This application is the U.S. national stage of PCT International Patent Application No. PCT/IL2012/000279, filed Jul. 12, 2012, which claims priority to Israel Patent Application No. 214030, filed Jul. 12, 2011, the disclosures of each of which are incorporated herein by reference.
The present invention concerns a specially modified string instrument, such as a guitar, which is referred to as a “One Man Band ”(OMB), and a system and a method of playing same that enables a guitarist to perform alone for an audience, or play for himself alone for pleasure. The string instrument, such as a guitar, is constructed so that a guitarist can accompany himself not only with chords and solo, with which he is familiar, but also with an automatic accompaniment of harmony for what he is playing. This automatic accompaniment includes drums, bass and other instruments which can create orchestration and musical harmony of an entire orchestra, similar to that which is produced by an organ or synthesizer.
The present invention achieves this without significantly or noticeably altering the shape or weight of the string instrument, or manner of playing. The player does not have to give up what he has learned until now, nor does he have to learn a new method of playing, but merely supplement his knowledge in a small way. One advantage of the present invention is that above and beyond the music that one can produce from a conventional string instrument until now, it adds possibilities that enrich the music and allow the guitarist performance independence, something not known until today, while granting him pleasure and satisfaction by producing richer and more sophisticated music.
The body of a conventional, acoustic or electric guitar can have various shapes, but it primarily consists of a sound box, a neck, a fretboard and strings. The strings are removably attached to a “bridge” mounted on the sound box and stretched over the fretboard to the end of the neck where they are attached to tuning keys, one for each string, which provide a convenient method of tuning the strings or replacing them as needed.
String instruments, such as the guitar, have a long history of modifications and improvements and more recently, have undergone changes incorporating modern digital and electronic technology utilizing MIDI (Musical Instrument Digital Interface) protocol.
The following patents are representative of the present state of the art with respect to the present invention:
The present invention provides the guitarist with an independent computerized chord generating system in accordance with the chords played by the guitarist. Thus the guitarist normally plays a tune with his right hand (if right handed) and generates accompanying chords by pressing and changing the position of his fingers of the left hand. The output of this playing is amplified as is. The left hand movements that generate the chords are electronically captured and the signal thus produced is transferred to a music generating output system.
Thus, in accordance with this invention there is provided an electric, string instrument, such as a guitar, which maintains the original sound and manner of playing without affecting the general look, feel or relative weight of the electric, string instrument, or the familiar manner of playing.
Another object of the present invention is to provide an electric string instrument, such as a guitar, in communication with a computer through a user interface. This user interface can be foot pedals, a touch screen, a keyboard, or any combination thereof. However foot pedals are generally preferred since they do not require the use of a playing hand that needs to be free for strumming or plucking the strings.
Accordingly, it is a principal object of the present invention to provide an electric, string instrument having:
a body with a sound hole;
a neck extending from the body;
a plurality of strings mounted over said neck and sound hole;
a plurality of sensors mounted under the strings along the neck; and
electronic circuitry associated with the sensors;
characterized, in that the sensors comprise dynamic, individual fret-activated sensors, each of which is positioned correspondingly under one of the plurality of strings,
whereby when a chord is played on the strings of the string instrument, applied finger pressure on the strings activates the corresponding dynamic, individual fret-activated sensors, and transmits the pressure data, representing the played chord, via the electronic circuitry, to a processor to produce an audio output comprising the played chord.
The dynamic, individual fret-activated sensors are disposed on the neck, under the strings. These sensors are preferably capacitance sensors, but induction sensors can also be used. Their detailed construction will be described hereinafter.
A dynamic, individual fret is mounted on the dynamic, individual fret-activated fret sensor as by welding or gluing. When the fingers depress or strum the strings, the dynamic, individual frets are pressed which activate the dynamic, individual fret-activated sensors. This generates an electrical signal which, when transmitted to a processor, is processed to identify and measure the pressure data and related parameters of the finger motions of a player. Accordingly, the automated system is activated to provide preprogrammed chords as musical accompaniment harmonized with the acoustic sounds of the guitar.
The same concept of the present invention can also be applied to other musical instruments and not necessarily only string instruments. For example, a guitar without the strings may also function as a “one-man-band” when constituted with the components of the present invention and played in accordance with the method thereof.
