The present invention relates to musical instruments, more particular to electrified stringed instruments and keyboard instruments.
Electric stringed instruments, such as electric guitars and electric bass guitars, are well known. Such instruments are capable of producing a wide variety of music and are useful in performing many different styles of music. Keyboard instruments, such as pianos, organs and electronic versions thereof, are also well known.
Musicians are constantly searching for new modes of musical expressions, as well as new instruments for producing and performing them. One such new instrument, the strummable electric harpsichord, disclosed and claimed in U.S. Pat. No. 6,967,270, enables a single performer to play, inter alia, electric guitar and electric bass parts using a single keyboard instrument. The '270 patent describes the use of devices (“pluckers”) that pluck or strum strings of the instrument in response to commands received from a processor when one or more keys of a keyboard are depressed by a performer. The pluckers can be programmed to repeatedly pluck their associated strings at varying speeds and for varying durations.
A continuing need exists for new musical instruments that enable a performer to achieve new and unique musical and other sound effects and to do so in different and creative performance styles.
In accordance with one aspect of the present invention, there is provided a musical instrument including a body, a neck attached to the body, a plurality of strings having first ends secured to the body and second ends secured to the neck, and a keyboard secured to the body.
According to a particular embodiment, the neck and the body are substantially coplanar. Alternatively, according to another particular embodiment, the body includes an extension that is at least partially non-coplanar with the neck. Such extensions can be, in very particular embodiments, substantially planar extensions that join with the remainder of the body at an acute angle, or, in other very particular embodiments, a curved extension, for example an extension having a substantially circular arc as a cross-section. In still other very particular embodiments, the keyboard is secured to at least a portion of the non-coplanar extension.
In accordance with another aspect of the present invention, there is provided a musical instrument including a body, a neck attached to the body, a plurality of strings having first ends secured to the body and second ends secured to the neck, a plurality of pluckers, each string being associated with at least one plucker, and a keyboard secured to the body.
In one particular embodiment, the neck comprises a fret board comprising a plurality of sensors in a number sufficient to detect a fingering of a plurality of notes playable on the fret board. In very particular embodiments, the sensors are touch sensors.
Other features and advantages of the present invention will become apparent to those skilled in the art from the following detailed description. It is to be understood, however, that the detailed description and specific examples, while indicating preferred embodiments of the present invention, are given by way of illustration and not limitation. Many changes and modifications within the scope of the present invention may be made without departing from the spirit thereof, and the invention includes all such modifications.
The invention may be more readily understood by referring to the accompanying drawings in which
a-b are partial cut-away top plan and side elevation views respectively of a first embodiment of a musical instrument according to the invention. The instrument includes a body, a neck attached to the body and equipped with a fret board, a plurality of metal strings each with an associated plucker, a manual strumming window, and a keyboard incorporated into the body. The player is enabled to play both the strings and the keyboard of the instrument.
a-c depict variant keyboards that are incorporated into particular embodiments of the invention, including keyboards solely utilizing keys for producing musical tones (
a-b are schematic top plan and side elevation views respectively of an alternative embodiment of a musical instrument according to the invention configured to utilize modular keyboard units, each keyboard being configured to produce musical tones from a different scale or tuning.
a-b are top plan (with strings partially cut away) and side elevation views (with strings omitted for clarity) respectively of a portion of a neck of an alternative embodiment of a musical instrument according to the invention, in which the neck has defined therein a bed into which a neck insert is removably engaged. Various neck inserts are engaged within the neck bed according to particular embodiments, illustrated examples of which include fretted neck inserts and fretless, touch-sensitive neck inserts.
a-b and 8a-b are cross-sectional views along line A-A of
a-b are generalized top plan and side elevation schematic representations of a musical instrument of the invention, identifying locations in which touch-sensitive elements are incorporated in various specific embodiments.
a-12b illustrate alternative embodiments of musical instruments according to the invention in which a keyboard is incorporated into a non-coplanar extension of the body. In
a-b and 14 illustrate embodiments of musical instruments according to the invention including fingerboard configurations that facilitate the identification of string played by a user and provide information useful in implementing various functions that require such identification.
Like numerals refer to like parts throughout the several views of the drawings.
