Patent Application
20120297961
1. Technical Field
The present patent document relates generally electronic music instruments and controllers, and more particularly to an improved electronic keyboard instrument, called a “keytar”.
2. Background of the Related Art
The “keytar” is a musical instrument with a piano-style keyboard that is worn with a strap like a guitar. It can have a built-in sound generator, or merely be a controller for an external sound generator.
The keytar is a relatively obscure but still established music instrument. A history of it can be found on Wikipedia: http://en.wikipedia.org/wiki./Keytar.
Although keytars have all the versatility of a synthesizer, many musicians find using a keyboard to generate other types of sounds awkward. Because the keyboard keys abut one another, it is easy to strike multiple or the incorrect key. So, for instance, if a musician desires to play percussive sound using the keyboard keys, using a slap-style of play similar to a bass player is impractical.
Also, many keyboards include function controls, like a pitch-bend control, to apply effects to the sound of the keyboard. However, these controls require the use of two hands to operate the controls. Keytars suffer a disadvantage to typical synthesizer keyboard because keytars are played with one hand, like a guitar is strummed. Although the musician's second hand is free to operate other functions controls, many musicians find this arrangement awkward at best.
Therefore, there is a perceived need in the industry for an improved keytar that provides the ability to generate a wider range of sounds and provide better easier controls to operate the keyboard functions, which can lead to better showmanship for stage acts.
The present invention solves the problems of the prior art by providing an improved keytar that includes a series of optimally placed drum pads and may also include an accelerometer configured to generate MIDI continuous controller values.
The improved keytar adds additional functionality to this instrument for greater performance and control possibilities. The included percussion pads enable drum sounds that can be more easily played on the instrument. Furthermore, the placement of the drum pads has been optimized to permit “slap bass” style of playing, which musicians find intuitive, and leads to dynamic performances. Specifically, these drum pads allow the musician to trigger drum sounds in a more natural and realistic way than using piano keys. The triggering method is very similar to how a bass player slaps the strings with his thumb and plucks with this fingers on a bass guitar. Thus, it is a very natural way of triggering percussive sounds.
Also, included is an accelerometer to determine if the instrument is tilted relative to the horizontal, in which case a MIDI continuous control is generated to modulate or affect the sound. For instance, the MIDI continuous control signal can be set to change the timbre, volume, or other parameter of a sound, offering new performance possibilities. As can be readily understood, the use of an accelerometer frees the musician to concentrate on playing the keytar. A side-effect of the accelerometer is also that it forces the musician to rock and tile the keytar which leads to a more physically expressive style of playing that entertains live audiences.
These and other features, aspects, and advantages of the present invention will become better understood with reference to the following description, appended claims, and accompanying drawings where:
Referring now to
The keytar 10 may include an internal sound generator, which generates and plays sound in response to presses on the keyboard keys, and as will be further described below, sounds from the drum pads. In addition, the keytar 10 may be configured to be a MIDI controller. That is, the keytar 10 will generate MIDI note data and transmit it to a computer, which will generate the sound. As a MIDI controller, the keytar 10 need not include an internal sound generator. MIDI outputs 26 are included on the keytar 10 to permit MIDI note data to be outputted to a computer, or other device that accepts MIDI inputs.
The keyboard body 14 includes a neck 28 extending from the left side 20 of the keyboard body 14, which functions as a handle for the musician's left hand and includes additional controls to change the functions of the keytar 10. A fastening point for a guitar strap to make the keytar 10 easier to carry may be located on the neck 28 or back of the keyboard body 12 as is known in the art. The second fastening point 30 for the strap is located on the right side 20 of the keyboard body 14. It is important to note that the keytar 10 described and shown herein is set up for right-handed musicians, meaning the musician's right hand is primarily used to play the keyboard 12 keys. One skilled in the art would find it elementary to reverse the structures to make a keytar 10 for left-handed musicians.
Located in the lower front 24 of the keytar body 14, so as to be easily accessible by the musician's right hand, are a number of drum pads 32. Locating the drum pads 32 in this area of the keyboard body 14 is a similar location as the strings of a bass guitar relative to the musician, so they may be “slapped” just like on a bass guitar, which is advantageous. The drum pads 32, as will be more fully described below, permit the musician to play percussion sounds with the keytar 10. These drum pads 32 may also be configured to trigger other percussion sounds, such as cymbals too.
Referring now to
Each drum pad 132 and keyboard 112 key has a particular MIDI note assigned to it. When the microprocessor 102 detects that a particular drum pad 102 or keyboard 112 key has been activated, it sends a MIDI note “On” signal to the keytar's MIDI outputs 26 (which can be traditional 5-pin MIDI 104 or USB MIDI via a USB interface 106), and/or may be used by the keytar's 10 internal sound generator, if included, which may be integrated with the microprocessor 102.
To measure the tilt of the keytar 10, an accelerometer 108 is read by the microprocessor 102 through an analog to digital converter 110. The value of the accelerometer 108 is converted into a MIDI continuous controller value which is outputted from the keytar 10 to control an external synthesizer or computer. Also, the value of the accelerometer 108 may be used inside the keytar 10 to control an internal sound generator if included, which the sound would be routed through an audio output 114, such as a built-in speaker or audio output connectors that may be connected to external amplifiers. An amplifier 116 with optional volume control may be included on the audio output 114.
The analog to digital converter 110 and USB interface 106 might also be physically integrated on the same chip as the microprocessor 102, as is known in the art.
Referring now to
Each drum pad 332 has a particular MIDI note assigned to it. When the microprocessor 302 detects that a particular drum pad 332 has been activated, it sends a MIDI note “On” signal to the keytar's MIDI outputs (which can be traditional 5-pin MIDI 304 or USB MIDI via a USB interface 306), and/or may be used by the keytar's internal sound generator 318, if included. The internal sound generator 318 may then send analog audio to an audio output 314, which may include an amplifier 316 with optional volume control.
To measure the tilt of the keytar, an accelerometer 308 is read by the microprocessor 302 through an analog to digital converter 310. The value of the accelerometer 308 is converted into a MIDI continuous controller value which is outputted from the keytar to control an external synthesizer or computer. Also, the value may be inputted to the internal sound generator 318, if included.
The analog to digital converter 310 and USB interface 306 might also be physically integrated on the same chip as the microprocessor 302, as is known in the art.
Therefore, the improved keytar solves the problems of the prior art by providing an integrated drum pad and accelerometer functions into a keytar, which makes the keytar a more versatile instrument. Because the improved keytar is more versatile it breathes new life into an instrument that has been considered an oddity in the commercial market. The improved keytar will make this old instrument into a staple instrument of future bands.
It would be appreciated by those skilled in the art that various changes and modifications can be made to the illustrated embodiments without departing from the spirit of the present invention. All such modifications and changes are intended to be within the scope of the present invention.
This patent document claims priority to earlier filed U.S. Provisional Application Ser. No. 61/489,876, filed May 25, 2011, the entire contents of which are incorporated herein by reference.
| Number | Date | Country | |
|---|---|---|---|
| 61489876 | May 2011 | US |
