The present invention is related to a solution for identifying a sound source in an image or a sequence of images. More specifically, the invention is related to a solution for identifying a sound source in an image or a sequence of images using graphical identifiers, which can easily be recognized by a viewer.
In the following the identification of a sound source will be discussed in relation to image sequences, or simply ‘video’. Of course, it may likewise be done for single images. The solutions according to the invention are suitable for both applications.
In order to simplify the assignment of sub-titles to the correct person, U.S. 2006/0262219 proposes to place sub-titles close to the corresponding speaker. In addition to the placement of the sub-titles, also talk bubbles may be displayed and linked to the corresponding speaker using a graphical element. To this end positioning information, which is transmitted together with the sub-titles, is evaluated.
Though the above solution allows allocating the sub-titles to the speaker, i.e. to a sound source, it is apparently only applicable in case subtitles are available. Also, it is limited to speakers. Other types of sound sources cannot be identified.
It is an object of the present invention to propose a more flexible and advanced solution for identifying a sound source in an image or a sequence of images.
According to the invention, a method for identifying a sound source in an image or a sequence of images to be displayed comprises the steps of:
Accordingly, an apparatus for playback of an image or a sequence of images comprises:
The invention describes a number of solutions for visually identifying a sound source in an image or a sequence of images. For this purpose the information conveyed by the metadata comprises at least one of a location of a sound source, e.g. a speaker or any other sound source, information about position and size of a graphical identifier for highlighting the sound source, and shape of the sound source. Examples of such graphical identifiers are a halo located above the sound source, an aura arranged around the sound source, and a sequence of schematically indicated sound waves. The content transmitted by a broadcaster or a content provider is provided with metadata about the location and other data of the speaker or other sound sources. These metadata are then used to identify the speaker or the other sound source with the graphical identifier. The user has the option to activate these visual hints, e.g. using the remote control of a set top box.
According to a further aspect of the invention, a method for generating metadata for identifying a sound source in an image or a sequence of images to be displayed comprises the steps of:
Accordingly, an apparatus for generating metadata for identifying a sound source in an image or a sequence of images to be displayed comprises:
According to this aspect of the invention, a user or a content author has the possibility to interactively define information suitable for identifying a speaker and/or another sound source in the image or the sequence of images. The determined information is preferably shared with other users of the content, e.g. via the homepage of the content provider.
For a better understanding the invention shall now be explained in more detail in the following description with reference to the figures. It is understood that the invention is not limited to this exemplary embodiment and that specified features can also expediently be combined and/or modified without departing from the scope of the present invention as defined in the appended claims. In the figures:
According to the invention, based on the metadata that are made available for the content, the user has the option to activate certain automatic visual hints to identify a person who is currently speaking, or to visualize sound. Preferably, the activation can be done using a remote control of the set top box.
A first solution for a visual hint is to place an additional halo 4 above the speaker 2 in order to emphasize the speaker 2. This is illustrated in
Yet another solution for a visual hint is depicted in
The sound waves 7 may not only be used visualize speech, but also to make other sound sources visible, e.g. a car's hood if the car makes perceivable noise.
A further possibility for a visual hint is illustrated in
Of course, the above proposed solutions may be combined and the metadata advantageously includes the necessary information for several or even all solutions. The user then has the possibility to choose how the speakers or other sound sources shall be identified.
A method according to the invention for identifying a sound source in an image or a sequence of images is schematically illustrated in
A method according to the invention for generating metadata for identifying a sound source in an image or a sequence of images is schematically illustrated in
As indicated above the metadata provided for an image 1 or a sequence of images may comprise an area 6 for placement of sub-titles 3 in addition to the information about the sound sources. Also the information about the sound sources constitutes a sort of sub-title related metadata, as it allows determining where in the specified area 6 a sub-title 3 is preferably placed. These metadata enable a number of further possibilities. For example, the user has the possibility to add sub-titles independent of the source content. He may download additional sub-titles from the internet storage solution 13 of the content provider 12 in real-time. Likewise, the user may generate his own sub-titles for own use or to make his work public for a larger community via the Internet. This is rather interesting especially for small countries without own audio synchronization. The sub-title area 6 allows to place the original sub-titles 3 at a different position than originally specified, i.e. more appropriate for the user's preferences. Of course, the allowed sub-title area 6 may also be specified by the user. Alternatively, the user may mark forbidden areas within the scene 1, e.g. in an interactive process, in order to optimize an automatic placement of sub-titles or other sub-pictures. The allowed or forbidden areas 6 may then be shared with other users of the content, e.g. via the internet storage solution 13 of the content provider 12.
For marking a part of the scene, e.g. one frame out of the scene, the superpixel method is preferably used, i.e. only superpixels need to be marked. This simplifies the marking process. The superpixels are either determined by the set top box 10 or made available as part of the metadata. The superpixel method is described, for example, in J. Tighe et al.: “Superparsing: scalable nonparametric image parsing with superpixels”, Proc. European Conf. Computer Vision, 2010. Furthermore, inside the same take the marked areas are advantageously automatically completed for the temporally surrounding frames of this scene, e.g. by recognition of the corresponding superpixels in the neighboring frames. In this way a simple mechanism may be implemented for marking appropriate objects of a whole take and areas for placing sub-titles and projecting halos, auras and shockwaves requiring only a limited amount of user interaction.
These metadata may be contributed to the internet community by sending the generated metadata to an internet storage solution. Such metadata may also be used by the content provider himself for enhancing the value of the already delivered content and to get a closer connection to his content users. Usually, there is no direct link between content providers 12 and the user. With such offers by the content providers, i.e. free storage of metadata, sharing of user generated metadata, the content provider 12 gets directly into contact with the viewers.
Number | Date | Country | Kind |
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12305242.5 | Feb 2012 | EP | regional |
12305533.7 | May 2012 | EP | regional |
Filing Document | Filing Date | Country | Kind |
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PCT/EP2013/052664 | 2/11/2013 | WO | 00 |