The present disclosure generally relates to electric guitar and bass pickups, and more particularly to onboard, real-time pickup blending for electric guitars and basses.
Typically, in order to provide the tones needed to record and/or perform music, multiple guitars and/or basses need to be used. More specifically, a guitarist has to utilize different guitars to get all of the desired tones. Each guitar uses a variation of different pickup combinations. A guitar has a pickup selector switch so the user can “select” which pickup from which to output tones. Industry standard pickup selector switches include: a 5-way selector, a 3-way selector, and on/off switches. The different pickup layout types were made popular by these main iconic guitars: Stratocaster®, Telecaster®, and Gibson Les Paul®. (STRATOCASTER and TELECASTER are registered trademarks of FENDER MUSICAL INSTRUMENTS CORPORATION.) (LES PAUL is a registered trademark of GIBSON BRANDS, INC.)
Embodiments of the present disclosure may provide for onboard, real-time pickup blending for electric guitars/basses that may utilize every possible tonal combination that double coil pickups can offer. Embodiments of the present disclosure may remove the industry standard pickup toggle switch from electric guitar/bass instruments. Instead of a user being limited to only using one pickup at a time to be selected, embodiments of the present disclosure may allow the user to mix in any combination of the pickups (top, bottom, or both) at any time. Accordingly, multiple pickups can be on at the same time and/or the user may blend in (or out) any percentage of any of the pickups that the user wishes to create a large combination of tones.
Embodiments of the present disclosure may provide a system for onboard, real-time pickup blending for electric guitars/basses comprising two separate options: coil splitting or series/parallel wiring. Coil splitting may include, at minimum, one Humbucker, but may be used if there are at least two double coil (Humbucker) pickups. Each of the at least two double coil pickups can include: a toggle switch to select a tonal characteristic of the pickup; and an off/on blender knob capable of blending sound from the pickup from 0-100% to a final mix; an optional master volume knob; and an optional master tone knob. A two-way toggle switch or a three-way toggle switch can be used for the coil splitting. The two-way toggle can split the multi-coil pickup as (i) both coils in series or (ii) North or South coil only. Alternatively, a three-way toggle switch is used for more tonal possibilities by triple splitting the multi-coil pickup into (i) north coil only, (ii) both coils in series, or (iii) south coil only.
In another embodiment, a series/parallel option may include a two-way toggle switch to select how the coils within a double coil pickup may be wired (in series versus in parallel), and an on/off blender knob capable of blending sound from the pickup from 0-100% to a final mix; an optional master volume knob, and an optional master tone knob.
In both embodiments, the master volume knob may be a potentiometer, and the master tone knob may be a potentiometer. Several types of potentiometers and resistive values can be used. For example, potentiometers with an audio taper or a linear taper can be used, and the resistive values of 250k Ohm, 500k Ohm, or others can be used based on preferences.
For coil splitting, the tonal characteristic may be selected from the following: North single coil only, series, or South single coil only. The off/on blender knob may be a potentiometer, which can have a resistive value of 500k Ohm. The at least two double coil pickups may comprise at least a neck pickup; a middle pickup; and a bridge pickup. For series/parallel, the tonal characteristic may be selected from the following: both coils within the double coil pickup wired as series or wired as parallel.
A neck pickup blender knob may be off (0%), a middle pickup blender knob may be off (0%), a bridge pickup blender knob may be on (100%), and a bridge pickup toggle switch may be set to middle to create a Gibson Les Paul Rock sound. The neck pickup blender knob and/or the middle pickup blender knob may be capable of being adjusted up in percentage to color a tone to cut through a mix. A neck pickup blender knob may be on (100%), a middle pickup blender knob may be off (0%), a bridge pickup blender knob may be off (0%), and a neck pickup toggle switch may be set in a down position to create a lead guitar tone. A neck pickup blender knob may be on (100%), a middle pickup blender knob may be off (0%), a bridge pickup blender knob may be on (100%), a neck pickup toggle switch may be set to down, and a bridge pickup toggle switch may be set to middle to create a combination of a Gibson Les Paul Rock sound and a lead guitar tone. The neck pickup blender knob and/or the bridge pickup blender knob may be capable of being adjusted down in percentage to make the combination less bright. The three-way toggle switch of each of the at least two double coil pickups may be adjustable in real time. The off/on blender knob of each of the at least two double coil pickups may be adjustable in real time. Each of the at least two double coil pickups, the master volume knob, and the master tone knob may be provided on a printed circuit board.
