Pictures Worth A Thousand Cameras, Scientific American (p. 46), Nov. 1996.* |
Virtual Camera Movement: The Way of the Future?, American Cinematograppher (pp. 93-100), Jun. 1998.* |
“If You Want Something Done Right . . . ”, Millimeter (p. 19), Jun. 1998.* |
Dayton Taylor's Timetrack Camera, Purple Prose (pp. 42-45), Jun. 1998.* |
“Freeze-Frame Filming in 3-D”, Time Digital (p. 12), Jun. 1998.* |
“Roger Ebert's Top 20 Movie Sites”, Yahoo Internet Life (p. 86). Jan. 1998.* |
The Camera, Life Library of Photography, Time-Life Books, p. 158, 1970.* |
“Virtual Camera Rebuttal,” American Cinematographer, p. 10, Oct. 1996.* |
Dayton Taylor, “BBC Tomorrow's World”, Timetrack Research Tape, May 12, 1993, Digital Air, Inc./Dayton Taylor. |
Dayton Taylor, Paul Simon “The Boy In The Bubble” excerpts, Timetrack Research, circa 1981 -1982, Digital Air, Inc./Dayton Taylor. |
“Pictures Worth A Thousand Cameras”, Scientific American (p. 46). |
Virtual Camera Movement: The Way of the Future?, American Cinematographer (pp. 93-100). |
“If You Want Something Done Right . . . ”, Millimeter (p.19). |
“Dayton Taylor's Timetrack Camera”, Purple Prose (pp. 42-45). |
“Freeze-Frame Filming in 3-D”, Time Digital (p. 12). |
“Roger Ebert's Top 20 Movie Sites”, Yahoo Internet Life (p. 86). |
The Camera, Life Library of Photography, Time Life Books, p. 158. |
“Virtual Camera Rebuttal,”American Cinematographer, p. 10. |