STATEMENT REGARDING FEDERALLY SPONSORED RESEARCH OR DEVELOPMENT
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REFERENCE TO SEQUENCE LISTING, A TABLE, OR A COMPUTER PROGRAM LISTING COMPACT DISK APPENDIX
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JOINT RESEARCH AGREEMENT
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BACKGROUND OF THE INVENTION
The present invention is in the technical field of Music. More particularly, the present invention is in the technical field of string playing. More particularly, the present invention is in the technical field of string retuning.
While prior art does exist in the field of string retuning, the specific attributes of the proposed invention have substantial differences and make significant improvements to other art in the field. Inventions such as U.S. Pat. No. 4,157,050A and U.S. Pat. No. 3,447,413A require multiple pedals to modify the pitch of a steel guitar string whereas the proposed invention utilizes a single pedal that can select numerous pitches for each string. Also, the proposed invention allows for the manual adjustment of a strings pitch at the tuning block in addition to modifying the pitch with a pedal. Furthermore, the flexible nature of the bowden cables and the simplicity of the other components of the proposed invention allows for it to be implemented more easily on a variety of different instruments.
SUMMARY OF THE INVENTION
The present invention is a tuning block, tailpiece and pedals that attach to any string instrument. When a player presses a pedal with their foot, a single string on the instrument will retune to one of multiple predetermined pitches while the player is playing. Each pedal will manipulate the pitch of a different string. A player could use as many pedals as there are strings on their instrument. The pedals can also manipulate the pitch of each string by manually engaging a lever assembly without the need of the pedal(s). This invention allows composers and performers to employ natural harmonics that do not exist on the standard tunings of string instruments. In addition, having the ability to quickly retune a string will allow players to alleviate technical passages by offering alternative physical solutions for their performance.
BRIEF DESCRIPTION OF THE DRAWINGS
FIG. 1 is a view of the tailpiece assembly, bowden cable assembly and multiple pedal assemblies connected to a string instrument (double bass).
FIG. 2 is a side view of a pedal assembly and its working components.
FIG. 3 is a partial view of the front of the pedal comprising the pulley system, bowden cable attachment, a side plate and pitch levers.
FIG. 4 is a side view of the pedal assembly with the top plate removed, exposing its underside and the hidden components connected to the bottom plate.
FIG. 5 is a partial and exploded view of the vertical pivot joint of the pedal.
FIG. 6 is a view of the pedal assembly from the rear.
FIG. 7 is a view of multiple pedals connected to each other.
FIG. 8 is an exploded view of the tuning block body, shuttle and cover along with their components.
FIG. 9 is a view of the tuning block body, shuttle and cover connected to one end of a bowden cable and to an instruments string.
FIG. 10 is a view of the pitch limiting assembly.
FIG. 11 is a view of the pitch limiting assembly mounted to components of the tuning block assembly.
FIG. 12 is a view of the entire tuning block assembly with its limiting lever attached.
FIG. 13 is a view of the back of the tailpiece.
FIG. 14 is a view of the front of the tailpiece with the tuning block assembly attach to the back.
FIG. 15 is a view of the back of the tailpiece with the tailpiece wire attached to the tailpiece hole.
DETAILED DESCRIPTION OF THE INVENTION
Referring now to the invention in more detail, FIG. 1 depicts the assembled components that comprise the tailpiece assembly (1), bowden cable assembly (2) and pedal assembly (3) that are connected to a string instrument (4). FIG. 1 is shown to give a global view of the invention.
Referring now to the invention in more detail, FIG. 2 shows the components that make up the completed pedal assembly. The majority of components of the pedal assembly are made of metal such as aluminum unless otherwise noted. The foot platform of the pedal assembly is comprised of two pieces. The top plate (5) pivots horizontally and the bottom plate (6) pivots vertically. The vertical pivot is possible because of the connection of the bottom plate (6) to a hinge assembly (7) that is located at the rear of the base plate (8). Under the base plate (8) is the traction pad (9), which is made of rubber. The horizontal pivot of the top pedal plate (5) allows for it to be placed under pitch levers (10). The pitch levers (10) have a threaded bolt (11) going through their sides that is secured by a nut (12). A different nut with a cylindrical outer shape (13) is placed inside the pitch levers (10). The turning of the cylindrical nut makes the pitch levers (10) move up and down on the bolt (11), thus changing the locations where the top plate (5) can be placed under. These locations correspond to the different pitches an individual string on an instrument can be retuned to. The bolts (11) are attached to side plates (14). The side plates (14) are attached to pulley columns (15) to which a pulley wheel (16) is attached.