It is important to note that the original sound of the guitar remains, even when the automated accompaniment is working in order to preserve the special effects prevalent in different forms of playing, such as slides in chords, or wha-wha. In addition there is the possibility to raise or lower the automated accompaniment as well as the original sound to adjust them to achieve a proper balance between them.
The musical output system is operated with a computer which is attached to the electric, string instrument by a cable or by a wireless system. Thus, someone who wishes to use the electric, string instrument in the regular way just need not attach it to a computer, only to an audio output.
Another object of the invention is to provide a system whereby one man playing a string instrument can perform like a complete band with musical accompaniment. The system comprises a string instrument with a fret-activated sensor system as defined above with analog-to-digital conversion capabilities; a user interface, for selectively introducing musical accompaniment into system; a MIDI interface, for processing of the digital signals received from both the fret-activated sensor system and user interface and transmitted by MIDI protocol channels; and a synthesizer module connected by MIDI protocol to produce the audio output, the entire process controlled by computer.
The user interface may be a keyboard or foot pedal for use in solo performances (one-man-band), that can provide the input for automated accompaniment (for example: change of sounds, split, transposition, programming, harmonizing, vocalization, tempo, introduction, conclusion, etc.).
The electric, string instrument, of the present invention, for instance, a guitar, is produced in a variety of configurations so as to be usable at different levels of ability, just like organs. Thus, there are provided guitars suitably configured for use by beginners; by amateurs who want to enrich their musical experience; and by advanced players and professional musicians who appear solo or with a group. Alternatively, any simple guitar can be retrofitted to convert it into a one-man band guitar in accordance with the principles of the present invention. Therefore the present invention is suitable for use in all guitar markets, such as electric, classic, and acoustic guitars, and for similar types of string instruments in general.
A MIDI interface is provided with several keys and a display screen (not shown) so that the user will be able to adjust the pressure necessary with respect of the time and speed a key is pressed. If the a key, for example, is pressed for a short duration, the display screen would indicate one kind of response from that key, whereas a longer duration of pressure on the same key would indicate to the MIDI interface 24 that another kind of response is intended. Different intervals (timing or beat) between pressing keys also affects the musical response. These responses are pre-programmed to reflect the taste and choices of musical outcomes desired by the player for a particular playing session and allow great flexibility in programming.
Most string instruments, such as guitars, are provided with a fret board generally divided into fret sections and separated by fixed frets that extend across all the strings of the guitar, whereas in the present invention, dynamic frets are individual, movable segments that operate independently of one another. Fret-activated sensors for identifying changes in pressure are positioned under each of the dynamic frets in a preferred embodiment of the present invention. Fret sensors are characterized as very thin components, being about 0.6 mm or less in thickness.
On the neck of typical guitars, there are about 18 fret sections and the height of the frets, i.e., between the strings, tapers from the end of the neck toward the bridge, depending on the type of guitar and its manufacturer. If, for example, a guitar has six strings and 18 fret sections there should be about (18×6) 108 fret sensor locations. Obviously, not all of them can be pressed at the same time. The present invention elegantly solves this problem.
One does not need a fret sensor, on each fret space. It is sufficient to place fret sensors, such as provided by the present invention, on nine fret sections, which cuts the amount of fret sensors needed in half.
There are chords (full chords) where the index finger presses on all the strings on a fret space and three fingers (middle, ring and pinky) press on the strings on a different fret space. In this situation each string is pressed by the fingers of a player on more than one spot (but not on the same fret space).
There are several known technologies available to identify the finger pressure and other related data. Among these are the inductive and capacitive systems. The specific construction and placement of fret activated sensors and method of use constitute the essence of the present invention. Both systems can work with fret activated sensors which are mounted under dynamic frets and effect a change in their electrical properties when activated.
The installation of the fret activated sensors is such that they do not interfere with the freedom of the player's hand and there is little or no interference with the original sound of the string instrument, such as a guitar, since there is almost no noticeable difference in acoustics with the slight mechanical operation of minute dynamic frets 32 that are placed in proximity to fret sections.
In a preferred embodiment of the present invention, processors (not shown) are connected to each other via a MIDI communications channel, but it is possible to use UART, at TTL levels, with a coated or twisted wire in order to connect to MIDI interface 24.
There are two possibilities for identifying the player's pressure: the player's finger touching the dynamic frets directly or the strings which press on the dynamic frets. Sensing this enables identifying the pressure applied by a player and determining which data is to be transmitted via MIDI communications channel. Since there are two possibilities, the fret sensors need to identify not only pressure data, but also finger location and other related parameters which may be needed in order to communicate an appropriate signal to the system for getting a desired response.
