Not Applicable
Not Applicable
This invention relates to a volume, sustain, and frequency response improvement for guitars and stringed musical instruments consisting of a body, neck, and plurality of strings under tension employing a fulcrum tremolo string bridge system.
Stringed musical instruments, such as the electric guitar, have featured an option since the 1950's called a tremolo. It is a fulcrum point string bridge located on instrument body face that allows performer to lower or raise the pitch of all strings simultaneously. The most widely employed type of fulcrum tremolo system generates the needed string counter tension via a plurality of springs located in a cavity on back of instrument body. One end of the plurality of springs is attached to the bottom portion of the bridge called the “block” and the other to a piece of flanged steel called the “claw”. The claw is secured to guitar body via two wood screws to the spring cavity wall opposite that of bridge block. The two screws allow for tension adjustment of Tremolo System. The drawback to current tremolo system is the lack of mechanical coupling strings have with instrument body. The screw heads and bridge fulcrum points alone fail to realize the vibrating strings full potential for sound wave transfer; there by attenuating the frequency response, amplitude, and sustain of sound waves resonating into instrument body and neck.
These matters were initially addressed in my Fulcrum Tremolo Claw Lock Resonator U.S. Pat. No. 10,643,587 B1. Continued development on the principal system has yielded addition methods of improving frequency response, amplitude, and sustain of the vibrating string(s) into instrument body and neck.
The first improvement was realized in the development of a “spring locking claw”. By redesigning the current industry standard “claw” so that the flanged steel spring retaining posts are substituted by a compression generating spring retaining post screw assembly, that change instituted a instrument wide sonic improvement. In the standard flange metal claw design the tremolo system counter tensioning springs are simply hooked on to the, finger like, flange steel posts and secured in position via the tension generated by the instrument's strings, that method presents only minimal surface area at connection point for sound wave energy to be transferred between “springs” and “claw”, the “spring locking claw” design allows the “springs” to be compression coupled to the face of “claw” via screw assemble creating far more surface area between components for resonance coupling to occur. The added necessity of employing a material thick enough to be drilled and tapped for the screws to function as spring retaining posts increased the “claw” components general mass, that mass increase to instrument's core proved to be of added tonal benefit.
The second improvement was realized via a new fabrication method for the “Fulcrum Tremolo Claw Lock Resonator” U.S. Pat. No. 10,643,587 B1 in which the “resonator plate” and “claw” are constructed as a single piece. The needed tremolo system spring/string counter tensioning adjustments are still arrived at in the traditional way, via the two large “claw” retaining screws, located opposite side of tremolo spring cavity from “bridge block”. The marriage of “resonator plate” and “claw” allows for a simplified method of fabrication yet still achieves the sound wave energy coupling benefits present in the two piece “Claw Lock Resonator” fabrication method. A necessity was found in this new one piece design requiring “repositioned and elongated” mounting screw slots. Those mounting screw slot changes were needed to allow for adjustment “set up” of the tremolo system before securing the “Claw Resonator Plate” to spring cavity wood surface for maximum string resonance coupling into guitar body and neck.
Other objects, features, and advantages will occur from the following description of a preferred Embodiment and the accompanying drawings, in which:
The Fulcrum Tremolo Spring Locking Claw and Claw Resonator Plate can be retrofitted or original equipment on any stringed musical instrument with a fulcrum tremolo system that employs back of instrument body spring counter tensioning method most commonly used in electric guitar manufacturing. These items can be combined in a retro fit kit or sold as separate items to be employed individually. A complete two piece retro fit kit would include a Fulcrum Tremolo Spring Locking Claw 1, machine screws 6 and 7, Claw Lock Resonator plate 2, with mounting screws 4, or a single piece kit with the Claw Resonator Plate 1&2 combination and screws 7 and 4.
The instrument with the fulcrum tremolo string bridge system will be sonically improved by the addition of a Fulcrum Tremolo Spring Locking Claw or Claw Resonator Plate, these components provide expanded surface area and increased mass capable of transferring sound wave energy in the core of string instrument more effectively and efficiently, so that amplitude, sustain, and frequency response are all improved. With enhanced frequency coupling of the fulcrum tremolo system to instrument core, the entire range of pitches and over tone harmonics the instrument can produce are audibly improved.
The presence of these inventions enhances low frequency response to the human ear, interpreted as a warmer sound, a richer sound, and a sound that needs less electronic processing to convey musical pleasure as perceived by our ears.
The securing of the counter tensioning springs of a fulcrum tremolo system to the Claw Resonator Plate or to a Spring Locking Claw and then to a Resonator Plate eliminates completely the potential of movement as found in the industry standard flanged metal claw, secured only by two screws, when tremolo is activated by player, thereby improving instrument tremolo systems tuning accuracy in returning to the non-pitch varied position of the tremolo bridge. Increasing the mass of the instrument body with the addition of a Spring Locking Claw or Claw Resonator Plate in the center or core of the instrument allows the instrument to more efficiently resonate sound energy outward to exterior edges of guitar body and neck.
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3599524 | Jones | Jun 1971 | A |
4135426 | Richard | Jan 1979 | A |
4171661 | Rose | Oct 1979 | A |
4201108 | Bunker | May 1980 | A |
4206679 | Wilson | Jun 1980 | A |
5477765 | Dietzman | Dec 1995 | A |
5783763 | Schaller | Jul 1998 | A |
8536430 | McCabe | Sep 2013 | B2 |
10643587 | McCormick | May 2020 | B1 |
Number | Date | Country | |
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20220139360 A1 | May 2022 | US |