and will be apparent without further description.

In performing the reading-out of the second waveshape memory WM.sub.72, a D-type flip-flop FF.sub.72 is set through an OR circuit OR.sub.71 by the signal 1MF, and the output of the flip-flop FF.sub.72 is self-held when the AND condition for an AND circuit AND.sub.72 is satisfied. The addresser AD.sub.72 is driven through an AND circuit AND.sub.73 by clock pulses .phi. of a predetermined period to read out the content of the second waveshape memory WM.sub.72. Here, as is the case with the AND circuit AND.sub.62 of the second embodiment, the inputs of the AND circuit AND.sub.72 are formed with the inverted key depression pulse KD and the inverted output DF of the final bit output DF of the addresser AD.sub.73 as is obtained by an inverted INV.sub.70.

The reading-out of the third waveshape memory WM.sub.73 is performed in the following manner. Namely, a D-type flip-flop FF.sub.73 is set through an OR circuit OR.sub.72 by a key release pulse KR. The output of the flip-flop FF.sub.73 is self-held when the AND condition for an AND circuit AND.sub.74 is satisfied. A clock signal CK.sub.70 drives the addresser AD.sub.73 through an AND circuit AND.sub.75. Namely, when the key is released, a key release pulse KR is generated and it sets the flip-flop FF.sub.73 through an OR circuit OR.sub.72. Since the input conditions of the AND circuit AND.sub.74 are similar to those for the AND circuit AND.sub.72 associated with the second waveshape memory WM.sub.72, the output of the flip-flop FF.sub.73 is self-held. Thus, as one input of the AND circuit AND.sub.75 continuously receives a "1" signal, the AND condition for the AND circuit AND.sub.75 is satisfied when the other input receives the clock signal CK.sub.70. The addresser AD.sub.73 performs addressing at the period determined by the clock signal CK.sub.70, and the content of the waveshape memory WM.sub.73 is read out. As will be understood from the above, the clock signal CK.sub.70 determines the decay speed and it may be arranged to be arbitrarily selectable. When the addresser AD.sub.73 provides the last bit output, the decay is terminated. The final bit output is inverted in the inverter INV.sub.70 to form the decay-termination instruction signal DF. The decay-termination instruction signal DF supplies "0" to each one input of the AND circuits AND.sub.72 and AND.sub.74. Therefore, the AND circuits AND.sub.72 and AND.sub.74 lose the AND condition and hence the inputs of the second and third addressers AD.sub.72 and AD.sub.73 disappear. Consequently, the reading-out of the second and the third waveshape memories WM.sub.72 and WM.sub.73 is terminated.

In summary, according to the third embodiment, the complete waveshape in the attack period is read out from the first waveshape memory WM.sub.71 and is outputted through the adder SM.sub.70 immediately after the depression of the key, and subsequently, the content of the second waveshape memory WM.sub.72 storing the tone waveshape devoid of the envelope shaping is repeatedly read out to form the sustain part of the tone. Without the key releasing operation, the output of the second waveshape memory WM.sub.72 continues to be delivered through the multiplier unit MU.sub.70 and the adder SM.sub.70. When the key release pulse KR is generated by the key releasing operation, the decaying envelope which is stored in and read out from the third waveshape memory WM.sub.73 is multiplied in the multiplier unit MU.sub.70 to the waveshape which is read out from the second waveshape memory WM.sub.72. Thus, the musical sound is allowed to decay and extinguish.

In this manner, according to the third embodiment, the attack waveshape is formed by the use of the first waveshape memory WM.sub.71, the sustain waveshape by the second waveshape memory WM.sub.72, and the decay waveshape by the combination of the second and third waveshape memories WM.sub.72 and WM.sub.73.

EMBODIMENT 4

FIG. 8 shows a fourth embodiment of the present invention in which the complete waveshapes in the attack and the decay of a musical sound are read out from waveshape memories.