A system disclosed herein can be used on a stringed instrument, such as an electric guitar, bass, or the like, having an output and having pickups. At least one of the pickups can have dual coils. The system comprises a switching circuit and a plurality of taper circuits, which are configured to position on the stringed instrument. The switching circuit is associated respectively with each of the at least one of the pickups having the dual coils. Each respective switching circuit is electrically connected to the dual coils and is adjustable in real-time to select between at least two conditions for a signal of the at least one pickup having the dual coils. For its part, each taper circuit is associated with a respective one of the pickups. Each taper circuit is electrically connected between the respective pickup and the output and is adjustable in real-time to vary an amplitude of the signal from the respective pickup for output to the instrument's output.
In one example, the switching circuit is adjustable in real-time to select between conditions that include selecting a north coil only, selecting a south coil only coils, and selecting a series wiring of the north and south coils. In another example, the switching circuit is adjustable in real-time to select between conditions that include selecting a series wiring of the dual coils and selecting a parallel wiring of the dual coils.
A stringed instrument disclosed herein comprises an output, pickups, a switching circuit, and taper circuits. At least one of the pickups has dual coils. The switching circuit and a plurality of taper circuits are configured to position on the stringed instrument. The switching circuit is associated respectively with each of the at least one of the pickups having the dual coils. Each switching circuit is electrically connected to the dual coils and is adjustable in real-time to select between at least two conditions for a signal of the at least one pickup having the dual coils. For their part, each of the taper circuits is associated respectively with each of the pickups. Each taper circuit is electrically connected between the respective pickup and the output and is adjustable in real-time to vary an amplitude of the signal from the respective pickup for output to the instrument's output.
A kit disclosed herein can be used on a stringed instrument having an output and having one (first) pickup, which has a plurality of first pickup leads. The kit comprises an output terminal, a first switch terminal, a first taper terminal, and a plurality of first lead contacts. The output terminal has a hot contact and a ground contact configured to connect to the instrument's output. The ground contact is disposed in electric communication with a circuit ground. The first switch terminal has first, second, and third switch contacts. The third switch contact is disposed in electric communication with the circuit ground. The first taper terminal has an input contact, an output contact, and a ground contact. The ground contact is disposed in electric communication with the circuit ground, and the output contact is disposed in electric communication with the hot contact of the output terminal. The first lead contacts are configured to connect to the first pickup leads of the first pickup. The first lead contacts include: a first of the first lead contacts disposed in electric communication with the first switch contact of the first switch terminal and the input contact of the first taper terminal; a second of the first lead contacts disposed in electric communication with the second switch contact of the first switch terminal; a third of the first lead contacts disposed in electric communication with the second switch contact of the first switch terminal; and a fourth of the first lead contacts disposed in electric communication with the circuit ground.
For a stringed instrument having two (first and second) pickups, the kit can comprise first and second switch terminals, first and second taper terminals, and first and second sets of lead contacts configured respectively for the first and second pickups. For a stringed instrument having up to three (first, second, and third) pickups, the kit can comprise first, second, and third switch terminals; first, second, and third taper terminals; and first, second, and third sets of lead contacts configured respectively for the first, second, and third pickups.
The kit can further comprise a volume terminal having an input contact, an output contact, and a ground contact. The input contact can be disposed in electric communication with the output terminals of the taper terminals. The output contact can be disposed in electric communication with the hot contact of the output terminal, and the ground contact can be disposed in electric communication with the circuit ground. For the kit having such a volume terminal, the kit can include at least one of: a volume potentiometer configured to connect in electrical communication with the volume terminal; and a jumper configured to connect in electrical communication with the volume terminal. Therefore, the kit can operate with a volume potentiometer, or the jumper can be used instead.
The kit can further comprise a tone terminal at least having an input contact and an output contact. The input contact can be disposed in electric communication with input contact of the volume terminal, and the output contact can be disposed in electric communication with ground terminal of the volume terminal. For the kit having such a tone terminal, the kit can include a tone potentiometer configured to connect in electrical communication with the tone terminal.
The kit can comprise a circuit board having connectors and electronic traces. The connectors can be disposed on the circuit board and can be provided for one or more of the output terminal, the switch terminal(s), the taper terminal(s), and the lead contacts. The electronic traces are printed on the circuit board for electronic communication therebetween the contacts of the respective terminals.
The kit can function with plug-in-play capabilities. The user can attach any of the components desired and can leave other components disconnected. In fact, a kit configured for three pickups can be completely disconnected with no potentiometers or switches connected to the board. The jumper can be connected to the volume terminal, the pickup wires can be connected to the pickup terminals, and the output jack can be connected to the output terminal. In this arrangement, then the instrument will function, but will lack any switches, master volume, master tone, and blending.
