Music, as composed and played in the western world, is almost universally based on the use of harmonically related notes, i.e., the notes are selected from groups of notes, the frequencies of which groups differ from each other by factors of two, i.e., an octave. The individual notes within each octave (in the western world) are commonly defined by a twelve-tone equal-tempered scale. In this scale, the adjacent notes are related by the twelfth root of two, and alternate notes are named C, D, E, F, G, A, and B (with C being the lowest note). The semi-tones between are termed “sharp” or “flat”. Conventionally, the octaves are numbered (1, 2, 3, etc.) such that the note A4 has a frequency of 440 Hz.
Stringed musical instruments, such as the upright bass, viola, violin, guitar, etc. each include a specified number of stretched strings, each of which produces one of the desired notes. The note produced by a particular string depends on a number of factors, including the mass of the string, its length, and the tension in the string. Different instruments are designed to produce particular notes. An upright bass, for example, usually has four strings, tuned to produce the notes E1, A1, D2, and G2. Other instruments have the same or a different number of strings, generally tuned to provide specific notes as appropriate to the type of instrument.
While instruments that are tuned in the historically customary manner can, and do, provide much pleasing music, sometimes a musician may wish that his or her instrument is capable of playing other notes. For example, if an upright bass player were able (during a performance) to retune the low E1 note to D1, more harmonic variations would be possible, which could enhance the musical performance. Or, if the upright bass tuning could be instantly changed to fifths (C1, G1, D2, A2—cello tuning for bass) from the standard fourths tuning (E1, A1, D2, G2—standard bass tuning), the instrument would have substantially increased versatility.
There have been a number of attempts to produce devices that provide the foregoing functionality, but they generally have not been completely satisfactory. In many cases, it has not been easy or convenient to switch from one tuning to another during a performance, so that the advantage of the extra notes potentially available has not been easily accessible. In other cases, significant modification of the basic instrument is required, which is resisted by most musicians. Other problems have also arisen.
While the present invention has applicability to any stringed instrument (acoustic or electric), for purposes of convenience and ease of presentation, the invention is described here primarily as being applied to an acoustic upright bass. The physical size of various stringed musical instruments varies substantially, so it will be understood that, similarly, the physical size and other construction details of embodiments of the invention may vary.
In one presently preferred embodiment of the invention, the invented device can be thought of as part of the string assembly. In this embodiment, a string with one of the invented tuners attached to one end is hooked onto the instrument tailpiece, passed over the bridge, stretched along the instrument neck, and wrapped around the post of a tuning machine at the far end of the instrument neck. Actuating a lever on the invented tuner changes the length of the tuner by a predetermined amount, and thereby changes the tension in the string, and correspondingly its natural frequency. Each tuner changes the frequency at which one string vibrates; by installing an invented tuner at the end of each string, the tuning of any or all strings of an instrument may be changed by the musician, even during a performance.
A portion of string anchor 27 passes between base member 20 and rotatable cam 24 and further includes surface 29 on which cam surface 28 rides. Tension in the string 14 causes string anchor 27 to move substantially rectilinearly as the positioning means (cam 24) is rotated. The string anchor includes an opening 30, into which the ball 16 is inserted; the string exits the string anchor through slot 31. A ridge 32 is preferably provided at the edge of opening 30 to keep the ball from sliding out of the opening.
While not essential, it is preferred that a small amount of lubricant, such as white lithium grease, be placed between the string and the bridge to aid in the smooth operation of the tuner.
The position of string anchor 27 with respect to base member 20 is determined by the position of cam 24. As seen in
The invented tuner is intended to provide a musician with the capability of instantly retuning a string of a musical instrument to provide one of two notes, one (the high pitch) corresponding to positioning the actuating lever 13 “down”, i.e., against string anchor 27, and the second (the low pitch) corresponding to positioning the actuating lever 13 “up”, where its motion is limited by the adjusting screw 40. As seen in
When in the high pitch position, the note that a particular string will provide is preferably set by adjusting the instrument's tuning machine at the end of the neck. The low pitch for that string is then set by adjustment of adjusting screw 40. A spring 41 is preferably provided to avoid the problems that might arise due to vibration when the instrument is played.
Tuning of the second embodiment is the same as for the first embodiment. First, the desired high pitch note is set by using the tuning machines or pegs at the end of the neck, and then the desired low pitch note is set by adjusting screw 65.
This application claims the benefit under 35 USC §119(e) of the filing date of U.S. Provisional Patent Application Ser. No. 61/631,605, entitled “Musical Instrument Retuning Device” filed on Jan. 9, 2012. By this reference, the contents of Application Ser. No. 61/631,605 are incorporated herein in their entirety.
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Number | Date | Country | |
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61631605 | Jan 2012 | US |