Not Applicable
Not Applicable
Not Applicable
The present invention is in the technical field of music. More particularly, the present invention is in the technical field of sound modification. More particularly, the present invention is in the technical field of a sound modification device for any percussion instrument.
1. Sound modification device for a percussion instrument
2. Muting and muffling of drums
3. Dampening device for a percussion instrument
4. Sound modification system
The sound modification device for a percussion instrument will be referred to as an “expressive damper” for the purpose of this application. The expressive damper is an invention for modifying the sound made by a vibrating surface, or membrane, such as a drumhead used for creating music. This new damper is comprised of a rigid clip that is spring biased for securing the damper to the frame of a vibrating surface such as a drumhead, and a sound dampening component that loosely contacts said surface which allows for said dampening component to rest or lift in response to how soft or hard said surface is struck when played depending upon the dampening component chosen.
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The construction details of the damper as shown in
The form of the rigid clip 12 may be any shape: oval, round, square, triangular, etc, but preferably rectangular in shape. The size of the rigid clip 12 could be, but is not limited to, 10 mm wide×30 mm long×0.30 mm thick. The flexible surface 14 could be constructed out of one or more pieces of leather or a combination of leather and metal or plastic or both. The leather could be attached to a ferrous material and be attracted to the integrated permanent magnet 16 in the said damper. The flexible surface 14 could be attached to the rigid clip 12 by glue, screws, or hook and loop or a rivet 18. The flexible surface 14 could be at least one piece of leather and arranged in any way with the magnet 16 but preferably in the center of leather damper.
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Pick a spot on the vibrating surface to begin the expressive dampening. Attach the spring-clip on the rim of the drum, using the tab in the back of the clip to open the clip so that the clip can be fitted over the rim of the drum hoop. Push the clip down until the dampening surface makes full contact with the drum skin. Release tab so that spring-clip attaches firmly to hoop. Play the drum and listen for the desired sound change. Try moving the clip to different positions on the drum hoop to test for desired dampening effect before attempting the other dampening options. With soft playing, the flexible dampening surface will move very little when the drum's vibrating surface is struck. With hard playing the flexible dampening surface will lift off the vibrating surface for a more open and “expressive” drum sound, matching the drummers' natural dynamics. To control the amount of dampening: The flexible dampening surface is comprised of two wings, one on each side of the clip. Leave both wings flat against the drum head for the most dramatic sound modification. To decrease the amount of dampening, fold one wing of the dampener so that the corner rivet and center magnet come together to attach. This creates less overall surface contact to the drum head and will lessen the dampened effect of the drum. If the least dampening option is required, fold both left and right sides of the leather containing rivets onto the center magnet. This orientation will damper the percussive sound very little, keeping the drum in its most lively state. For testing, tuning, storage, and, if desired, during play, flip up the entire dampening leather flap component and attach the imbedded center magnet to any part of the ferrous metal clip. The damper is now completely off the drum head, and will not change the sound of the drum. This allows the drummer to quickly go back to the original unaltered sound of the drum, even during the same song!
The 1st advantage of the expressive damper is that it allows a change of dampening options depending upon how a drummer strikes the drum. By mixing different materials and working with gravity this new flexible damper can open and close like a gate when the drum is played. The amount of ‘opening’ and closing’ can be controlled by the percussionist's decision to play softer or harder. Current dampers are designed to be “all on” or “all off” the drum head.
The 2nd advantage is that this expressive damper is particularly robust in both construction and materials used. By choosing the right materials: spring clip for the hoop attachment (no screws, glues or braces) hard and soft leather or plastic (which insures both flexibility and durability) the expressive damper will be effective despite weather conditions, will resist breaking and is constructed to last a long time.
The 3rd advantage is that it is both reliable and easy to replicate the sound desired. Once this expressive damper is adjusted via the position on the rim and the position of its material dampening wings to produce the desired sound with the magnet, it is possible to quickly replicate these specific effects at any later time. No longer will a drummer need to cut the right size tape, or gel to get an ideal sound. They can fold or open the flexible leather of the dampening component on any part of the drum head frame.
The 4th advantage is that this expressive damper can be produced for a price that makes it affordable even for beginners.
The 5th advantage is the option to quickly and easily go from a desired dampening state to a state of having no dampening at all. This is achieved by flipping up the dampening surface and securing it away from the drum head by touching the center magnet to the spring-clip. A drummer can play a ringing, jazzy sound, then switch to a rock and roll “thud” tone in the middle of a song.
The 6th advantage is that the tab extension allows for the spring-biased clip to be easily opened and allowed to close. This permits the spring-biased clip to be quickly and easily moved to any desired position on the rim of the drum hoop and stays. It eliminates the age old problem of loosening screws or gels that unstick or extruded rubber that loses its position by stretching over time and becoming buzzy with drum head contact.
In a broad embodiment, the present device is an invention for modifying the sound made by a vibratable surface of a percussion instrument controlled “during” play by the drummer. The invention should not be limited by the above described embodiment, method, and examples, but by all embodiments and methods within the scope and spirit of the invention as claimed.
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4671158 | Saputo | Jun 1987 | A |
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7511209 | Liao | Mar 2009 | B1 |
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Number | Date | Country | |
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20170124994 A1 | May 2017 | US |
Number | Date | Country | |
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62201201 | Aug 2015 | US |