The present invention relates to a method for adjusting accompaniment music through an electronic device, which can be applied in karaoke, for example.
When singing karaoke, it is common that some singers are unable to sing notes that are outside of their vocal range. To overcome this problem, there is a need to transpose the musical key of a song. Generally, on the basis of the singer's experience, the singer will transpose the musical key to a higher or lower key before singing. It is actually very difficult to transpose the musical key when the singer is already singing because singing requires quick responses. Therefore, few people will do so.
U.S. Pat. No. 5,296,643 (Automatic musical key adjustment system for karaoke equipment) discloses a method to firstly adjust the musical key of each song and produce sections of accompaniment music with six different vocal ranges, i.e., bass, baritone, tenor, contralto, mezzo-soprano, and soprano. Then the operator can select a vocal range that is suitable for a particular singer. U.S. Pat. No. 5,296,643 has no discussion on how the transposing is conducted. It should be a consistent transposal of the whole song. For example, for a singer with a bass voice, the whole song will be transposed to a lower key. U.S. Pat. No. 5,296,643 does not take account of the width of singer's vocal range. In fact, the vocal ranges of many people do not fill into any of the 6 categories, and the vocal ranges of singers can differ greatly.
CN Patent 1150289 (Karaoke Apparatus detecting register of live vocal to tune harmony vocal) discloses a detecting apparatus to analyze the captured singing voice and identify the vocal range of the live singing voice, and then to automatically adjust the accompaniment music. That is to say, the adjustment is performed during the singing. However, when the singer sings off tune (especially when singing an unfamiliar song), the apparatus will make an inaccurate prediction.
For singers with a narrow vocal range, what troubles them is that there are few songs that they can sing, even if the songs are adjusted in advance. The reason is that they still cannot sing the song when it is consistently adjusted such as by transposing the musical key downward by one or two semitones. After the adjustment, they may be able to sing some of the high notes but not other high notes. However, if the song is adjusted downward by two semitones, they may not be able to sing the low notes.
Such is particularly the case for a song requiring a wide vocal range. However, many people are especially fond of singing songs requiring a wide vocal range in spite of their own narrow vocal ranges. Therefore, there is a need to overcome this problem.
In view of the above-mentioned issue, the main object of the present invention is to provide a method for adjusting accompaniment music to overcome the existing problem, wherein the accompaniment music of a song can be adjusted in advance to have different musical key transposals for different sections (instead of one consistent transposal of the musical key) so that more singers, especially those singers having narrow vocal ranges, can sing songs which exceed their vocal ranges and which they would otherwise be unable to sing.
To accomplish the above object, the present invention provides a method to adjust the accompaniment music, which is used to adjust the keys of a plurality of sections in the accompaniment music of a song, with each section of accompaniment music corresponding to each segment of the song by the original singer. This method will be adopted when a singer's vocal range is narrower than the overall original vocal range. The method comprises:
comparing the singer's vocal range with each segment of the song by the original singer to determine whether the singer's vocal range covers each segment of the song by the original singer; and
on the basis of the above step, transposing the musical key of at least one section of accompaniment music such that the segment of the song by the original singer corresponding to the at least one transposed section of accompaniment music is covered by the singer's vocal range, and the musical key of at least one section of the accompaniment music is not transposed, and the segment of the song by the original singer corresponding to the at least one section of accompaniment music without transposal is covered by the singer's vocal range.
According to the embodiment, the musical keys of at least two sections of accompaniment music are transposed, and the two sections of accompaniment music are transposed to different keys. The plurality of sections of accompaniment music comprise a total of m segments, which are divided into n groups of transposed sections of accompaniment music, with each group of transposed sections of accompaniment music having y sections of accompaniment music, wherein, within each group, the sections of accompaniment music are transposed for the same number of [keys]; and 5≤m≤1000, 3≤m−2, and 1≤y≤500. According to the preferred embodiment, it is recommended to seek the smallest number n.
For better understanding of the technical contents of the present invention, detailed descriptions are provided below with reference to preferred embodiments.
Please refer to
Please refer to the operating flow diagram of the method for adjusting accompaniment music according to the invention, i.e., the flow diagram of the processor 11 executing the software program 13, and meanwhile refer to
Step 300: Obtaining a singer's vocal range 62. A singer's vocal range 62 can be input into the electronic device 10 for adjusting accompaniment music. Alternatively, the singer's vocal range 62 can be detected by the electronic device 10 for adjusting accompaniment music or by another software program. As detection of the singer's vocal range 62 is a prior art, it is not detailed herein.
Step 301: Determining whether the singer's vocal range 62 is narrower than an overall original vocal range 52T.