In the following description, reference is made to pluckers, which are employed in embodiments of musical instruments according to the invention. Exemplary pluckers contemplated for use in embodiments of the invention are described in U.S. Pat. No. 6,967,270, to Gerardi et al., the entire disclosure of which is incorporated herein by reference. Where pluckers are described herein, their orientation can be vertical, horizontal or oblique.
Referring to
In the particular embodiment illustrated in
Musical instrument 10 affords a player a variety of performance options. First, musical instrument 10 can be played as a conventional stringed instrument, as shown as an electric guitar. The player fingers strings 22 along fret board 18, and manually strums or plucks strings 22 at manual strumming window 44 to produce desired musical notes, chords, etc. Second, musical instrument 10 can be played as a conventional keyboard instrument. The player uses one hand, or optionally both hands, to play desired notes, chords, etc. on keyboard 16.
Third, and uniquely to instruments according to the present invention, both strings 22 and keyboard 16 of musical instrument 10 can be played simultaneously by the player. Thus, for example, the player fingers one or more strings 22 with his left hand, while depressing one or more pedals 34. Depression of one or more pedals 34 activate one or more pluckers 26, which in turn sound the associated strings 22 to produce musical notes. At the same time, the player fingers keyboard 16 with his right hand to produce musical notes, chords, etc. The player thus is enabled to perform, e.g., electric guitar and electric piano notes, chords, melodies, etc. simultaneously. In effect, the inventive musical instrument provides a “third hand” to the performer.
Keyboards 16 useful in particular embodiments of musical instruments according to the invention are configured to produce a variety of sounds. As such, the terms “keys” and “keyboards” as used herein are not limited to the conventional white and black keys of a piano keyboard, but comprise any touch-sensitive elements in communication with sound-generating devices. Such depressible elements include, without limitation, white and black keys of a conventional piano keyboard, drum pads, cymbal pads, etc.
As shown in
Keyboards 16 can be incorporated into body 12 in various ways. In certain embodiments, such as the embodiment of
The illustrated modular keyboard units 92, 94 are configured to produce musical tones from different scales or tunings. Modular keyboard unit 92 is configured as a conventional diatonic piano keyboard to produce musical tones of conventional major and minor scales. Modular keyboard unit 94 is configured to produce musical tones of a Bohlen-Pierce tuning, as shown tones of a C-Lambda mode.
An alternative configuration of a keyboard employed in embodiments of the invention (which can be integral or modular) is adapted to generate Shepard scales based on the particular key fingered by the player. In such an embodiment, each key is associated with a Shepard scale based on and beginning with the note corresponding to the key. For example, the key corresponding to the note C4 (middle C) on a conventional diatonic keyboard is associated, in one particular alternative embodiment, with an ascending Shepard scale that begins with an low-volume (i.e., virtually inaudible) C4 sounded together with a high-volume (loud) C5 (an octave higher). The initial notes are then followed by a slightly louder C#4 and a slightly quieter C#5, followed by a yet louder D4 and a yet quieter D5, and so on, with equally loud frequencies at F#4 and F#5, finally reaching a loud B4 sounded together with an almost inaudible B5, with the addition of an almost inaudible B3. The cycle then repeats as long as desired, for example as long as the key remains depressed. Subsequent fingering of a different key produces another ascending Shepard scale based on the note associated with the key so fingered. Such discrete Shepard scales (whether ascending or descending) are generated according to certain specific embodiments, while according to other specific embodiments the corresponding continuous scale (Risset scale, or Shepard-Risset glissando) are generated instead. Appropriate control elements, such as Shepard scale generation control switch 100, which includes positions allowing alternation between generation of single notes and Shepard scales, and ascending/descending Shepard scale generation control switch 102, are included in specific embodiments enabling Shepard scale generation.
