“Not Applicable”
“Not Applicable”
Learning music theory, especially note to chord relationships, and learning to apply that special knowledge to a musical instrument has proven problematic for novice musicians because of the use of traditional music scale models, which have made learning music theory overly complicated. Even intermediate and advanced musicians with average intelligence, fail to understand these harmonic relationships of notes related to the creation of Major, Minor, and Diminished Diads, Triads, and Complex Seven, Nine, eleven and Thirteen Chords. This dilemma is caused by the traditional way music notes are commonly placed in their order of sequence in traditional Western Music Scales.
Classic Western Music Scales are based on ascending-descending structures and fail to visually conjoin music-notes to comprise the harmonic relationships of chords. For novice musicians it is excessively confusing for unrelated music-notes of traditional Western Music Scale structures to be represented conjoined with the specific notes found in the harmonic frequency relationships of chords. An entry-level situation in learning music theory is to understand and perform music notes on many instruments to produce desired chords and melodies, while avoiding notes that are not related to the harmonic relationship with those chords. Very few people intuitively relate to harmonic relationships of music-notes and novice musicians have great difficulty remembering what notes to play and what notes to avoid. In the history of music technology there have been many devices developed in the attempt to eradicate this problem.
Methods paradigms and an apparatus are provided to fast track novice musicians to learn music theory basics and intermediate musicians to learn advanced theory by employing simplified visual harmonic note recognition techniques, with a novel Western Music Scale Paradigm and innovative MIDI-Keyboard keypad array. In one aspect users are taught to play specified notes in a daisy-chain sequence to construct simple and complex chords. This preferred system is comprised by visual representation of harmonic note to chord relationships of every chord accompanied by visual and audio feedback to identify and compare these note to chord relationships with the standard piano-style keypad array. Music notes comprised in chords are represented in a suitable manner with a LED display to identify the specific note's numeric and name. This display is positioned horizontally over the both key pad arrays to identify specific location of the note's relationship to chords.
1.
2.
3.
The Photonic Sequence Paradigm is based on a mathematical algorithm that was used to establish a new music note order for Western Music Scales and was used to develop an advanced Twin-Axis Instructional Paradigm for Chord Theory. The Photonic Sequence Algorithm was used to engineer a novel midi-keyboard keypad that increases visual recognition of chord construction and chord flow. This greatly reduces the learning curve, by rapidly visually representing chord structure. Music note placement in the Photonic Sequence Order constructs obvious harmonic chord relationships by arranging individual music-notes of base chord construction in a daisy-chain sequence, or in a close proximity, which illustrates any chord's harmonic relationship for a simplified visual and tactile ability.
The Photonic Sequence Paradigm's is a Twin-Axis Graphic achieved by using Western Music Scales and stacking them in an alternating pattern to create a specific chord sequence based on the 1, 3, 5, 7, 2, 4, 6 chord root-notes. The Photonic Sequence Primary Axis contains the corresponding Flatted Note and Sharpened Note Semitones placed on either side of each chord's root-note. Starting with any chord root-note in the Photonic Sequence Paradigm Scale moving up Left to Right; the Second note is the Third note to the chord; the Third note is the Fifth; the Fourth note is the Seventh; the Fifth note is the Ninth; the Sixth note is the Eleventh; and the Seventh note is the Thirteenth note to the chord root-note. The Photonic Sequence Axis provides advanced visual and tactile recognition of musical chord structures by the note placement of harmonic structures in straight-line associations without unrelated semitones separating them. Notes are stacked vertically in multiple banks of three. These three notes located in each bank are in direct association with each other; they are the chord root-note, the chord root note's semitone flat and the semitone sharp. A Photonic Sequence Octave Strand (PSOS) is comprised with 21 notes and there is a Strand for each Western Music Twelve-tone Octave Scale. The PSOS has Seven Chord Root-notes of any Western Scale, plus the corresponding Seven Flat-notes, and Seven Sharp-notes, accounting for 21 notes. Of those twenty-one notes, nine are identical in their tonal value and are duplicated to enhance physical placement for visual and tactile recognition of chord structure. This provides a simplified note arrangement to assist music performance.
Provisional Application No. 60/703,881
Number | Date | Country | |
---|---|---|---|
60703881 | Aug 2005 | US |