The string instrument may have a dual coil pickup for any one of the pickups. In that instance, the kit can further comprise a switch configured to connect in electrical communication with the respective switch terminal. The switch can be configured to switch between North coil only, South coil only, and series wiring of the dual coils.
The string instrument may have a single coil pickup for any one of the pickups. In that instance, a hot lead of the single coil pickup can connect to the first of the respective lead contacts, and a ground lead the single coil pickup can connect to the fourth of the respective lead contacts.
Other technical features may be readily apparent to one skilled in the art from the following figures, descriptions, and claims.
For a more complete understanding of this disclosure, reference is now made to the following description, taken in conjunction with the accompanying drawings, in which:
Strings 5 extend from the headstock of the neck 1n to a bridge 3 mounted on the body 1b of the guitar 1. A plurality of electronic pickups 4 are mounted on the body 1b. The electronic pickups 4 can be inductive sensors, piezoelectric sensors, or the like to convert the vibrations of the strings to an electrical signal.
For example, the electronic pickups 4 can be an inductive sensor, such as a single coil or double coil pickup. Such an inductive sensor has a coil of wire wrapped around permanent magnet pole piece(s). The inductive sensor generates a magnetic field around the strings 5 and generates a voltage when the strings vibrate and change the magnetic field. Several types of inductive pickups are available including double coil (Humbucker) pickups, single coil pickups, P90 pickups, P-Bass pickups, jazz pickups, double stacked jazz pickups, hexaphonic pickups, etc.
In another example, the electronic pickups 4 can be a piezoelectric sensor that detects vibrations of the strings 5 and the instrument 1. Such a piezoelectric sensor can typically be placed at the bridge 3 of the stringed instrument 1. In further examples, the electronic pickups 4 can include a microphone, a voice coil, or other sensor responsive to audio signals. In fact, the teachings of the present disclosure can use any suitable source of electronic signals to be used as sound input for an “electronic pickup” as described herein.
The pickups 4 and the electric signals they produce can be controlled using the analog electronic system 10 of the present disclosure, which is mounted on (or housed inside) the guitar's body 1b. The electric signals at the output jack 2 of the guitar 1 can pass through a cable 6 to signal processing equipment 7 and an amplifier 8.
Embodiments of the electronic system 10 of the present disclosure may provide for a user to mix any combination of pickups 4 (whether coil splitting through top, bottom, or both or series/parallel) at any time through use of a selector or toggle switch 12. The selector or toggle switch 12 may allow a desired one or more of multiple pickups 4 to be selected and placed in either a parallel or series configuration as described herein. Accordingly, multiple pickups 4 can be on at the same time and/or the user may blend in (or out) any percentage of any of the pickups 4 that the user wishes to create a large combination of tones. More specifically, a user may use a selector or toggle switch 12 to select a pickup type (whether coil splitting through top/North, both, or bottom/South or series/parallel wiring) and then identify whether the output should be on or off and/or what percentage of output (0-100%) should be utilized (such as through use of a blending knob 14 or other selection mechanism). Accordingly, through the use of the above-described selection mechanisms 12, 14, multiple pickups 4 can be “on” at the same time and/or the user may blend in (or out) any percentage of any of the pickups 4 that the user wishes to create a large combination of tones.
Embodiments of the electronic system 10 of the present disclosure may provide scalable wiring, and in some embodiments of the present disclosure, a minimum of two double coil (also known as Hum bucker) pickups 4 may be used. In an example, a guitar 1 may include a master volume knob V (500k Ohm potentiometer) and a master tone knob T (500k Ohm potentiometer). These potentiometers V, T may be utilized to control volume and tone for modifying the sound provided by the guitar 1 in embodiments of the present disclosure.
With each pickup 4, there may be a two-way or a three-way toggle switch 12 that may allow the user to select the tonal characteristics of the pickup 4 in question (i.e., coil splitting through North Coil only (North Single Coil) or South Coil only (South Single Coil); series/parallel through coils wired in series or wired in parallel). For example, the pickup 4 can be a dual coil pickup having a north coil and a south coil. A three-way switch 12 associated with the pickup 4 can be selectable between a first condition selecting the north coil only, a second condition selecting the south coil only, and a third condition selecting a series wiring of the north coil and the south coil. Alternatively, a two-way switch 12 associated with the pickup 4 can be selectable between a first condition selecting the north or south coil only and a second condition selecting a series wiring of the north coil and the south coil.
A blending knob 14 (e.g., potentiometer) or other similar selection mechanism may function as an off/on taper or blender of the electronic signals of the pickup 4. This may allow the user to blend in the sound from the pickup 4 anywhere from 0-100% to the final mix for the output signal. The potentiometers 14 can have a linear or logarithmic taper as desired.