In addition to producing musical tones, some or all of the keys of a keyboard in certain embodiments of a musical instrument according to the invention can be used to control the operation of the pluckers, supplementing or replacing the operation of pedals and/or other control means. In very specific embodiments, various keys of the keyboard can be used to specify arpeggiation patterns by which strings of the instrument are plucked. Thus, turning now to
Various embodiments of musical instruments according to the invention include removable neck inserts which enable different playing styles and functions. Turning to
Fretted neck insert 154 comprises a plurality of neck insert frets 156. Once secured within neck insert bed 144, fretted neck insert 154 enables a player to play strings 22 in a manner similar to a conventional stringed instrument such as an electric guitar, by fingering the strings such that contact is made with various of frets 156. If desired, frets 156 can be omitted to afford an alternative fretless neck insert.
A further alternative fretless touch-sensitive neck insert 158 comprises a touch-sensitive element, for example a touchscreen such as that used in portable telecommunication devices, and includes at least one neck insert contact 160 (two are shown) arranged such that when insert 158 is secured within neck insert bed 144 (again using any desired conventional securing elements), each neck bed contact 150 comes into contact with corresponding neck insert contact 160. Fretless touch-sensitive neck insert 158 communicates with processor 32 via contact(s) 160 and 150 and neck circuitry 152. Optionally, fret lines 162 corresponding to conventional frets are provided to insert 158 for the player's convenience.
To play this embodiment, a player fingers one or more strings as with a conventional stringed instrument. When a string 22 is fingered, touch-sensitive neck insert 158 generates a signal indicating that the fingering has occurred, and this signal is provided to processor 32. Processor 32 in turn activates the plucker 26 associated with the string 22, and the string is plucked. Multiple strings fingered simultaneously are plucked together to produce a chord, or alternatively, are arpeggiated as discussed above with respect to
Embodiments of musical instruments according to the invention comprise any desired number and type of strings. Non-limiting examples include instruments utilizing six electric guitar strings, twelve electric guitar strings paired to yield six pairs of strings, and four electric bass strings. When paired strings are utilized, pluckers associated with each string in the pair can be controlled jointly by processor 32, or alternatively can be controlled individually. That is, each string of the pair can be controlled to pluck its associated string at a separate plucking frequency. For example, the second plucker of the pair can be controlled to pluck its associated string at twice the frequency of the first plucker.
The preceding embodiments have included a single neck affixed to the body of the musical instrument. Other embodiments of musical instruments according to the invention include two (or more) necks affixed to the same body. Thus, for example, in
The foregoing embodiments of musical instruments according to the invention have included keyboards that are fixed in one position relative to the body, namely substantially flush with the body (herein “Slash mode”), while in use. Some players may find that other positions than the flat, fixed position are more comfortable or facilitate a different playing style. Thus, additional embodiments of the invention provide keyboards whose position relative to the body is adjustable to non-flush positions (herein “Nerd mode”). Turning now to
In
The embodiments illustrated in
A generalized musical instrument 200 embodying touch-sensitive elements in accordance with aspects of the invention is illustrated in
Various exemplary specific embodiments of such musical instruments incorporate “virtual strings” together with physical strings and/or a physical keyboard, physical strings together with a “virtual keyboard”, both “virtual strings” and “virtual keyboards”, and any other combinations thereof.
A “virtual string” embodiment is operated as follows. A player “fingers” touch-sensitive neck board 202 as he would a conventional stringed instrument. Touch-sensitive neck board 202 detects the position(s) of contact by the player's finger(s), and conveys information pertaining to the contact to processor 210. Processor 210 uses the information so provided to determine which string or strings of a selected type of strings (e.g., electric guitar, electric bass, banjo, mandolin, etc., in a selected number, e.g., six, eight, twelve, etc.) have been fingered, and which note(s) the player intends to produce as a result of the fingering(s) so detected. Processor 210 then instructs sound generator 212 to generate the appropriate note or notes. The duration of the note(s) so produced can be specified by the player by various means, such as by use of a pedal 34, a slider 214, or other control devices, or by appropriate software instructions provided to processor 210.
Particular embodiments enable a player to determine the number and type of virtual strings in real time. In such embodiments, string configuration control unit 216 includes one or more dials, sliders, pads or other elements enabling the player to select the number of virtual strings to be played, as well as the type of strings and/or their tunings. If and when the player desires to change the string configuration, he need only adjust string configuration control unit 216 accordingly, and appropriate instructions are then provided to processor 210. Thus, for example, if the player is playing instrument 200 in a configuration using six electric guitar strings, and desires to change the string configuration to four electric bass strings, he need only adjust string configuration control unit 216 accordingly. Information received from touch-sensitive neck board 202 is then interpreted by processor 210 as pertaining to four electric bass strings rather than six electric guitar strings for determination of which string or strings are subsequently fingered and which note or notes are intended to be produced thereby.