Now please refer to
The 2nd and 3rd singer's vocal ranges 62b/62c do not cover the whole overall original vocal range 52T, but the 2nd and 3rd singer's vocal ranges 62b/62c are wider than the overall original vocal range 52T. Therefore, the key of the song 50 can be transposed downward for the 2nd singer or upward for the 3rd singer. Thus, Step 303 can be conducted to transpose the sections of the accompaniment music 51 consistently.
The 4th to 6th singer's vocal ranges 62d/62e/62f are all narrower than the overall original vocal range 52T. Therefore, it is not suitable to conduct Step 303 to transpose all the sections of the accompaniment music 51 consistently. Thus, Step 302 is conducted.
Step 302: Comparing the singer's vocal range 62 with each original vocal range segment 52 of the overall original vocal range 52T to determine whether the singer's vocal range 62 covers each original vocal range segment 52.
Please refer to
In the embodiment shown in
In Step 302, the singer's vocal range 62 is compared with the original vocal range segment 52a. It is found that, for the singer's vocal range 62, the original vocal range segment 52a is too high. Therefore, this section of the accompaniment music 51a is transposed to a lower key and becomes a new section of the accompaniment music 51a′. The new section of the accompaniment music 51a′ corresponds to the new segment of the song by the original singer 52a′. Due to this adjustment, the singer's vocal range 62 can cover the original vocal range segment 52a′.
When comparing the singer's vocal range 62 with the original vocal range segment 52b, it is found that the singer's vocal range 62 covers the original vocal range segment 52b. Therefore, transposal may not be necessary for the section of the accompaniment music 51b.
Step 304: The musical key of the section of the accompaniment music 51 is transposed such that the original vocal range segment 52 corresponding to the at least one transposed section of the accompaniment music 51 is covered by the singer's vocal range 62. Step 301 is a description of the above embodiment shown in
The sections of the accompaniment music 51 referred to in the present invention are sections with corresponding lyrics; i.e., each section of the accompaniment music 51 corresponds to an original vocal range segment 52. To transpose the musical key of an instrumental section with no lyrics to be sung, it is recommended that consistency with the preceding or the succeeding section of the accompaniment music 51 be maintained, or that the musical key not be transposed. For example, if the section of the accompaniment music 51 preceding the instrumental section is transposed upward by one key, the instrumental section can also be transposed upward by one key.
To realize the object of the flow diagram shown in
Normally, the unit used to transpose the musical key is one semitone. It is to be noted that, in the present invention, transposing by one key means transposing by one semitone. Of course, as required, transposing by one key can also be defined as transposing by two semitones, three semitones, four semitones, etc.
The array listed in
There is more than one way to produce a transposed section of the accompaniment music 70 mathematically. The method shown in
A detailed explanation of the above computing is provided below:
Step 1: According to the above explanations for
Step 2: From bottom to top, the flag values in each line of the array are accumulated, and the accumulated value is used to replace the original flag value. When a 0 is encountered, the accumulation becomes 0.
Step 3: From top to bottom, the largest flag value in each row is found. From top to bottom, this flag value is reduced to 1. Using this method, the next row is searched, and so on until the last row is searched.
Step 4: The path of Step 3 is recorded for use as the basis for grouping a transposed section of accompaniment music 70 (as indicated by the dotted box in
It is to be noted that there are many solutions for transposing the sections of the accompaniment music 70. For example, in a brute force solution, each condition is listed out, and then appropriate ones are selected to produce transposed sections of the accompaniment music 70. Text descriptions of the above solution are as follows: a plurality of sections of the accompaniment music 51 has a total of m sections (in the present embodiment, m=12). Based on time, the sections are divided into n groups of transposed sections of the accompaniment music 70 (in the present embodiment, n=3). Each group of transposed sections of the accompaniment music 70 has a total of y sections of the accompaniment music 51. (In the present embodiment, the 3 groups of transposed sections of the accompaniment music 70 respectively have y values of 4, 7, and 1). The number of [keys] transposed for each group of transposed sections of the accompaniment music 70 is the same (including 0 transposals). The ranges of the numbers are as follows: 5≤m≤1000, 3≤n≤m−2, 1≤y≤500.
For the above method, it is recommended to seek the smallest n. Based on the above explanations for
Please refer to
It is to be noted that the above embodiments are provided for descriptive purposes only. The scope of the present invention shall be based on the claims and shall not be limited to the above embodiments. The method disclosed in the present invention can be used in real-time processing, for example, by instant computing after the singer selects a song, or by prior processing, for example, on an electronic device 10 for adjusting accompaniment music (which can be a home-based or cloud server) containing 1000 songs grouped for different individuals or based on different vocal ranges of singers (e.g., 50 different vocal ranges of singers), all 1000 songs being computer processed in advance.
Number | Date | Country | Kind |
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109103391 | Feb 2020 | TW | national |