This invention relates to methods and apparatus for distributing and enhancing sound which was digitally compressed and then decompressed.
More particularly, the present invention relates to apparatus for reconstructing lost audio which has been digitally compressed and decompressed.
In a further and more specific aspect, the instant invention concerns methods of distributing to consumers reconstructed lost audio which has been digitally compressed and decompressed.
The distribution of digital audio through the world wide web (Internet) requires a significant amount of data compression. A compact disc (CD) quality song recorded in stereo requires nearly 10 MB of data per minute. Utilizing existing transfer methods available to the typical home user, this amount of data is considered unusable. To combat this, the Internet community has developed several different compression techniques for reducing the amount of data required to construct the audio signal. At the compression requirements, these algorithms are not perfect, resulting in loss of the data and subsequent audio quality degradation.
A specific compression/decompression algorithm is based on MPEG 1, audio layer 3, and is commonly referred to as MP3. An MP3 formatted file contains audio data that has been processed through a compression algorithm. The file can be stored on a computer hard drive, floppy disk, or any other storage medium such as flash RAM cards. The MP3 file format was developed to compress the large amounts of data stored on music CDs to less than one tenth of the original size of the data. The compressed data can then easily be sent over the Internet or stored on computer hard drives, etc. The major problem that arises is in the quality of music that has been compressed and then decompressed for listening.
Even though some enhancement is performed during the decompression of the data in an attempt to reconstruct the music, many of the qualities that make the music interesting or enjoyable are lost. Further, because of the lost data during compression/decompression, the compression/decompression technique cannot be used in many other fields where the lost data may be important (e.g. some teaching techniques, such as speech and listening therapy). Many different attempts to enhance music to improve the quality have been made in the past but each such attempt is directed at a specific problem (generally the attempt deals with improving the response of a specific amplifier) and generally requires specific hardware to solve, or partially solve, the specific problem. Also, because in many instances individuals are receiving the data or music from the Internet, it is difficult to provide a salable technique for improving the decompressed data.
Accordingly, it is an object of the present invention to provide new and improved methods and apparatus/software for the distribution and enhancement of digital compressed/decompressed audio.
Another object of the invention is to provide new and improved apparatus/software for restoring decompressed data to substantially its original content.
And another object of the invention is to provide new and improved apparatus/software for restoring decompressed data to substantially its original content, which apparatus itself can be sold over the Internet or by equivalent means.
Still another object of the present invention is to provide new and improved methods for distributing the apparatus software.
Yet another object of the invention is to provide new and improved methods of distribution for the apparatus/software which provide a recipient the opportunity to try the apparatus software and determine if they believe it is appropriate for them.
Briefly, to achieve the desired objects of the instant invention in accordance with a preferred embodiment thereof apparatus for enhancing digital audio signals after the digital audio signals are compressed and decompressed is provided. The apparatus includes an input terminal for receiving a digital decompressed audio signal, a digital harmonic enhancer coupled to receive the digital decompressed audio signal and provide a harmonically enhanced audio signal, a digital warmth adder coupled to receive the digital decompressed audio signal and provide a warmth enhanced audio signal, and a digital frequency equalizer coupled to receive the harmonically enhanced audio signal and the warmth enhanced audio signal and provide a digital enhanced decompressed audio signal. In a preferred embodiment the apparatus is provided in the form of software as instructions for a Digital Signal Processor (DSP) or the like.
The desired objects of the instant invention are also achieved in accordance with a preferred embodiment thereof in method of enhancing digital audio signals after the digital audio signals are compressed and decompressed. The method includes the steps of receiving a digital decompressed audio signal, harmonically enhancing the digital decompressed audio signal and providing a harmonically enhanced audio signal, adding warmth to the digital decompressed audio signal and providing a warmth enhanced audio signal, and combining and frequency equalizing the harmonically enhanced audio signal and the warmth enhanced audio signal to provide a digital enhanced decompressed audio signal. Warmth, in the present context, is harmonic content considered pleasant to the ear, and is usually associated with enhanced odd order harmonics.