Referring now to the pulley system in more detail, FIG. 3 shows the pulley wheel (16) has a flanged sleeve bearing (17) at its core that is penetrated by a pulley shaft (18) that is supported by the pulley columns (15). The pulley wheel (16) is attached to a roller chain (19), which is held in place by a chain pin (20). The other side of the roller chain (19) is connected by another chain pin (21) to the chain mount (22). This chain mount (22) is bolted below the bottom plate (6) from FIG. 1.
Attached to one pulley column (15) is a housing mount (23) that keeps the bowden cable's housing (24) from passing through. The internal wire of the bowden cable (25) is threaded through the hole of the housing mount (23) and attaches on the side of the pulley wheel (16) at the nipple holder (26). The pedal nipple holder (26) keeps the bowden cable's nipple (27) from passing through and thus transfers mechanical force when the pedal is activated in conjunction with the undermentioned components of the invention.
Referring now to the top plate (5) and bottom plate (6) in more detail, FIG. 4 shows the underside of the top plate (5) and the upper part of the bottom plate (6) that are hidden from view when assembled. A cylindrical space (28) is cut into the bottom of the top palate (5) to envelop the thrust bearing (29) fitted to the bottom plate (6). The thrust bearing helps accommodate the horizontal movement of the top plate (5) that a player engages. Also on the upper portion of the bottom plate (6) are two side grooves (30), one rear groove (31) and two upper grooves (32) that hold specifically sized pieces of plastic that slightly protrude above the grooves. This keeps the metal of the top plate (5) from rubbing against the bottom plate (6). The top plate (5) is held to the bottom plate (6) by a shoulder bolt (33) at the rear of the pedal. There is another shoulder bolt (34) at the top of the pedal that also keeps both plates (5 & 6) together. This shoulder bolt (34) has an elongated hole (35) that allows the top plate (5) and the bolt (34) to move horizontally while keeping both plates (5 & 6) connected.
Referring now to FIG. 5, a more detailed view of the pedal's hinge is shown. The bottom mount (36) is located at the rear of the base plate (8). The hinge shaft (37) runs through the bottom mount (36) and threads two flanged sleeve bearings (38). The top mount (39) is connected to the lower side of the bottom plate (6). The flanged sleeve bearings (38) and the hinge shaft (37) thread the hole (40) running through the top mount (39). This allows the pedals plates (5 & 6) to pivot vertically without creating undue friction.
Referring now to FIG. 6, a pedal toe cover (41) that is made of nylon plastic is placed over the tip of the top plate (5). This eliminates the metal of the top plate (5) from rubbing against the pitch levers (10) and also reduces noise. FIG. 6 also shows another view of the small pitch levers (10) and the single large pitch lever (42) connected to the side plates (14). The large pitch lever (42) is elongated so that the top plate (6) cannot be moved above the large pitch lever's underside. The small pitch levers (10) are located on adjacent side plates (14) and require the top plate (5) to move side to side in a zigzag pattern while the player engages the pedal up or down in order to select the desired pitch lever. Additionally, FIG. 6 shows a large screw (43) and a small screw (44). These screws are used to connect multiple pedals together.
Referring now to FIG. 7, a view of three pedals connected to each other is shown. Two small connector plates (45) are shown at the front of the base plate (8) and secure the pedals together by tightening the small screws (44). A large connecting plate (46) is shown at the rear of the pedal and connects the pedals in the same manner using the large screw (43) that is shown in FIG. 6.
Referring now to FIG. 8, we begin to look at the components that comprise the tuning block assembly, which attach to the pedal assembly by the bowden cable assembly. FIG. 8 shows the tuning block body (47), shuttle (48) and cover (49). The shuttle (48) fits between the tuning block body's upper arms (50) and lower arms (51) and is able to glide the length of the tuning block body (47) between the tuning block body arms (50 & 51). The shuttle (48) is held to the tuning block body (47) by the cover (49). The cover has three grooves (52) that run down its side and a rod (53) that goes through its side. The shuttle (48) also has a rod (54) going completely through its side. The rod (54) is held in place by a screw (55) that is tightened through a threaded hole (56) on the shuttle (48) top. At the top, middle and bottom of the tuning block body are holes (57) that allow it to be mounted to a tailpiece, which will be discussed in a later in FIG. 14.