Each of the pickups 40N, 40B is wired to a respective switching circuit 70N, 70B, which provide the coil splitting operation. In turn, each switching circuit 70N, 70B, is wired to a respective volume, blending, or taper circuit 60N, 60B, which provide the pickup volume blending operation. The output terminals (66) of both of the taper circuits 60N, 60B are wired to an input terminal (52) of the volume control potentiometer 50V, which is arranged as a voltage divider having a resistive element connected between the input terminal (52) and a ground terminal (54) with a movable wiper connected to an output terminal (56). The output terminal (56) of the volume control potentiometer 50V is wired to a hot contact 22 (tip) of an output jack 20.
For its part, the tone control potentiometer 50T is wired to the volume control potentiometer 50V to adjust the tone of the signal. The tone control potentiometer 50T is arranged as a variable resistor or a rheostat having a resistive element connected to an input terminal (53) with a movable wiper connected to an output terminal (57).
Looking in further detail, the start wire for the North coil 41n of the double coil neck pickup 40N and the start wire for the South coil 41s of the double coil neck pickup 40N each may be electrically connected to respective load terminals of a switching circuit 70N (e.g., a single pole double throw (SPDT) switch) for the neck pickup 40N. The SPDT switch 70N can be an on-off-on SPDT switch having a common terminal (C) and two load terminals (Ln, Ls). Meanwhile, the finish wires for the North and South coils 41n, 41s of the double coil neck pickup 40N are electrically connected to the common terminal (C) of the neck's SPDT switch 70N.
The electrical connection for the start wire for the North coil 41n may run from the neck's SPDT switch 70N to an input terminal (62) of a taper circuit 60N (e.g., a neck blending potentiometer). The neck blending potentiometer 60N is arranged as a voltage divider having a resistive element connected between the input terminal (62) and a ground terminal (64) with a movable wiper connected to an output terminal (66). (As an alternative, the electrical connection for the start wire for the North coil 41n may run from the neck's SPDT switch 70N to the output terminal (66), while the input terminal (62) connects to the input terminal (52) of the volume control 50V.) The electrical connection for the start wire for the South coil 41s may run from the neck's SPDT switch 70N to be grounded (i.e., being connected to the housing of the neck blending potentiometer 60N).
The SPDT switch 70N in a north “ON” condition electrically connects the North coil finish wire at the common terminal (C) to the north load terminal (Ln): this isolates the north coil 41n for blending by the neck blending potentiometer 60N. The SPDT switch 70N in a south “ON” condition electrically connects the South coil finish wire at the common terminal (C) to the south load terminal (Ls): this isolates the north coil 41n for blending by the neck blending potentiometer 60N. The SPDT switch 70N in an intermediate “OFF” condition does not connect the common terminal (C) to either load terminal (Ln, Ls) so that the neck pickup 40N operates as a dual coil pickup (i.e., humbucker) for blending by the neck blending potentiometer 60N.
Continuing with the neck pickup's electrical connection, the ground terminal (64) of the neck blending potentiometer 60N is grounded (i.e., being connected to the housing of the neck blending potentiometer 60N). The output terminal (66) is electrically connected to the input terminal (52) of the volume control potentiometer 50V. A resistor may be provided for this electrical connection between the volume control potentiometer 50V and the neck blending potentiometer 60N. The resistor can be 3.3K Ohm resistor. Other configurations may not require use of such a resistor.
Looking now at the bridge pickup 40B, its wiring to a switching circuit 70B and a taper circuit 60B is comparable to that of the neck pickup 40N. The start wire for the North coil 41n of the double coil bridge pickup 40B and the start wire for the South coil 41s of the double coil bridge pickup 40B each may be electrically connected to respective terminals of a switching circuit 70B (e.g., a second single pole double throw (SPDT) switch) for the bridge pickup 40B. The SPDT switch 70B can be an on-off-on SPDT switch having a common terminal (C) and two load terminals (Ln, Ls). (As an alternative, the electrical connection for the start wire for the North coil 41n may run from the bridge's SPDT switch 70B to the output terminal (66), while the input terminal (62) connects to the input terminal (52) of the volume control 50V.) Meanwhile, the finish wires for the North and South coils 41n, 41s of the double coil bridge pickup 40N are electrically connected to a common terminal (C) of the bridge's SPDT switch 70B. The SPDT switch 70B can be similarly configured as the other SPDT switch 70N.
The electrical connection for the start wire for the North coil 41n may run from the bridge's SPDT switch 70B to another taper circuit 60B (e.g., a bridge blending potentiometer) configured to control the blending of the bridge pickup's signals. The bridge blending potentiometer 60N is arranged as a voltage divider having a resistive element connected between the input terminal (62) and a ground terminal (64) with a movable wiper connected to an output terminal (66). The electrical connection for the start wire for the South coil 41s also may run from the SPDT switch 70B to be grounded (i.e., connected to the housing of the bridge blending potentiometer 60B).