This embodiment also utilize three waveshape memories WM.sub.81, WM.sub.82 and WM.sub.83 which are respectively addressed by addressers AD.sub.81, AD.sub.82 and AD.sub.83. The first waveshape memory WM.sub.81 stores the complete waveshape in the attack of the tone, the second waveshape memory WM.sub.82 stores a tone waveshape corresponding to one fundamental period or integer times thereof, and the third waveshape memory WM.sub.83 stores the complete waveshape in the decay period of the tone. Therefore, subsequent to the reading-out of the attack waveshape from the first waveshape memory WM.sub.81, the sustain waveshape is repeatedly read out from the second waveshape memory WM.sub.82 in conformity with the continuation of the sustain. Subsequent to the termination of the reading-out of the second waveshape memory WM.sub.82, the decaying waveshape is read out from the third waveshape memory WM.sub.83. Thus, a musical tone signal is suitably generated through an adder SM.sub.80.

Now, description will be made with respect to the processes for forming a musical tone signal while clarifying the construction and the operation of the arrangement.

The arrangement of a flip-flop FF.sub.81, an AND circuit AND.sub.81 and the addresser AD.sub.81 addresses the first waveshape memory WM.sub.81 upon arrival of the key depression pulse KD. The final bit output signal of the addresser AD.sub.81 serves as the re-set signal for the flip-flop FF.sub.81 and also as the start signal of the addresser AD.sub.82 addressing the second waveshape memory WM.sub.82. These points are similar to those described in the second and third embodiments, and they are not repeatedly explained here.

When the reading-out of the complete waveshape in the attack period from the first waveshape memory WM.sub.81 terminates, a D-type flip-flop FF.sub.82 is set through an OR circuit OR.sub.81 by the signal 1 MF, and the output of the flip-flop FF.sub.82 is self-held when the AND condition for an AND circuit AND.sub.82 is satisfied. The addresser AD.sub.83 is driven by clock pulses .phi. of a predetermined period through an AND circuit AND.sub.83 to read out the content of the waveshape memory WM.sub.82. Here, as are the case with the AND circuits AND.sub.62 and AND.sub.72 of the second and third embodiments, the input signals of the AND circuit AND.sub.82 comprise the inverted key depression pulse KD and the inverted output DF of the final bit output DF of the third addresser AD.sub.83 formed by an inverter INV.sub.82. The output of an AND circuit AND.sub.84 is used as an input of the AND circuit AND.sub.82. Inputs of the AND circuit AND.sub.84 comprise a Q output of the flip-flop FF.sub.82 and an output of an inverter INV.sub.81. As will be described later, the output of the inverter INV.sub.81 is "1" under the depression of the key. Therefore, if the Q output of the flip-flop FF.sub.82 is provided, the AND condition for the AND circuit AND.sub.84 and accordingly the AND circuit AND.sub.82 is satisfied.

In this manner, the reading-out of the second waveshape memory WM.sub.82 is performed. The reading-out is repeated until the key is released. In order to read out the second waveshape memory WM.sub.82, the addresser AD.sub.82 transmits a final bit output signal 2 MF to an AND circuit AND.sub.86 at every cycle of addressing. As will be described below, insofar as the key releasing operation is not conducted, the AND condition for the AND circuit AND.sub.86 is not satisfied.