The MIDI protocol includes a synchronous heading; two bytes for each of the strings, the first byte specifying the individual, dynamic fret that is pressed and the second byte giving additional information regarding the pressure. At the end there will appear a sum check of bytes. This requires a communication tempo of 115200 bytes per second.
Other features and advantages of the present invention will become apparent from the drawings and the description given below.
For a better understanding of the invention with regard to the embodiments thereof, reference is made to the accompanying drawings in which:
Referring now to
At least one processor (not shown), either in the fret-activated sensor system 22, or alternatively, in MIDI interface 24 itself, convert the analog pressure data into digital data which can easily be transmitted by a MIDI communications channel shared between components of system 20, as described above.
The fret-activated sensor system 22 is used for identifying a player's finger pressure, location and duration of such pressure on a plurality of the strings 38 (
The use of a user interface 26, is a preferred embodiment of the present invention. User interface 26, in accordance with the present invention, comprises an array of programmable activation keys on a keyboard console or touch screen (not shown) enabling player interaction with the electronic system. Alternatively, a foot pedal (not shown) is used for foot-activation of switches for the electronic system so as to free the hands and fingers of the guitar player. The pressure on a key or foot pedal is transferred via a MIDI channel 25 to a MIDI interface 24 (
MIDI interface 24 processes the digital signals received from both the fret-activated sensor system 20 and the user interface 26 through MIDI protocol transmission channels 23 and 25, respectively, and feeds this data via another MIDI protocol channel 27 to a synthesizer module 28 where it is further processed and transmitted to an audio output 30. Audio output 30 may be any combination of musical acoustics, including that produced from playing the stringed musical instrument (see
MIDI interface 24 has an external power supply (not shown) which will feed the guitar, at least one processor that will receive the information from the guitar and identify a chord in MIDI and simultaneously receive the MIDI information from a user interface 26, such as a foot pedal or key or touch screen and combine the acoustic sound of the guitar with musical accompaniment from the user interface 26 which are processes by MIDI interface 24 and communicated to a synthesizer module 28 to produce an audio output 30.
Synthesizer module 28 can be an electronic synthesizer, an organ with a MIDI entrance, a computer program, a MIDI module as part of a computer processing unit (CPU), or other music sequencer which supports the MIDI protocol, as is known by those skilled in the prior art.
Synthesizer module 28 receives digital signals from MIDI interface 24 via a MIDI protocol channel 27, including the acoustic sound of the string instrument being played and selected musical accompaniment input into system 20 by the musician-player from operating the user interface 26. The synthesizer module 28 is programmable for integration and processing of the musical accompaniment with the sounds from the string instrument to produce (arrow) audio output 30.
Synthesizer module 28 produces sounds according to the instructions of the player, whether from an activated key on a keyboard, from a foot pedal, or from a fret activated sensor (see item 42,
There are several available, off-the-shelf products that can be used but it is desirable to integrate the hardware and software and to obtain a PC which will serve as synthesizer module 28 and organize the information from all the components of the system. For the present invention, only a basic computer is needed, there is no need for a sophisticated computer, only a MIDI and a quality audio adapter as is known to those skilled in the art, as reference to sources on the Internet will readily show suitable, referenced off-the-shelf components for use with the present invention.
If a display screen is used for user input and programming of the synthesizer module 28, it should, preferably, be a “touch” screen, and preferably a small screen on an adjustable stand for the sake of economy and user friendliness. A PC or a component especially designed for this function, as is known by those skilled in the art, can be placed at the bottom of the stand. It is also recommended to have an anchor for a pedal around the base of the playing instrument. The unit may be collapsible, and convert to a trolley when folded for convenient transport or movement from place to place on a platform or stage.
An organ (not shown) is a standard musical instrument, several of which have MIDI inlets. Since the MIDI protocol is standard, it can be connected to an organ so that the guitar and a pedal will be a part of the organ interface. The advantage is that they are ready to use and have known results. The disadvantage is their size, and inflexible programming.
Synthesizer module 28 includes everything necessary to produce music from the MIDI systems; it is ready to use, with known results.