FIG. 9 shows the tuning block body (47), shuttle (48) and cover (49) held together by screws (58). Located at the upper portion of the shuttle (48) is the string holder (59). This portion holds in place the ball end (60) of an instruments string (61) that the performer plays on. At the other end of the shuttle (48) is the shuttle nipple holder (62), which receives the nipple (63) from the opposite end of the bowden cable. At the bottom of the tuning block body is the body housing connector (64). This threaded hole receives the screw (65) attached to the end of the bowden cable housing (24). By turning the screw (65), the slack wire (25) in the bowden cable housing that is connected to the pedals is brought up to tension. Thus, when the pedal is engaged, the mechanical force created at the pedal will travel through the bowden cable and pull the shuttle (48), which modifies the pitch of the string.
Referring now to FIG. 10, we see the pitch limiting assembly. This consists of the pitch block (66) that has two threaded bolts (67) going through both sides. At the end of the bolts (67) are square shaped nuts (68) with protrusions (69) extending from the sides. As the head of the nut (70) is rotated, the nuts (68) glided up and down the cutout (71) that runs along the sides of the pitch block (66). A cap (72) is placed on top of the pitch block (66) to hold the head of the nut (70) in place. Located on the lower portion of the pitch block (66) are two cylindrical rods (73). The pitch block (66) is not fixed to the rods (73) so it can slide back and forth the length of the rod (73). At the bottom of the pitch block (66) there are two cylindrical holes (74) that receive a spring (75). At the end of the spring (75) is a ball (76) made out of acetal resin that will lock between the grooves (52) of the cover (49) that are shown in FIG. 8.
Referring now to FIG. 11, the pitch limiting assembly is connected to the cover (49) by securing the two rods (73) to the holes (77) on the sides of the cover (49). The rods (73) are held in place by grooved pins (78) that attach to the ends of the rods (73).
Referring now to FIG. 12, a lever assembly is shown attaching to the shuttle (48) and cover (49). The lever is made up of two arms (79) that connect to the thumb plate (80) by four screws (81). The levers have one small hole (82) and one elongated hole (83) that attach to the rod (53) that goes through the cover (49) and the rod (54) that goes through the shuttle (48). The rod (53) of the cover (49) is held in place by groves pins (84). When the lever is moved up or down, the shuttle (48) will move in the opposite direction, which will change the pitch of the instruments string. In order to lock the lever in place, the pitch limiting assembly is moved along its rods (73) to one side of the cover (49) and held in place by the acetal resin balls (76) in an outer groove (52) as discussed previously. This makes the lever arm (79) rest on one of the protrusions (69) of the square shaped nut (68), shown in FIG. 10, and limits the range the string can be tuned too. The lever assembly also allows pitches to be changed manually without the use of the pedal.
Referring now to FIG. 13, a tailpiece mount (85) is shown. The screws (86) on the tailpiece connect the tuning block assembly to it. A hole (87) is shown at the bottom that is used to connect the tailpiece to the body of the instrument.
Referring to FIG. 14, a view of the front of the tailpiece mount (85) is shown with the tuning block assembly connected to the back. The lever arms (79), thumb plate (80), string holder (59) and body housing connector (64) can also be seen.
Referring now to FIG. 15, a cable (88) is shown threading the hole (87) of the tailpiece mount (85). A ferrule (89) is placed at the end of the cable (88) to keep the cable (88) attached to the tailpiece mount (85). The other end of the cable (88) is secured to the body of the instrument at or near its endpin, depending on the specific characteristics of the instrument in question.
While the foregoing written description of the invention enables one of ordinary skill to make and use what is considered presently to be the best mode thereof, those of ordinary skill will understand and appreciate the existence of variations, combinations, and equivalents of the specific embodiment, method, and examples herein. The invention should therefore not be limited by the above described embodiment, method, and examples, but by all embodiments and methods within the scope and spirit of the invention as claimed.