Not Applicable.
The present invention relates generally to an improved diatonic harmonica. More particularly, the present invention is related to an improved diatonic harmonica allowing hands and harness free or mouth alone operation of harmonica and an attached microphone housing for improve capture amplification and digital control of the harmonica and player's tones.
The most popular and portable mouth harmonicas are the diatonic harmonicas. Diatonic harmonicas comprise a wood or plastic comb, a mouthpiece, a series of reeds mounted on top and bottom reed plates, and top and bottom metal cover plates. Most diatonic mouth harmonicas have 10 mouthpiece holes through which air can be inhaled or exhaled. Typically, the reed plates include 10 blow or exhale reeds mounted on the top reed plate and 10 draw or inhale mounted on the bottom reed plate. Each of the reeds are tuned to specific harmonious frequencies. The top and bottom cover plates cover the reed plates and are fastened together through the comb with multiple fasteners. Together, the two cover plates describe musical resonance chambers leading to the horn-like output end, from which the sound of the harmonica resonates.
It is possible to play a harmonica hands-free using harmonica holders suspended about the player's neck and shoulders that hold the harmonica to the player's mouth, leaving the player's hands free, for example, to simultaneously play a guitar or other instrument. However, if amplification is needed, existing hands-free methods present a problem. If played by hand, harmonica can simply hold a hand-held microphone to the horn-like output end of the harmonica or attach a purpose-built harmonica microphone to the horn-like output end. Typically, attached harmonica microphones physically encapsulate the output end of harmonica while other standard microphones are held next to the horn-like output end of a harmonica.
While attached harmonica microphones provide in some respects superior sound capture to hand-held or stand-held microphones they are generally not well suited to mouth-alone play and the capture of player's singing. Hands-free players are therefore restricted to the use of harness or stand-held microphones, limiting their ability to move around while performing and limiting the movement and mouth-alone playing and singing setups that can be used for performance.
Therefore, there exists a need for an improved harmonica optimized for hands-free play and designed for hands-free amplification with superior capture, transmission and amplification of musical tones, digital and analog processing acoustic effects and vocalizations.
This Summary is provided to introduce a selection of concepts in a simplified form that is further described below in the Detailed Description. This Summary is not intended to identify key features or essential features of the claimed subject matter, nor is it intended to be used as an aid in determining the scope of the claimed subject matter. The present invention is defined by the claims.
One or more embodiments of the present invention relate to a novel, improved diatonic harmonica allowing hands- and harness-free mouth-alone operation of harmonica. As used herein, the term “mouth only” operation refers to such hands- and harness-free operation. In particular, embodiments of the present invention are directed towards an improved harmonica that allows the user to play multiple octaves complex songs and chords while retaining, manipulating and orientating the harmonica using the player's teeth, tongue, mouth, lips and lower jaw movement alone.
Some embodiments of the present invention include an elongated bullet shaped harmonica microphone housing attached to the outboard output end of the harmonica to allow improved capture amplification and digital control of both harmonica tones and the player's vocalizations thru access doors top and bottom. Some embodiments may comprise adhesive pads configured to be placed upon harmonica to meet mouth-alone harmonica player's individual manipulation, orientation/indexing or retention needs. In some embodiments, such adhesive pads may be configured to retrofit existing harmonicas to enhance mouth alone capability.
The present invention is described in detail below with reference to the attached drawing figures, wherein:
Some embodiments of the present invention are described with specificity herein to meet statutory requirements. However, the scope of the invention is not intended to be defined by the description itself. The claimed subject matter may be embodied as to include different features, elements, components, steps, or combinations of steps, similar to those described herein, and in combination with other existing or future technologies. Moreover, although the term “step” might be used to connote different elements of the methods employed, this term should not be interpreted as implying any particular order among or between various steps herein disclosed unless and except the order of individual steps is explicitly described or required.
One or more embodiments of the present invention relate to a novel, improved diatonic harmonica allowing hands- and harness-free operation, otherwise known as “mouth alone” operation, of harmonica. In particular, the present improved harmonica allows the user to play multiple octaves complex songs and chords while retaining, manipulating and orientating the harmonica using player's teeth, tongue, mouth, lips and lower jaw movement alone (hereinafter “mouth alone”). Mouth alone playing provides multiple benefits, including but not limited to freeing hands for other purposes, which can lead to increased available practice time and thus increasing playing skill, musical ear training, enhanced vocal breath support, and diaphragmatic breathing capability.