Continuing with the bridge pickup's electrical connection, the ground terminal (64) of the bridge blending potentiometer 60B is grounded (i.e., being connected to the housing of the bridge blending potentiometer 60B). The output terminal (66) is electrically connected to the input terminal (52) of the volume control potentiometer 50V. Again, a resistor may be provided for this electrical connection between the volume control potentiometer 50V and the bridge blending potentiometer 60B. The resistor can be 3.3K Ohm resistor. Other configurations may not require use of such a resistor.
The guitar's bridge 30 is also depicted in
As is typical, the ground sleeve 24 is the inner, circular portion of output jack 20. The output jack 20 also may include the tip 22, which may be considered a hot contact of output jack 20. The hot contact 22 may be wired to an output terminal (56) of the volume control potentiometer 50V. The control potentiometers 50V, 50T may be connected to one another as well as depicted in
The electronic system 10 of the present disclosure can be integrated into a stringed instrument, such as an electric guitar. For example,
For example,
Looking in more detail, a connector 102 is configured to connect to hot and ground wires from an output jack (20). The connector 102 has two terminals, a first terminal (1) is connected to a terminal of a connector 105V for the volume potentiometer (50V) and a second terminal (2) is connected to ground.
Connectors 105V, 105T provided on the circuit 100 are configured to connect to terminals of control potentiometers (50V, 50T) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure. Connectors 106N, 106M, 106B provided on the circuit 100 are configured to connect to terminals of blending potentiometers (60B, 60N, 60B) for three double coiled pickups (neck, middle, and bridge) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure. Connectors 107N, 107M, 107B similarly provided on the circuit 100 are configured to connect to terminals of SPDT switches (60B, 60N, 60B) for the three double coiled pickups (neck, middle, and bridge) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure.
Finally, connectors 104N, 104M, 104B provided on the circuit 100 are configured to connect to leads for the three double coiled pickups (neck, middle, and bridge) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure. These connectors 104N, 104M, 104B have five connection terminals to accommodate the several types of electronic pickups used for guitars, basses, and the like. For instance, some electronic pickups have two wires (e.g., a lead and a ground for a single coil pickup, or a hot lead and a ground lead for a Gibson style humbucker). Other electronic pickups have four wires (e.g., north start, north finish, south start, and south finish for a Fender system humbucker) or five wires (e.g., north start, north finish, south start, south finish, and a bare ground for some types of hum buckers).
This circuit 100 can be used to retrofit a guitar, which may have the pickups, some of the potentiometers, and the like already installed. New or replacement components can be included with the circuit 100 in the kit to retrofit the guitar.
Each of the pickups 40N, 40B is wired to a respective switching circuit 70N, 70B, which provide the coil splitting operation. As before, the switching circuit 70N, 70B can each be an on-off-on single pole double throw (SPDT) switch having a common terminal (C) and two load terminals (Ln, Ls). In turn, each switching circuit 70N, 70B is wired to a taper circuit 80N, 80B, which provide the pickup on/off toggle operation as a form of taper or blending. In the present configuration, the taper circuits 80N, 80B can each include an on-on double pole double throw (DPDT) switch having common terminals (C) and two load terminals (L1, L2) for the dual poles. Common terminals (C) of both of the DPDT switches 80N, 80B are wired to an input terminal (52) of the volume control potentiometer 50V. For its part, the tone control potentiometer 50T is wired to the volume control potentiometer 50V to adjust the tone of the signal. Finally, the output terminal (56) of the volume control potentiometer 50V is wired to a hot contact 22 (tip) of an output jack 20.
Looking in further detail, the start wire for the North coil 41n of the double coil neck pickup 40N and the start wire for the South coil 41s of the double coil neck pickup 40N each may be electrically connected to respective terminals of a switching circuit 70N (e.g., a single pole double throw (SPDT) switch) for the neck pickup 40N. Meanwhile, the finish wires for the North and South coils 41n, 41s of the double coil neck pickup 40N are electrically connected to a common terminal (C) of the neck's SPDT switch 70N.
The electrical connection for the start wire for the North coil 41n may run from the neck's SPDT switch 70N to a load terminal (L1) of the DPDT switch 80N. The electrical connection for the start wire for the South coil 41s may run from neck's SPDT switch 70N to be grounded (i.e., being connected to the housing of the tone control potentiometer 50T).