Next, when a key release pulse KR is generated in correspondence with a key releasing operation, a D-type flip-flop FF.sub.83 is set through an OR circuit OR.sub.82, and the output of the flip-flop FF.sub.83 is self-held when the AND condition for an AND circuit AND.sub.85 is satisfied. The AND circuit AND.sub.85 has input signals similar to those of the AND circuit AND.sub.82. Thus, one input of the AND circuit AND.sub.86 becomes "1". When the signal 2 MF which is the other input of the AND circuit AND.sub.86 arrives, the AND condition for the AND circuit AND.sub.86 is satisfied. Consequently, the AND circuit AND.sub.86 provides an output, which sets a D-type flip-flop FF.sub.84 through an OR circuit OR.sub.83. The set output of the flip-flop FF.sub.84 forms one of the input signals of an AND circuit AND.sub.87 which has input signals similar to those of the AND circuit AND.sub.85. The AND circuit AND.sub.87 and an OR circuit OR.sub.83 form a loop with the flip-flop FF.sub.84 to selfhold the flip-flop FF.sub.84. On the other hand, the set output of the flip-flop FF.sub.84 changes one of the input conditions of the AND circuit AND.sub.84 to "0" through the inverter INV.sub.81. Therefore, the AND condition for the AND circuit AND.sub.84 and accordingly the AND circuit AND.sub.82 is destroyed. The self-holding of the flip-flop FF.sub.82 is released and the reading-out of the second waveshape memory WM.sub.82 is stopped. As will be apparent from the above explanation, there may be a possibility that the reading-out of the second waveshape memory WM.sub.82 continues for some period after the generation of the key release pulse KR (although such time period is of no problem in the auditory sense of the tone). This is attributed to the fact that, in general, the generation of the key release pulse KR and the generation of the final bit output signal 2 MF of the addresser AD.sub.82 are not simultaneous. Moreover, the output of the second waveshape memory WM.sub.82 and that of the third waveshape memory WM.sub.83 need be continuous. It is therefore intended to address the third waveshape memory WM.sub.83 after the second waveshape memory WM.sub.82 has been infallibly addressed to the last.

The Q output of the flip-flop FF.sub.84 as has served to stop the readout of the second waveshape memory WM.sub.82 drives the addresser AD.sub.83 through an AND circuit AND.sub.88 by the clock pulses of the predetermined period. Then, the content of the third waveshape memory WM.sub.83 is read out. It has been previously stated that the third waveshape memory WM.sub.83 stores the complete waveshape in the decay period of the tone instead of only a decaying envelope shape. Upon termination of the reading-out from the third waveshape memory WM.sub.83, the inverted output DF of the final bit output of the addresser AD.sub.83 is generated. Therefore, each one input of the AND circuits AND.sub.82, AND.sub.85 and AND.sub.87 becomes "0" without fail, and the flip-flop FF.sub.82, FF.sub.83 and FF.sub.84 become ready for the next key depression.

According to the fourth embodiment described above, the complete waveshape in the attack is read out from the first waveshape memory WM.sub.81 and is outputted through the adder SM.sub.80 immediately after the depression of the key. The tone waveshape in the sustain is subsequently read out and outputted from the second waveshape memory WM.sub.82 through the adder SM.sub.80 by the signal which is indicative of the read-out termination of the first waveshape memory WM.sub.81, and lastly, at the occurence of the key release, the reading-out of the second waveshape memory WM.sub.82 is stopped at the next occurrence of the final address, and the complete waveshape in the decay is read out from the third waveshape memory WM.sub.83 and is outputted through the adder SM.sub.80, thereby completing the formation of the entire tone signal.

MODIFICATION

In the embodiments described above, the touch response of the keying operation is not taken into consideration, and a musical tone which varies according to the strength of the key depression, etc. cannot be produced. FIG. 9 shows a modified embodiment which takes this point into account. Adaptation of this modification to the attack waveshape which forms a part of each of the foregoing embodiments enables variations in the musical tone in conformity with the key operation such as the key depression speed or its pressure. The operation and the construction of this modification will be described hereinbelow.

The key depression pulse KD is generated by manipulating a key switch KSW'. By the pulse KD, a flip-flop FF.sub.90 is set to provide a Q output. Upon the provision of the Q output, clock pulses .phi. of a fixed period are supplied to an addresser AD.sub.90 through an AND circuit AND.sub.90. These points are similar to those in the addressing of the first waveshape memory in each of the foregoing embodiments.

According to this modification, however, the depressed state of the key switch KSW' is sensed by a sensor SE and converted to an electric signal. The peak value of the key depression strength is held by a holding circuit HL, whereupon the held value is converted to a digital value by an A-D converter ADC. The converted digital value is a read-out signal for a decoder DE. Depending upon the value, the decoder DE generates an "enable" signal EN which instructs one waveshape memories WM.sub.91 -WM.sub.9N to be read out. The waveshape memory which is selected and supplied with the "enable" signal EN from the decoder DE stores a complete waveshape in the attack, in conformity with the particular key touch. Such a selected complete waveshape is read out by the addresser AD.sub.90.