In more particular “virtual string” embodiments, touch-sensitive strumming window 204 is employed together with touch-sensitive neck board 202. When moving contact of a player's finger(s) across touch-sensitive strumming window 204 (more specifically, by movement having at least a component directed from left to right or right to left in the direction defined by strumming axis 206 of strumming window 204), touch-sensitive strumming window 204 provides information to processor 210 pertaining to which specific virtual strings are so strummed. Together with fingering information provided to processor 210 from touch-sensitive neck board 202, the strumming information is used by processor 210 to determine which string and notes are to be sounded. Processor 210 then instructs sound generator 212 to sound the appropriate notes simultaneously, thus producing a strummed chord.
Similar principles apply in operating a “virtual keyboard” embodiment. In such embodiments, a player fingers touch-sensitive keyboard 208 as he would a physical keyboard. Touch-sensitive keyboard 208 detects the position(s) of contact by the player's finger(s), and conveys information pertaining to the contact to processor 210. Processor 210 uses the information so provided to determine which key or keys have been fingered, and thus which note(s) the player intends to produce as a result of the fingering(s) so detected. Processor 210 then instructs sound generator 212 to generate the appropriate note or notes. The duration of the note(s) so produced again can be specified by the player by various means, similar to those described previously with respect to “virtual string” embodiments. Likewise, various keyboard configurations, including octave ranges (for conventional diatonic keyboards), tritave ranges (for Bohlen-Pierce keyboards), and particular instrumental tones generated (e.g., piano, harpsichord, organ, or any other instrument capable of being synthesized), can be selected by the player and varied during performances as desired.
The preceding embodiments of musical instruments according to the invention have included bodies and necks that are substantially coplanar. Additional embodiments of musical inventions according to the invention include extensions of the body of the instrument that are at least partially non-coplanar. In more specific embodiments, the keyboard is secured to or incorporated into at least a portion of the extension. Such embodiments afford a performer an alternative keyboard location that may prove easier for the performer to use. Furthermore, the non-standard appearance of such embodiments affords the performer a new and different means of visually identifying himself, and also provides new possibilities for incorporating the shape of the instrument itself into his performance.
Referring now to
In
Referring to
Detachable embodiments such as the foregoing provide advantages such as ease of manufacture, storage and transportation. Furthermore, if desired, musical instrument 320 can be played without detachable curved body extension 324, i.e., as a conventional stringed instrument without incorporated keyboard.
Additional embodiments of musical instruments according to the invention incorporate elements that facilitate identification of the string(s) played by a user. Referring to
Each emitter 340 emits radiation, for example laser light having a desired frequency. The emitted radiation is detected by receiver 342. Thus, two anti-parallel beams of radiation are emitted, each beam being emitted in a direction substantially parallel to its associated string. Further, receiver 342 detects the interruption of radiation emission from opposing emitter 340 at the opposite end of string 22, and, in particular embodiments, provides information pertaining to such interruptions (such as the time of the interruption) to processor 32. Alternatively, receiver 342 processes the information and in turn communicates the results of such processing to processor 32.
In use (see
In
Embodiments of musical instruments according to the invention afford novel performance options to a player. For example, an off-stage performer can provide instructions to a two-neck “virtual string” embodiment such that the on-stage performer plays one neck of the instrument, and optionally the instrument's keyboard (physical or virtual), while the off-stage performer activates the second neck and thus produces an accompanying performance. In the same vein, an audience member can be enabled (e.g., via a telecommunications device) to activate the pluckers of an embodiment of a musical instrument of the invention and thus to strum one or more strings of the instrument which are fingered by the on-stage performer.
This application is based on U.S. Provisional Patent Application Ser. No. 61/208,140, filed Feb. 20, 2009, the entire disclosure of which is incorporated herein by reference.
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