The desired objects of the instant invention are also achieved in accordance with a preferred embodiment thereof in method of distributing enhanced digital audio signals produced from compressed and decompressed digital audio signals. The distribution method includes the steps of providing software for a digital signal processor including harmonically enhancing the digital decompressed audio signal to provide a harmonically enhanced audio signal, adding warmth to the digital decompressed audio signal to provide a warmth enhanced audio signal, and combining and frequency equalizing the harmonically enhanced audio signal and the warmth enhanced audio signal to provide a digital enhanced decompressed audio signal, and providing adjustments within the software for varying levels of the harmonic enhancing and for varying levels of the frequency equalizing to provide the digital enhanced decompressed audio signal.
In one specific embodiment of the distribution procedure the software is provided free and either a one-time use, a partial use, a partially enhanced audio signal use, or non-save adjustments are included in the software to limit the use. The software is then sold for a price without including in the software the one-time use, the partial use, the partially enhanced audio signal use, or the non-save adjustments.
In another specific embodiment of the distribution procedure adjustments are provided within the software for varying levels of the harmonic enhancing and for varying levels of frequency equalizing to provide the digital enhanced decompressed audio signal, the adjustments are preset to levels determined by an expert of the received digital decompressed audio signal, such as a performer of music. In this fashion the user hears the music as the performer wants it to be heard. This method of distribution is a subset of mass customization, i.e. the software can be adjusted by the originator or consumer to tailor the desired sound.
The foregoing and further and more specific objects and advantages of the instant invention will become readily apparent to those skilled in the art from the following detailed description of a preferred embodiment thereof taken in conjunction with the drawings, in which:
Turning now to the drawings in which like reference characters indicate corresponding elements throughout the several views, attention is first directed to
Referring additionally to
The portion of the input digital audio signal passed by digital hi-pass filter 20 is supplied to a digital amplifier 25 coupled to provide harmonic distortion. Amplifier 25 is constructed to drive the input signal into saturation so as to provide an at least partially squared audio signal. This partially squared audio signal contains harmonics, both odd and even, and the amount of squaring, or saturation amplification, determines the specific harmonics included (i.e. second, third, fourth, fifth, etc.), as well as the amount of harmonics included in the output signal. As an example, an audio signal that is only slightly distorted by amplification into the saturation area (i.e. squared) contains only small amounts of the second and third harmonics. As the amplification is increased both the amount of the harmonics and the number of harmonics increases. Since, for example, most music contains certain harmonics and since some of these harmonics are lost during the compression/decompression process, it is important to achieve natural and pleasant sounding music that the harmonics be reconstructed after the decompression process. As can be seen from
The harmonic enhancement signal from amplifier 25 is then supplied to a digital level adjuster 26 which provides a level adjusted harmonic enhancement signal to a second input of digital adder 21. Level adjuster 26 is provided with an adjustment 27 which determines the amount, or level of the harmonic enhancement signal that is applied to adder 21. Since the original digital audio signal supplied to input terminal 11 is supplied to one input of adder 21, the selected level of the harmonic enhancement signal that is applied to the other input of adder 21 is added to the original digital audio signal to provide a harmonically enhanced digital audio signal. Here it should be noted that frequency adjustment 23 of hi-pass filter 20 determines the frequency spectrum of the harmonic enhancement while adjustment 27 provides the level of the harmonic enhancement.