Here, the sensor SE may be formed of any one of the various known types. For example, an electrically conductive material whose resistance value varies with the strength of the key depression may be combined with the key. Regarding the holding circuit HL, any one of a variety of known sample hold circuits can be employed.

According to the present invention, at least one of the waveshape memories is arranged to store the complete waveshape of at least part of a musical tone as described above, whereby an electronic musical instrument can easily simulate various natural sounds and generate various artificial sounds as musical sounds.

Claims

1. An electronic musical instrument of a waveshape memory reading type comprising:

keyboard signal means for producing key depression signals each indicative of an operation of a key in a keyboard and designating a musical sound;

a waveshape memory for storing wave sample data indicative of a plurality of discrete amplitude sample values of a wave, each of said wave sample data being stored at a respective address of the memory, said wave constructed by the amplitude sample values including a plurality of cycles of vibration of a complete sound waveshape which exhibits a predetermined pitch or frequency defining a musical sound frequency when read out at a speed and including at least an attack portion of the musical sound,; and

an addresser connected to said waveshape memory and to said keyboard signal means for addressing the waveshape memory at a speed determined in response to a key depression signal thereby producing a tone signal representing the designated musical sound.

2. An electronic musical instrument in accordance with claim 1 wherein said wave stored by said waveshape memory is a complete waveshape from its attack portion to its decay portion and which defines a musical tone.

3. An electronic musical instrument of a waveshape memory reading type comprising:

keyboard means for producing key depression signals in response to an operation of each key which designates a musical sound;

a plurality of waveshape memories, each for storing amplitude sample values of a complete waveshape from its attach portion to its decay portion which defines a musical tone, said sample values stored at respective addresses of the memory;

an addresser connected to said waveshape memory and to said keyboard means for addressing the waveshape memory at a speed determined in response to a key depression signal thereby producing a tone signal representing the designated musical sound, said waveshape stored by said waveshape memory including a plurality of cycles of vibration of said complete waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency when read out at a speed and exhibits a tone envelope shape defining at least an attack portion of a tone, said complete waveshape thus constituting a tone waveshape imparted with at least an attack envelope;

and means for sensing the key touch of said each key which is operated to designate a musical sound and selecting one of said waveshape memories according to a predetermined relation with respect to the key touch, thereby producing musical sounds which vary in response to the key touch.

4. An electronic musical instrument of a waveshape memory reading type comprising:

keyboard signal means for producing a key depression signal in response to an operation of a key on a keyboard which designates a musical sound;

a first waveshape memory for storing wave sample data indicative of discrete amplitude sample values of a waveshape, each said wave sample data stored at a respective address of the memory, said first waveshape memory storing a plurality of cycles of vibration of a first complete waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency when read out at a speed and exhibits a tone envelope shape defining at least an attack portion of a tone, said first complete waveshape thus constituting a tone waveshape imparted with an attack envelope;

a first addresser connected to said first waveshape memory and to said keyboard signal means for addressing the first waveshape memory at a speed determined in response to said key depression signal to read out said first complete waveshape, said addresser generating a trigger signal when said addressing is over;

a decay portion wave generator connected to said addresser for generating, after receipt of said trigger signal, a plurality of cycles of vibration of a second complete waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency and exhibits a tone envelope shape defining at least a decay portion of a tone, said second complete waveshape thus constituting a tone waveshape imparted with a decay envelope; and

a combining circuit for combining said first complete waveshape and said second complete waveshape to produce a tone signal representing the designated musical sound.

5. An electronic musical instrument in accordance with claim 4, wherein:

said decay portion wave generator includes:

a second waveshape memory for storing amplitude sample values of a waveshape at respective addresses of the memory, said waveshape memory storing a plurality of cycles of vibration of a second complete waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency when read out at a speed and exhibits a tone envelope shape defining a decay portion of a tone, said second complete waveshape thus constituting a tone waveshape imparted with a decay envelope; and

a second addresser connected to said second waveshape memory and to said first addresser for addressing the second waveshape memory to generate said second complete waveshape in response to the trigger signal from said first addresser.