Continuing with the neck pickup's electrical connection, the common terminals (C) of the neck's DPDT switch 80N of the two poles are electrically connected together. The common terminals (C) are electrically connected to the input terminal (52) of the volume control potentiometer 50V and are electrically connected to one of the common terminal (C) for the south pole of the other DPDT switch 80B.
Looking now at the bridge pickup 40B, its wiring to a switching circuit 70B and a taper circuit 80B is comparable to that of the neck pickup 40N. The North start wire for the North coil 41n of the double coil pickup for the bridge pickup 40B and the South start wire for the South coil 41s of the double coil pickup for the bridge pickup 40B each may be electrically connected to respective terminals of the SPDT switch 70B for the bridge pickup 40B. Meanwhile, the finish wires for the North and South coils 41n, 41s of the double coil bridge pickup 40B are electrically connected to a common terminal © of the bridge's SPDT switch 70B. The electrical connection for the North start wire for the North coil 41n may run from the bridge's SPDT switch 70B to a load terminal (L1) of the south pole of the DPDT switch 80B for the bridge pickup 40B.
Continuing with the bridge pickup's electrical connection, the common terminals (C) for the north pole of the DPDT switch 80B connects to the second load terminal (L2) of the south pole of the neck's DPDT switch 80B. Finally, a load terminal (L2) of the north pole of the DPDT switch 80B is grounded (i.e., being connected to the housing of the tone control potentiometer 50T).
The guitar's bridge 30 is also depicted in
As is typical, the ground sleeve 24 is the inner, circular portion of output jack 20. The output jack 20 also may include the tip 22, which may be considered a hot contact of output jack 20. The hot contact 22 may be wired to an output terminal (56) of the volume control potentiometer 50V. The control potentiometers 50V, 50T may be connected to one another as well as depicted in
Although
Each of the pickups 40N, 40B is wired to a respective switching circuit 90N, 90B, which provide the series/parallel operation. In turn, each switching circuit 90N, 90B is wired to a respective volume, blending, or taper circuit 60N, 60B, which provide the pickup volume blending operation. The output terminals 66 of both of the taper circuits 60N, 60B are wired to an input terminal (52) of the volume control potentiometer 50V. For its part, the tone control potentiometer 50T is wired to the volume control potentiometer 50V to adjust the tone of the signal. Finally, the output terminal (56) of the volume control potentiometer 50V is wired to a hot contact 22 (tip) of an output jack 20.
Looking in further detail, the start wire for the North coil 41n of the double coil neck pickup 40N and the start wire for the South coil 41s of the double coil neck pickup 40N each may be electrically connected to respective load terminals (L1) of the dual poles for a switching circuit 90N (e.g., an on-on double pole double throw (DPDT) switch) for the neck pickup 40N. Meanwhile, the finish wires for the North and South coils 41n, 41s of the double coil neck pickup 40N are electrically connected to respective common terminals (C) of the neck's DPDT switch 90N.
The electrical connection for the start wire for the North coil 41n may then run from one pole's load terminal (L1) of the DPDT switch 90N to the input terminal (62) of the neck blending potentiometer 60N, and the start wire for the South coil 41s may then run from the other pole's load terminal (L1) of the DPDT switch 90N to be grounded (i.e., being connected to the grounded housing of the volume control potentiometer 50V). The other load terminals (L2) for the two poles of the DPDT switch 90N are interconnected by a jumper.
Continuing with the neck pickup's electrical connection, the ground terminal (64) of the neck blending potentiometer 60N is grounded (i.e., being connected to the housing of the neck blending potentiometer 60N). The output terminal (66) is electrically connected to the input terminal (52) of the volume control potentiometer 50V. A 3.3K Ohm resistor may be provided for this electrical connection between the volume control potentiometer 50V and the neck blending potentiometer 60N.
Looking now at the bridge pickup 40B, its wiring to a switching circuit 90B and a taper circuit 60B is comparable to that of the neck pickup 40N. The start wire for the North coil 41n of the double coil bridge pickup 40B and the start wire for the South coil 41s of the double coil bridge pickup 40B each may be electrically connected to respective load terminals (L1) of the dual poles for a switching circuit 90B (e.g., an on-on DPDT switch). Meanwhile, the finish wires for the North and South coils 41n, 41s of the double coil bridge pickup 40B are electrically connected to respective common terminals (C) of the bridge's DPDT switch 90B.
The electrical connection for the start wire for the North coil 41n may run from one pole's load terminal (L1) of the DPDT switch 90B to the input terminal (62) of the bridge blending potentiometer 60B. The start wire for the South coil 41s also may run from the other pole's load terminal (L1) of the DPDT switch 90B to be grounded (i.e., being connected to the grounded housing of the potentiometer 60B). The other load terminals (L2) for the two poles of the DPDT switch 90B are interconnected by a jumper.