A computer having the appropriate program will give the maximum necessary flexibility for the production of sounds, and will especially enable the creation of the series of necessary tasks to make the system of the invention perform well. A major advantage of this system is that it allows for maximum flexibility in programming.
The ability to produce sounds is solely dependent on the synthesizer module 28 selected, as is known by those skilled in the prior art. In effect, implementation of the music will be limited by the executions of the kind of synthesizer chosen and the level and choice of sounds and their execution that it offers.
In
A portion of a typical guitar neck 34 is shown with six strings 38 stretched along its length, by way of example. Some string instruments may have fewer or more strings. Under each of the plurality of strings 38 are shown a corresponding plurality of dynamic, individual frets 32a-l (see
Referring now to
Neck 34 is shown divided into fret sections 33 by individual, dynamic fret activated sensors 32 arranged in rows across the width of the neck 34 as in typical guitars. Strings 38, usually six or more, are stretched tautly from a lower body part (not shown) to the head 36 where they are removably anchored to a set of tuning pegs 37 used for adjusting the tension in the strings 38 or for replacing them as needed.
The fret sensor system 22 (see
Fret-activated sensor system 22 (
Detail A shows two adjacent rows of individual frets 32a-f and frets 32g to 32l forming a fret section 33 between them where a player can pluck or strum the strings 38. Beneath the individual, dynamic, individual frets 32a-l are fret activated dynamic, individual fret sensors 42 (see
Further details are shown and described hereinafter in respect to cross-section P-P (see
Referring now to
Further details are described in relation to Detail B shown in an enlarged view in
This increase in capacitance can be measured in several ways such as: measuring the frequency changes, measuring the voltage changes, or measuring the charging time. Each dynamic, individual fret activated sensor 42 changes its capacitance value according to the pressure applied to its corresponding dynamic fret 32. The capacitance value of every fret section, fret sensor 42 is transferred to a micro-processor (not shown) for further processing.
One of the abovementioned micro-processor's processing functions comprises the ability to recognize if the guitar player is simultaneously pressing at least two fret sections (i.e., at least a two-notes chord) in a predefined pressure as this is necessary to establish a signal to call up at least one melodic chord to accompany the acoustic sounds made by playing a guitar.
A series of four, L-shaped grooves 60 are embossed in a geometric pattern around dynamic fret 32 in order to facilitate some small floating stability when upper conducting layer 58 has pressure applied to it from dynamic fret 32 being pressed downward. The L-shaped grooves 60 act to prevent unwanted lateral distortion, and the surface with the grooves 60 tends to pop back up when upper conducting layer 58 is relieved of pressure and the grooves 60 can return to their normal position.
Referring in detail to
Non-conductive insulation or a dielectric 46 separates the two active layers of fret sensor 56. Each conducting layer 50, 58 is coated with an insulation coating 52 on their facing surfaces.
The changes in capacitance are measured and the data, converted by a processor (not shown) into digital format, is used as input for electronic control and organization in the inventive system (
The description in regard to bending fret sensors 42 in the preferred embodiment of the present invention as given herebefore, discussed capacitance elements, but it should be understood that inductance elements (as described in regard to
In another embodiment of the present invention, the neck 34 of the electric, string instrument, under the plurality of strings 38, is provided with a programmable touch panel (not shown) which acts as a fret sensor and identifies the touch of the player and the chords played, and translates them into automated accompaniment. This panel is touch-sensitive to the force of the touch and identifies (according to the duration of the pressure) when the musician-guitarist presses a chord and intends for this chord to be played by the automated accompaniment. Also, the chord has to have a duration of at least two notes. All other movement of the fingers on the plurality of strings 38 will not activate the automated accompaniment and will sound and give the feeling of music from a regular electric guitar, with all its bends and slides.
Having described the present invention with regard to certain specific embodiments thereof, it is to be understood that the description is not meant as a limitation, since further modifications may now suggest themselves to those skilled in the art, and it is intended to cover such modifications as fall within the scope of the appended claims.
Number | Date | Country | Kind |
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214030 | Jul 2011 | IL | national |
Filing Document | Filing Date | Country | Kind | 371c Date |
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PCT/IL2012/000279 | 7/12/2012 | WO | 00 | 4/9/2014 |
Publishing Document | Publishing Date | Country | Kind |
---|---|---|---|
WO2013/008232 | 1/17/2013 | WO | A |
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Number | Date | Country | |
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20140290467 A1 | Oct 2014 | US |