6. An electronic musical instrument of a waveshape memory reading type comprising:

keyboard means for producing a key depression signal in response to an operation of each key which designates a musical sound;

a first waveshape memory for storing discrete amplitude sample values of a waveshape, each said discrete amplitude sample value stored at a respective address of the memory, said first waveshape memory storing a plurality of cycles of vibration of a first complete waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency when read out at a speed and exhibits a tone envelope shape defining an attack portion of a tone, said first complete waveshape thus constituting a tone waveshape imparted with an attack envelope;

a first addresser connected to said first waveshape memory and to said keyboard means for addressing the first waveshape memory and to said keyboard means for addressing the first waveshape memory at a speed determined in response to a key depression signal at a start of the key operation to read out said first complete waveshape, said addresser generating a trigger signal when said addressing operation comes to its end;

a decay portion wave generator connected to said addresser for generating, after receipt of said trigger signal, a plurality of cycles of vibration of a second complete waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency and exhibits a tone envelope shape defining a decay portion of a tone, said second complete waveshape thus constituting a tone waveshape imparted with a decay envelope; and

a combining circuit for combining said first complete waveshape and said second complete waveshape to produce a tone signal representing the designated musical sound, wherein:

said keyboard means further producing a key release signal in response to a finish of the operation of each key which designates a musical sound; and wherein:

said decay portion wave generator includes:

a repetitive waveshape generator connected to said first addresser for repetitively generating a waveshape in response to said trigger signal;

an envelope shape generator connected to said keyboard means for generating an envelope shape signal defining a decay portion of a tone in response to said key release signal; and

an envelope imparting means connected to said repetitive waveshape generator and to said envelope shape generator for imparting the decay envelope defined by said envelope shape signal to the waveshape generated by said repetitive waveshape generator thereby producing said second complete waveshape.

7. An electronic musical instrument in accordance with claim 6 wherein:

said repetitive waveshape generator includes:

a second waveshape memory for storing amplitude sample values of a waveshape at respective addresses of the memory; and

a second addresser connected to said second waveshape memory and to said first addresser for repetitively addressing the second waveshape memory to repetitively generate said waveshape after receipt of said trigger signal.

8. An electronic musical instrument in accordance with claim 6, wherein:

said envelope shape generator includes:

an envelope shape memory for storing sample values of an envelope shape defining a decay portion of a tone at respective addresses of the memory; and

a second addresser connected to said envelope shape memory and to said keyboard means for addressing said envelope shape memory to generate said envelope shape in response to said key release signal.

9. An electronic musical instrument of a waveshape memory reading type comprising:

keyboard means for producing a key depression signal in response to an operation of each key which designates a musical sound;

a first waveshape memory for storing discrete amplitude sample values of a waveshape, each said discrete amplitude sample value stored at a respective address of the memory, said first waveshape memory storing a plurality of cycles of vibration of a first complete waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency when read out at a speed and exhibits a tone envelope shape defining an attack portion of a tone, said first complete waveshape thus constituting a tone waveshape imparted with an attack envelope;

a first addresser connected to said first waveshape memory and to said keyboard means for addressing the first waveshape memory and to said keyboard means for addressing the first waveshape memory at a speed determined in response to a key depression signal at a start of the key operation to read out said first complete waveshape, said addresser generating a trigger signal when said addressing operation comes to its end;

a decay portion wave generator connected to said addresser for generating, after receipt of said trigger signal, a plurality of cycles of vibration of a second complete waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency and exhibits a tone envelope shape defining a decay portion of a tone, said second complete waveshape thus constituting a tone waveshape imparted with a decay envelope; and

a combining circuit for combining said first complete waveshape and said second complete waveshape to produce a tone signal representing the designated musical sound, wherein:

said decay portion wave generator includes:

a repetitive waveshape generator connected to said first addresser for repetitively generating a waveshape in response to said trigger signal;

an envelope shape generator connected to said first addresser for generating an envelope shape signal defining a decay portion of a tone in response to said trigger signal; and

an envelope imparting means connected to said repetitive waveshape generator and to said envelope shape generator for imparting the decay envelope defined by said envelope shape signal to the waveshape generated by said repetitive waveshape generator thereby producing said second complete waveshape.