Continuing with the bridge pickup's electrical connection, the ground terminal (64) of the bridge blending potentiometer 60B is grounded (i.e., being connected to the housing of the bridge blending potentiometer 60B). The output terminal (66) is electrically connected to the input terminal (52) of the volume control potentiometer 50V. Again, a 3.3K Ohm resistor may be provided for this electrical connection between the volume control potentiometer 50V and the bridge blending potentiometer 60B.
The guitar's bridge 30 is also depicted in
The hot contact 22 of the output jack 20 may be wired to the volume control potentiometer 50V. A capacitor 55, such as a 0.0022 F capacitor, may be provided and connected between the ground terminal (54) of the volume control potentiometer 50V and the variable terminal (57) of the tone control potentiometer 50T.
As noted, the electronic system 10 of the present disclosure can be implemented as a circuit board having preconfigured electrical traces and terminal connectors. For example,
Looking in more detail, a connector 102 is configured to connect to the hot and ground wires from an output jack (20). The connector 102 has two terminals, a first terminal (1) is connected to a terminal of a connector 105V for the volume potentiometer (50V) and a second terminal (2) is connected to ground.
Connectors 105V, 105T provided on the circuit 100 are configured to connect to terminals of control potentiometers (50V, 50T) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure. Connectors 106N, 106M, 106B provided on the circuit 100 are configured to connect to terminals of blending potentiometers (60N, 60M, 60B) for three double coiled pickups (neck, middle, and bridge) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure.
In this circuit 100, the DPDT switches (90N, 90M, 90B) for the three double coiled pickups (neck, middle, and bridge) are preinstalled on the circuit 100 and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure. As an alternative, the circuit 100 can instead include connectors (not shown) for connection to separate DPDT switches (90N, 90M, 90B). Finally, connectors 104N, 104M, 104B provided on the circuit 100 are configured to connect to leads for the three double coiled pickups (neck, middle, and bridge) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure.
Looking at an alternative arrangement,
In an embodiment of the present disclosure, a user may use a configuration similar to that depicted below in order to create the multiple tones. If a Gibson Les Paul Rock sound is required, the user may set the configuration to the following:
If a lead guitar tone was needed, such as with a Fender Stratocaster, the user may set the configuration to the following:
If a combination of both the tones above is desired, the user may set the configuration to the following:
If this combination ended up sounding too bright, the user may dial down one of the pickups using the following configuration:
Another application of use according to embodiments of the present disclosure may be at a live concert. A guitarist uses various effects and volume pedals to achieve different tonal changes live in real time. By giving the ability to turn on or off other pickup tones on the fly in real time, a guitarist could easily change their tone without the need of other external effects. One example would be if a guitarist is playing a Rhythm guitar part using configuration:
Once the song needs a change in tone for the guitar (i.e., a solo, lead part, or just something that needs to cut through the mix), the guitarist could just turn on another pickup slightly in order to color the tone a little more so that it will cut though the mix. A configuration such as the following may achieve this tone:
As reflected in the above embodiments, configurations according to embodiments of the present disclosure are not limited to on/off output. Rather, values from 0-100% of any pickup may be blended using any configuration of the pickup. This may provide a variety of new tonal options that have not been previously possible.
As reflected herein, there may be some scenarios where series and/or parallel wiring may be utilized. Series wiring refers to standard wiring for double coil pickups 40N, 40B (i.e., two single coil pickups wired together in series to create a tone). Parallel wiring splits a double coil pickup 40N, 40B into two single coil pickups but wires them together in parallel, essentially making it sound like one single coil pickup but at twice the volume. Scenario 1 depicts two pickups 40N, 40B, each wired in series but one with a pickup output of 40% and the other having a pickup output of 100%. Scenario 2 depicts two pickups 40N, 40B, one wired in series having a pickup output of 40% and the other wired in parallel having a pickup output of 100%. Scenario 3 depicts two pickups 40N, 40B, each wired in parallel but one with a pickup output of 40% and the other having a pickup output of 100%.
As noted previously,
As labeled in
The PCB's 500 may further include bridge potentiometer contacts 507, middle potentiometer contacts 508, and neck potentiometer contacts 509. At least one ground contact (GND) 510 also may be provided along with output contacts 511, tone volume contacts 512, main volume contacts 513, and capacitor contacts 514 in embodiments of the present disclosure. Test pads N1-5, M1-5 and B1-5 may allow for quick testing of the continuity between each of the wires for each pickup (i.e., neck (N1-N5), middle (M1-M5), and bridge (B1-135). Resistor contacts R1-R3 represent contacts for the resistors needed for each pickup: R1 for neck, R2 for middle, and R3 for bridge.