Some embodiments of the present invention include an elongated bullet shaped harmonica microphone housing to allow improved capture amplification and digital control of both harmonica tones and the player's vocalizations and hand movements thru access doors top and bottom. In some embodiments, microphones or pickups may be movably mounted on a thru rods spanning the interior of the microphone housing to enable variable positions of the microphones/pickups. In some embodiments, positioning of the microphones/pickups may be controlled manually via the access doors, while in other embodiments, the optimal positioning may be controlled passively, i.e. automatically, via servos within the microphone housing.
In some embodiments, the microphone housing may additionally contain circuitry which may comprise signal processors, transmitters, and digital and/or analog battery power. Some embodiments of the microphone housing may include circuitry to provide additional features which may comprise wireless blue tooth connectivity, digital or analog effects processing, and/or improved processing and/or amplification.
Some embodiments may comprise adhesive pads configured to meet mouth alone harmonica player's individual manipulation, orientation/indexing or retention needs. In some embodiments, such adhesive pads may be configured to retrofit existing harmonicas to enhance mouth alone capability.
Multiple microphones may be mounted on one or more adjustable thru rods inside the microphone housing, allowing one or more microphones to be moved with precision relative to the desired musical intervals being played.
The present invention provides mouth-alone/hands-free controllability improved harmonica convenience utility and versatility which may be complimented by attaching an elongated bullet shaped microphones housing with top and bottom access ports and through rods allowing one or more microphones to be moved to different musical intervals improving player's means to capture control and amplify harmonics overtones and resulting tones or where acoustical effects from hand movements or vocalizations offering improved means of harmonica and vocal tone capture, amplification, digital processing, wireless transmission and any other mouth alone convenience or capability which may be fit into microphone housing.
In some embodiments, the mouthpiece includes indexed octaves as indicated by tongue sensing and control attributes indexing and orienteering attributes. In some embodiments, the mouthpiece includes distinct or accentuated corners at the periphery of holes to allow greater tongue mouthpiece grip and indexing and orienteering details as pictured allowing player to feel octave intervals, retain manipulate and orient harmonica with tongue and mouth alone.
In some embodiments, the mouthpiece allows the tongue to move the harmonica in the players mouth due to the sharper edges on the holes themselves in addition to the lower cover plate tooth adhesion, allowing the player's tongue to remain in constant contact with the mouthpiece. Such play actually involves covering the two or three holes and either blowing or drawing on both sides of the tongue. This is known as the tongue blocking method and produces octaves and beautiful chords. Any tone generated by blowing in one hole can be replicated as a chord by blowing or drawing on both sides of the tongue with zero, one, two, or three middle holes fully or partially blocked and/or gripped and moved by the tongue and/or lower jaw movement.
The mouthpiece 116 comprises reference points 120a-d that may be indented or raised on mouthpiece enhancing tongue movement capability of harmonica and providing tactile indication the position of octaves that the player can feel with his tongue.
As depicted, microphone housing 208 is attached to and substantially encloses the horn-like distal end of the harmonica 220. In addition to upper access panel 212, microphone housing 208 may include a lower access panel (not shown), the upper and lower access doors being configured to permit access to the horn-like distal end of the harmonica 220 and to provide access to one or more microphones 216 and/or instrumental pick-ups which may be repositioned and/or re-orientated on one or more through rods (not shown) spanning the length of the microphone housing 208 situated and attached to harmonica to capture harmonica and harmonica player tonal output.
The novel elongated bullet-shaped ergonomically and acoustically shaped microphone housing 208 improves the player's ability to capture, transmit, process and amplify complex varied chords and harmonics, as well as overtones and resulting tones where multiple reeds are excited while providing improved capture of vocalizations.
The bullet-shaped microphone housing may house various digital enhancements such as those available on cell phones; cameras, Bluetooth etc.
Embodiments of the present invention have been described, as required by statute, to be illustrative, but should not be interpreted to be restrictive. One having skill in the art will recognize that many different arrangements of the various components depicted are possible without departing from the scope of the claims below, as well as arrangements including components not explicitly shown.
One having skill in the art will understand that certain combinations and/or sub-combinations of elements and features are of utility and may be employed without reference to other combinations and/or sub-combinations and are contemplated within the scope of the claims. Not all steps listed in the various figures need be carried out in the specific order described.
Number | Name | Date | Kind |
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4837836 | Barcus | Jun 1989 | A |
7847172 | Harrison | Dec 2010 | B2 |
8802950 | Bibollet | Aug 2014 | B2 |
20160337736 | Grainger | Nov 2016 | A1 |
Number | Date | Country |
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203136099 | Aug 2013 | CN |