10. An electronic musical instrument in accordance with claim 9, wherein:

said repetitive waveshape generator includes:

a second waveshape memory for storing amplitude sample values of a waveshape at respective addresses of the memory; and

a second addresser connected to said second waveshape memory and to said first addresser for repetitively addressing the second waveshape memory to repetitively generate said waveshape after receipt of said trigger signal.

11. An electronic musical instrument in accordance with claim 9, wherein:

said envelope shape generator includes:

an envelope shape memory for storing sample values of an envelope shape defining a decay portion of a tone at respective addresses of the memory; and

a second addresser connected to said envelope shape memory and to said first addresser for addressing said envelope shape memory to generate said envelope shape in response to said trigger signal.

12. An electronic musical instrument of a waveshape memory reading type comprising:

keyboard signal means for producing key depression signals each indicative of an operation of a key in a keyboard and designating a musical sound;

a waveshape memory for storing wave sample data indicative of a plurality of discrete amplitude sample values of a wave, each of said wave sample data being stored at a respective address of the memory, said wave constructed by the amplitude sample values including a plurality of serial cycles of vibration of a sound waveshape which exhibits a predetermined pitch or frequency defining a musical sound frequency when read out at a speed and including at least a plurality of serial cycles of an attack portion of the musical sound; and

an addresser connected to said waveshape memory and to said keyboard signal means for addressing the waveshape memory at a speed determined in response to a key depression signal, thereby producing a tone signal representing the designated musical sound.

13. An electronic musical instrument of a waveshape memory reading type comprising:

keyboard signal means for producing key depression signals each indicating an operation of a key in a keyboard and designating a musical sound;

a plurality of waveshape memories, each for storing amplitude sample values of a waveshape from its attack portion to its decay portion which defines a musical tone, said sample values stored at respective addresses of the memory;

an addresser connected to said waveshape memory and to said keyboard means for addressing the waveshape memory at a speed determined in response to a key depression signal thereby producing a tone signal representing the designated musical sound, said waveshape stored by said waveshape memory including a plurality of cycles of vibration of said waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency when read out at a speed and exhibits a tone envelope shape defining at least an attack portion of a tone, said waveshape thus constituting a tone waveshape imparted with at least an attack envelope; and

means for sensing a key touch of said each key which is operated to designate a musical sound and selecting one of said waveshape memories according to a predetermined relation with respect to the key touch, thereby producing musical sounds which vary in response to the key touch.

14. An electronic musical instrument of a waveshape memory reading type comprising:

keyboard signal means for producing key depression signals each indicative of an operation of a key on a keyboard which designates a musical sound;

a first waveshape memory for storing wave sample data indicative of discrete amplitude sample values of a waveshape, each said wave sample data stored at a respective address of the memory, said first waveshape memory storing a plurality of cycles of vibration of a first waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency when read out at a speed and exhibits a tone envelope shape defining at least an attack portion of a tone, said first waveshape thus constituting a tone waveshape imparted with an attack envelope;

a first addresser connected to said first waveshape memory and to said keyboard signal means for addressing the first waveshape memory at a speed determined in response to said key depression signal to read out said first waveshape, said addresser generating a trigger signal when said addressing is over;

a decay portion wave generator connected to said addresser for generating, after receipt of said trigger signal, a plurality of cycles of vibration of a second waveshape which exhibits a predetermined pitch or frequency defining a musical tone frequency and exhibits a tone envelope shape defining at least a decay portion of a tone, said second waveshape thus constituting a tone waveshape imparted with a decay envelope; and

a combining circuit for combining said first waveshape and said second waveshape to produce a tone signal representing the designated musical sound.