As shown in
As shown in the diagram of
Connectors 105V, 105T provided on the circuit 100 are configured to connect to terminals of control potentiometers (50V, 50T) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure. Should a volume control potentiometer not be used, then a jumper cable (not shown) can be inserted into terminals of the connector 105V to bypass.
Connectors 106N, 106M, 106B provided on the circuit 100 are configured to connect to terminals of blending potentiometers (60B, 60N, 60B) for three double coiled pickups (neck, middle, and bridge) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure. Connectors 107N, 107M, 107B similarly provided on the circuit 100 are configured to connect to terminals of SPDT switches (60B, 60N, 60B) for the three double coiled pickups (neck, middle, and bridge) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure.
Although not shown in
Finally, connectors 104N, 104M, 104B provided on the circuit 100 are configured to connect to leads for the three pickups (neck, middle, and bridge) and are preconfigured with electrical connections to other parts of the circuit 100 according to the present disclosure. These connectors 104N, 104M, 104B have five connection terminals to accommodate the several types of electronic pickups used for guitars, basses, and the like. For instance, some electronic pickups have two wires (e.g., a lead and a ground for a single coil pickup, or a hot lead and a ground lead for a Gibson style humbucker). Other electronic pickups have three wires (e.g., start wire, finish wire, and baseplate ground), four wires (e.g., north start, north finish, south start, and south finish for a Fender system humbucker) or five wires (e.g., north start, north finish, south start, south finish, and a bare ground for some types of humbuckers).
As noted, this circuit 100 can accommodate pickups other than just double coil pickups as discussed previously. Instead, this circuit 100 can accommodate single coil pickups, double coil pickups (humbucker) pickups, piezoelectric pickups, etc., as long as each pickup has at least two leads (i.e., at least a hot lead and a ground lead). To connect a single coil pickup to a connector 104, the hot lead is connected to terminal (1) of the connector 104, and the ground lead is connected to terminal (4) of the connector 104. Connecting a piezoelectric pickup would be similar. To connect a pickup with three leads (hot, ground, bare ground), then the hot lead is connected to terminal (1) of the connector 104, the ground lead is connected to terminal (4) of the connector 104, and the bare ground is connected to terminal (5) of the connector 104.
When a single coil pickup is used and connected to a respective connector 104, then a switch to select coil splitting would not be needed and would not be connected to the respective switch connector 107. The default electrical connections would still connect the single coil pickup to the respective connector 106 of a blending potentiometer for the single coil pickup.
To connect a pickup with four or five leads (North Start, North Finish, South Finish, South Start, and optional bare ground), such as a double coil humbucker pickup, then the North Start lead is connected to terminal (1), the North Finish lead is connected to terminal (2), the South Finish lead is connected to terminal (3), the South Start lead is connected to terminal (4), and any bare ground lead (if present) is connected to terminal (5). When a double coil pickup is used and connected to a respective connector 104, then a switch to select coil splitting can be connected to the respective switch connector 107. If such a switch is not used, however, the default electrical connections would still connect the double coil pickup to the respective connector 106 of a blending potentiometer for the double coil pickup.
As noted above, the modular analog circuits 100 of the present disclosure can be used with distinct types of pickups, including single coil, double coil humbucker, piezoelectric, etc., as long as the pickup has at least two leads (i.e., at least a hot lead and a ground lead). Previous depictions have shown double coil pickups. For further illustration,
Finally,
The foregoing description of preferred and other embodiments is not intended to limit or restrict the scope or applicability of the inventive concepts conceived of by the Applicants. It will be appreciated with the benefit of the present disclosure that features described above in accordance with any embodiment or aspect of the disclosed subject matter can be utilized, either alone or in combination, with any other described feature, in any other embodiment or aspect of the disclosed subject matter.
In exchange for disclosing the inventive concepts contained herein, the Applicants desire all patent rights afforded by the appended claims. Therefore, it is intended that the appended claims include all modifications and alterations to the full extent that they come within the scope of the following claims or the equivalents thereof.
The present application is a continuation-in-part of U.S. patent application Ser. No. 17/588,513 filed Jan. 31, 2022, which is a continuation of U.S. patent application Ser. No. 17/397,627 filed Aug. 9, 2021—now U.S. Pat. No. 11,276,381, the disclosures of which are each incorporated by reference in their entireties.
Number | Date | Country | |
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Parent | 17397627 | Aug 2021 | US |
Child | 17588513 | US |
Number | Date | Country | |
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Parent | 17588513 | Jan 2022 | US |
Child | 18381312 | US |