Referring specifically to
Electronic tubes, on the other hand, have a response curve similar to curve 35 illustrated in FIG. 4. As can be seen, curve 35 is rounded or continuous and blends smoothly at upper and lower saturation areas 36 and 37 from the linear portion of curve 35 into the saturated portion. This smooth blending produces harmonics which add warmth to, for example, music and is a major reason that electronic tube amplifiers are preferred in the music field over transistor amplifiers. Referring to
Turning again to
Frequency equalizer 40 can include any or all of digital filters, generally for splitting frequency spectrum 40 into areas 44, 45, and 46, digital amplifiers for amplifying the frequency spectrum represented by each of the areas 44, 45, and 46, and attenuators for reducing the frequency spectrum represented by each of the areas 44, 45, and 46. Further, frequency equalizer 40 includes adjustments for each of the areas 44, 45, and 46 to alter the frequency spectrum or response for that area anywhere between amplification and attenuation. Referring to
Standard Digital Signal Processing, or DSP, is used to digitally modify incoming digital data to produce a desired output. Utilizing these techniques, it is possible to simulate any analog circuitry (including filters, amplifiers, adders, attenuators, etc.). The notation used for the DSP is:
In the above notation, x[n] is the input signal which is sampled in discrete time intervals, HT(ejw) is the processing algorithm, and y[n] is the output signal. Signal processing apparatus/software 10, described above, including harmonic enhancer 12, warmth adder 15, and frequency equalizer 40, are included in software in the form of instructions to a DSP which instructs the DSP to perform the various steps described. Typically, the software, or instructions, are included on some form of memory, such as a CD, or can be downloaded from the Internet to a personal computer (PC) or some other type of equipment containing a DSP or performing DSP functions. Here it should be understood by those skilled in the art that the term “Digital Signal Processor” (DSP), as used in this disclosure, includes chips and devices designated digital signal processors as well as any other devices which are capable of performing the function of digital signal processing.
Further, frequency adjust 23 for hi-pass filter 20, adjustment 27 for digital level adjuster 26, and parameter presets, or adjustments, for frequency equalizer 40 are included in the software and instruct the DSP to provide these adjustments on the PC, etc. in the same fashion that such adjustments are presently provided on a PC. In an alternative embodiment, these adjustments can be preset. For example, a specific piece (or album) of music might be supplied with preset parameters that adjust signal processing apparatus/software 10 in accordance with the way an expert, such as the performer of the music, would like their music to sound.
In a typical example of the use of signal processing apparatus/software 10, a person would download signal processing apparatus/software 10 from the Internet into their PC and would then either play compressed music directly from the Internet or from the hard disk of their computer, using signal processing apparatus/software 10. A problem that arises with the provision of this type of signal processing apparatus/software is the distribution, since the software can be easily downloaded from the Internet or from a CD or the like by anyone.
One distribution system that is used herein to overcome this problem is to provide-adjustments within the software for varying levels of the harmonic enhancing and for varying levels of the frequency equalizing to provide the digital enhanced decompressed audio signal and provide the software free to any and all recipients. However, the free software is programmed for a one-time use, a partial use, a partially enhanced audio signal use, or non-save adjustments. A one-time use is one in which the recipient can play the audio once to appreciate the improved sound and then must get another copy of signal processing apparatus/software 10. A partial use is one in which the recipient can play only a part of the audio with the improved sound and after that the sound is the same as standard decompressed audio. A partially enhanced use is one in which some of the improvements in sound are included but not all of them simultaneously. Non-save adjustments is one in which the recipient must make all of the adjustments each time that he uses the software. After the recipient has used the free software he can purchase a copy for a price, which purchased copy does not include the one of the one-time use, the partial use, the partially enhanced audio signal use, or the non-save adjustments but which does include the entire signal processing apparatus/software 10 with savable presets.
In another distribution system that is used herein to overcome the above described problem, the various adjustments are preset by someone who is an expert of that type of audio. For example, a performer who made a particular piece or album of music might set the various adjustments to make the music sound exactly as they want it to sound. These adjustments would then be included as presets in a specific copy of signal processing apparatus/software 10. Copies of signal processing apparatus/software 10 including the presets are then sold with compressed music (MP3 or the like).
Accordingly, new and improved methods and apparatus for the distribution and enhancement of digital compressed audio have been disclosed. The new and improved apparatus/software restores decompressed data to substantially its original content and can be sold over the Internet or by equivalent means. Further, various methods for distributing the new and improved apparatus/software are disclosed which provide recipients an opportunity to sample the software and determine whether or not they believe they would like to purchase it.
Various changes and modifications to the embodiments herein chosen for purposes of illustration will readily occur to those skilled in the art. To the extent that such modifications and variations do not depart from the spirit of the invention, they are intended to be included within the scope thereof which is assessed only by a fair interpretation of the following claims.
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